Jean Dansereau

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How Canadians adjust to their long, snowbound season. Filmed with humour, 'The Joy of Winter' shows people making the best of what they cannot change. From tiny tots to human polar bears the film leaves no doubt that, in the eyes of many Canadians, winter may offer more attractions than summer.

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A two-part in-depth exploration of the evolution of the private film industry, seen through the eyes of more than 50 industry professionals. Part One (1939-1979) : Artists and professionals from the social and commercial film sectors recount the struggle to build a film industry that is privately operated yet publicly funded. Part Two (1980-2010) : Executives, policymakers, and industry professionals trace the origins of the major funding institutions and discuss the unintended consequences of building a cultural industry around performance metrics, revenue generation, and private profit.

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In a poor neighborhood, teenagers plot an assassination while a party is being organized for the local usurer.

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Two youngsters, a boy and girl barely into their teens, set up housekeeping together after dropping out of school. They have very little money and end up living in a rooming house. They spend their time playing, coming up with slogans, and writing them on available walls. Their relationship is mostly fraternal, so the boy doesn't understand the girl's jealousy when he begins receiving attention from an older woman. When the girl undertakes drastic measures, he begins to understand. This Canadian film is in French, with a French director.

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When a sexually promiscuous young woman finds herself pregnant and unmarried her three brothers vow to find the man responsible and punish him for what they consider the rape of their sister.

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One of the most popular Lebanese films of the late 1990s, Around the Pink House is a story that explores the changing urban landscape of Beirut after the Civil War. La maison rose (the pink house) is an old mansion in Beirut where the Nawfal family found shelter during the Civil War. Unfortunately for them, their immediate environment is rapidly changing, as many of the old shell-ridden buildings are being torn down and replaced by new construction projects. When Mattar, the owner of the pink house, decides to sell it to make room for a large commercial centre, the residents of the neighbourhood become divided between the shopkeepers and businessmen in favour of a different kind of modernity.

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In Quebec 40s, orphans or abandoned children are placed in a gigantic psychiatric hospital where children were locked. Were they sick? No, they simply had no family. To escape this oppressive universe, they created a parallel world: the institution's basement where, in a maze of tunnels, they founded an independent company, with its rituals, spells. A young girl, Agnes, reigns over this underground world that adults seem to tolerate.

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Made in collaboration with the Inuit Tungavingat Nunamini, this film focuses on those dissident members of the Inuit community who rejected the agreement signed on November 11, 1975, between the Northern Quebec Inuit Association, the Québec and federal governments, the James Bay Energy Corporation, the James Bay Development Corporation, Hydro-Québec and the Grand Council of the Crees, which took away Native rights to a territory of almost one million square kilometres. By their words and actions, the dissident Inuit of Povungnituk, Ivujivik and Sugluk express their strong desire to retain their land and their traditions. The filmmakers go into their homes, on the ice and the sea to record first-hand the lives of these northern people.

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