Yolande Yau Pui-Ling

Four short tales set in contemporary Hong Kong.

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A person's life is destined to be shorter than that of a city. Having spent her whole life in Shanghai, Qiyao has her moments of prosperity and her fair share of loneliness. She finally fades and disappears but Shanghai remains a metropolitan city. Shanghai in the 1930s is glamorous and seductive.

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Before the Big Ban on prostitution, West Hong Kong is famous for its houses of pleasure. The most infamous of them all is Floral Ode House. Among its girls are Yen Hung, who becomes a widow regularly; aristocratic Chien Chien; Cherry Fun, who manages to lose the nickname; and a bevy of beauties. The madam who is on good terms with the police chief claims the best business this side of virtue. Then there comes from England Cheng Li-Peng, commissioned to ban prostitution. He is engaged to Lily, the police chief's daughter. But his parents had arranged a wife for him when he was an infant. They have lost trace of each other. Cheng Li-Peng starts his investigation, which lead him to Yen Hung's and Chien Chien's bedrooms. He is surprised to find himself in love with all three girls. And one of them turns out to be his missing fiancee!

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Ah Sun of the drama society leads a dramatic private life off-stage as well as on. His ex-wife Kong loses her last cent in business; and after going bankrupt is left without a place to stay. As she is entitled to own half of Ah Sun's house, she moves back. Ching, Sun's girlfriend, is determined to show who's the mistress. Her exaggerated actions embarrass Kong, and Kong soon has a chance to hit back. Ah Sun's rich aunt returns for a visit and has not been told about their divorce...

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What happens when a glamorous express, with high government officials, wealthy merchants, concubines and a gang of brigands on board, speeds towards the small town of Hanshui, where escaping bank robbers, corrupt officials, and gamblers await? Well, let's just say the Titanic had a smoother maiden voyage.

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During the late Eastern Han dynasty, warlords fought for power and control, and Cao Cao held the Emperor captive as a means of controlling other lords. Zhuge Liang, a talented scholar, lived through this turbulent period, but did not prioritize fame and wealth. He was asked to help rescue a monastery from disaster and discovered that there were people within the monastery who were collaborating with the Yellow Turban rebels to kidnap young boys and girls. While assisting a kidnapped girl in finding her family, Zhuge Liang met Xiao Qiao from the Eastern Wu empire, and they fell in love despite her earlier engagement to Zhou Yu. Their love was complicated by these circumstances. Meanwhile, Liu Qi, Zhuge Liang's friend, was determined to contact other like-minded figures to rebel against Cao Cao and to kill him. Upon learning of a secret decree from the Emperor, Liu Qi and Zhuge Liang joined forces to plan their next move.

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This film is a Hong Kong version of the British Carry On films, this one specifically set in a hospital. The hospital is full of inept people, so Miss Kuk (Meg Lam) vows to the board that she will reform it. This involves the recruitment of student nurses, keeping in check some silly interns and dealing with Dr. Chen, whose wife just left him.

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Wong Yan Tung, a doctor with a fear of fire and recurring nightmares of being cremated alive, is dedicated to fighting his colleagues' ignorance about the nature of clinical death. Prostitute Kam Kuk, Wong's childhood friend, attempts suicide several times and they inevitably reconnect during her short hospital stays, while Wong's girlfriend suffers from mysterious and sudden bouts of numbness in her arm.

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Taking place in 1941, Love in a Fallen City centers on Pai, a young woman who has been ostracized by her family for divorcing her rich husband. A local match-maker, Mrs. Hsu, takes pity on Pai and decides to bring her to Hong Kong, under the guise of employing her as the Hsu's nanny, but in reality to introduce her to Fan. Pai and Fan seem to hit it off, but Fan's refusal to marry Pai soon sours things. However, as the Japanese begin to invade Hong Kong, the two begin to realize their true feelings for each other.

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The film depicts the youthful troubles of three young couples in Hong Kong in a remarkably down-to-earth and touching way. Each character has a distinct personality, and their experiences reflect various aspects of Hong Kong society.

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A crazed evil wizard uses his powers to take revenge on beautiful women by making them vomit up live centipedes, which then proceed to eat their victims.

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'FLOWER KID' was a 'Robin Hood' type of hero who robs the rich and gives the poor. He was adored by many people especially a kid named 'FATSO', who considered himself as 'FLOWER KID jr.' Madam Bee, a woman of guts and evil hated 'FLOWER KID' because he once refused to kill her husband. She then married a rich 'Big Shot' and used his money and power to hire a bounty hunter called 'SKINNY'. Skinny caught the imitating hero 'Fatso'. They fought, understood, became good friends and went on look for 'Flower Kid'...

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Lau Kar-Wing plays "Nobody", an orphan who grows up stealing food to survive, learning some meagre skills as a con artist. When he meets a true master con artist, he begs to become a pupil and learn some tricky kung fu. The pair are later separated, and Nobody finds another master to learn more deadly skills.

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Cheng Szu is a hostess in a Hong Kong night-club who spends one evening in the company of 4 crooks masquerading as Indonesian billionaires. When CID crash the party 2 of the men, Ling & Hung, escape while the other pair, Lu & Tan, are captured and imprisoned.

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A House Is Not a Home is a TVB television series, premiered on 1 August 1977. It is a very successful classic series boasting the likes of stars Liza Wang, Simon Yam, Ha Yu and also veteran actors like Bak Man-biu, Tang Pik-wan and Lee Heung-kam. The show became a 1970s drama classic, well-known also for its theme song, "A House Is Not a Home"; 家變, which was composed and arranged by Joseph Koo, with lyrics by the late Wong Jim and sung by Roman Tam.

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