Sally Phipps

A jazz version of O. Henry's The Caliph, Cupid and Clock.

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A silent comedy short.

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To cure their flirtatious husbands of consorting with flappers, three wives-- Susan Martin, Ethel Drake, and Kitty Ladd-- arrange with three college boys-- Henry Winton, Oscar, and Joe Valley-- to flirt with them at a house party. Joe Valley, who poses as a hot-blooded Spaniard, is vamped by Ginsberg in female attire, and Oscar, a bashful Swede, uses caveman methods when aroused. During a rehearsal of the party, the three husbands arrive, followed by their flapper friends, leading to comic complications.

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When the girls on campus learn that Tom Drake is so super-shy that he never kissed a girl, they begin betting which one will kiss him first. So the girls line up to try to get their lips on him. However, in this and subsequent scenes, crazy stuff keeps happening to prevent him from getting that kiss.

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Bertha Sloan loses her job as a sewing-machine girl and subsequently is employed as telephone girl with a lingerie manufacturing company. She soon falls in love with the assistant shipping clerk, Roy Davis, and is promoted to chief model for the firm, owing to the patronage of Morton, the wealthy and wicked manager. Bertha is about to take a position in Paris as designer when Morton lures her to his home.

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The Outlaw, preparing to rob the stage, receives a letter from his wife, telling him to lead a good life for the sake of her and his baby, and informing him that he may expect them any time. Filled by remorse, he refuses to accompany his companions on their hold-up. As he rides away, he sees a sign offering clemency to the unknown robber if he will give up his gun. He seeks out the sheriff, surrenders the gun and goes on his way. But the stage is held up and the pursuing posse arrests him. Rendered desperate, he makes his escape and prepares to resume his criminal career. But the posse captures the real bandit.

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The highwayman, watching through the window of the ramshackle express office, sees the messenger pass a large sum of money under the charge of the agent. A few minute later the messenger, an old man, is held up and robbed by the highwayman. His pursuing shots attract the attention of the sheriff and he starts in pursuit. The highwayman is wounded and drags himself to the barn of a rancher. The rancher saves him from his pursuers and earns his gratitude. A few days later the rancher learns that the police are on his trail for a crime he had committed years before.

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Billy rescues a child and returns her to her mother. When the husband returns and discovers that the savior of his child is a wanted outlaw, he's faced with a moral crisis.

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