Beth Formaggini

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A conversation between a psychologist and an evangelical minister who was an executioner for the Brazilian military dictatorship.

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Flute player Carlos Malta searches for traditional pife players and the mutual dependencies they share with the contemporary music to which he belongs.

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The audience follows the creative process of the filmmaker Eduardo Coutinho in the documentary, from the research phase until the end of the filming of "Master, a Building in Copacabana".

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Ivanilda seeks evidence to prove that her husband, who has disappeared since 1975, was arrested by the Brazilian government. Romildo searches for his brother's body in a cemetery in the suburb of Rio de Janeiro. Mothers cry for their children, murdered by the police in the slums. They belong to the group "Tortura Nunca Mais", which, interacting between a traumatic memory and oblivion, brings up the memory of recent events. They also reveal the selectivity of official history and build a political memory. They think of the past so that they can free the future from the ghosts they still chase in the present.

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Through interviews and footage, this work revisits the historic collaboration between Pixinguinha and Vinícius de Moraes in creating the soundtrack for the film Sun Over the Mud, directed by Alex Viany (1963). A significant milestone of the Cinema Novo movement, Sun Over the Mud had limited screenings for the general public but definitively contributed to the emergence of one of the most remarkable—and previously unprecedented—partnerships between these two legendary figures of Brazilian music.

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The rubber tapper movement in the 1970s and 1980s, at the Brazilian state of Acre. What is a tie? “It’s the way we found to prevent deforestation. We stand in front of the farm workers and gunmen with our families, women, children and elderly and ask them not to cut down the forest and leave. They are workers too, and we explain them that their future is in jeopardy as well. This heartfelt speech always works. Simple, defenseless, unaware workers are the ones who cut down the forest.” (Chico Mendes. Jornal do Brasil. 13 days before he was murdered.)

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Flute player Carlos Malta searches for traditional pife players and the mutual dependencies they share with the contemporary music to which he belongs.

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After an initial meeting in 1964 interrupted by military dictatorship and a new meeting in the early 1980s to end the film "Twenty Years Later", Eduardo Coutinho once again find Elizabeth Teixeira, survivor of peasant struggles.

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A documentary about Joao Guimaraes Rosa's stay in Nazi Germany. The film captures the experience of the Brazilian vice-consul in Hamburg between 1938 and 1942, at the height of the Nazi regime and during the first years of the World War II. Using his writings from that time, as well as archive pictures, documents, survivors testimonies, and an unpublished interview with him, the film reveals new biographical aspects of one of the greatest writers in Brazilian history.

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