Juraj Johanides

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The documentary tribute to the solitary director Elo Havetta (1938-1975), the author of only two feature films (Celebration in the Botanical Garden and Wild Lilies), which belong to the peaks of Slovak cinema. In their time, they brought playfulness and spontaneity, which the authors of the documentary follow up with a happening in which they search for his legacy on the way to the director's grave.

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A documentary portrait that captures Dušan Hanák in the process of working on a musical-poetic piece consisting of his guitar improvisations and reading personal texts. Through interviews with his former student Marek Šulík and during meetings with various people in iconic places, we learn about the themes and influences that shaped not only his life, but also about the social circumstances that accompanied his creative search and the creation of films. Those realized and not realized.

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Josef is a writer aged sixty, who thinks that nothing can surprise him any more. One evening, though, his phone rings and he finds himself caught up in a series of events that turn his world upside-down. His best friend – also a writer – tries to commit suicide; his young girlfriend Katka tells him she’s pregnant; and the man with hare ears – his alter ego from one of his stories – appears to him in everyday situations.

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A loose adaption of Bára Nesvadbová's novel of the same name. A novel that lacks a dramatic line and concentrates on the flow of emotions and feelings of two injured and beloved women, two women that the aging lothario Mára came between. The theme of the entire book is the degree and limit of love, a right and ability to love several people simultaneously while hurting them at the same time. Written by Czech Film Center

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One fairy tale, one sad funeral, one ruined Christmas and one wild wedding. Stories of three men and their families that are affected by the current financial crisis.

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A bittersweet comedy starring the great Vlastimil Brodský as Fanda, an old man who refuses to grow up. Despite pleas from his exasperated wife who wants him to make serious decisions about the future, Fanda ignores the nagging and spends his days seeking amusement and adventure.

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This year’s gallery of artistically inspiring portraits of uncompromising eccentrics (among them The Hanging of Stuart Cornfeld, Robert Richardson: The White Devil and A Pint of Ink) features another unobtrusive stand-out in the shape of Igor Luther, a key figure of Slovak and European cinematography. Ivan Ostrochovský’s perspective is rare, dynamic and also meditative, while Luther himself co-authored the project during the last few months of his life. Works such as Juraj Jakubisko’s Birds, Orphans and Fools, Volker Schlöndorff’s The Tin Drum and Andrzej Wajda’s Danton, in the persuasive words of their creators, wouldn't have the same timeless energy today if it weren't for Luther's visionary endeavours.

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A documentary portrait that captures Dušan Hanák in the process of working on a musical-poetic piece consisting of his guitar improvisations and reading personal texts. Through interviews with his former student Marek Šulík and during meetings with various people in iconic places, we learn about the themes and influences that shaped not only his life, but also about the social circumstances that accompanied his creative search and the creation of films. Those realized and not realized.

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