Hugo Claus

A Flemish family comes together in their maternal home. Oscar, the grotesque patriarch, his bedridden wife Magda, his feeble son Johnny and his daughter Julia, who's married to a Moroccan soccer player. There's something wrong with Magda, who's not only plagued by her physical decay, but also by visions of her dead sister Marleen.

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The 1950s. A family has its annual family reunion to commemorate the anniversary of mother's death. People drink and eat heavily and after a while all restrictions are lost. Family members start venting old frustrations, discussions and tensions. Eventually one homosexual young man gets depressed and a drama escalates.

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The story takes place in 14th-century Flanders, a region suffering under the oppressive and bloody occupation of the French King, Philip the Fair. Tensions between the arrogant French nobility and the proud Flemish guilds reach a boiling point. Following the bloody uprising known as the Bruges Matins, an armed conflict becomes inevitable.Without their imprisoned leader, Robert of Bethune—the "Lion of Flanders"—craftsmen, peasants, and local nobles unite. This leads to the legendary Battle of the Golden Spurs on July 11, 1302, near Kortrijk, where an untrained Flemish citizen army faces the elite French cavalry.

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Hugo Claus rewrote and directed Friday as the cinematic version of his original 1969 play of the same name. Just as in the play, the story begins with the theme of incest, as the father Georges (Frank Aendenboom) returns from serving his jail sentence for that crime. Unlike the earlier play, however, the film does not emphasize that aspect of the story. When Georges gets home he finds out that his wife Jeanne (Kitty Courbois) has had an illegitimate child by a younger man, Erik (Herbert Flack), and now both of them must somehow try to return to a normal life, given their only too obvious lapses in moral judgment. As the husband and wife try hard to accommodate each other's failings and start to get to know each other again, Erik comes back into the picture. Now the three of them must resolve the deep-seated conflicts that brought them to this emotionally-wrought juncture of love and betrayal.

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Thirty years ago Sylvia Kristel became world-famous with 'Emmanuelle'. This erotic film was the starting point of a curious career, during which Sylvia acted in more than 50 international film productions, including a short-lived career in Hollywood. A turbulent life followed, in which alcohol and drug addictions formed a recurring theme. Penniless, she now lives in a small two-room apartment in Amsterdam. Last year La Kristel took control of her life: her autobiography Nue was published in France and has already been sold to several countries.

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A documentary celebrating 25 years of flemish subsidised cinema.

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Biographical film about the life and work of the Belgian painter Jan Cox. Cox had a tempestuous youth, during which he co-founded the Jeune Peinture Belge group and worked on the fringes of the Cobra movement.

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When Anna, a twenty-eight-year-old photographer, is put in charge of a report on the restoration works at The Ostend Museum of Modern Art, she discovers by chance five paintings signed Constant Permeke, whose power and mystery move and fascinate her.She decides to embark on a quest to find out about who Permeke actually was, the places where he lived, how he worked, what experiences he went through.

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Documentary exploring why Belgian television doesn't invest more money in Belgian cinema as is the case in e.g. the netherlands.

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Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.

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A Flemish family comes together in their maternal home. Oscar, the grotesque patriarch, his bedridden wife Magda, his feeble son Johnny and his daughter Julia, who's married to a Moroccan soccer player. There's something wrong with Magda, who's not only plagued by her physical decay, but also by visions of her dead sister Marleen.

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Short gangster film based on a novella by Belgian writer Hugo Claus.

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The 1950s. A family has its annual family reunion to commemorate the anniversary of mother's death. People drink and eat heavily and after a while all restrictions are lost. Family members start venting old frustrations, discussions and tensions. Eventually one homosexual young man gets depressed and a drama escalates.

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A respected police commissioner has a reputation as a opera lover, but by night he also enjoys plunging into the transvestite scene. In addition, he harbors a longing for his very own sister. When he learns that his wife has been murdered, he tries to implicate the set designer who has designs on his sister.

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In this erotic drama, Marcel fantasizes about being with his daughter-in-law Simone after the death of his wife. The woman pretends to be surprised over his attention but does nothing to discourage his advances. He promises to build her a swimming pool in order to further his fantasies. The story is taken from the novel by Junichiro Tamizaki.

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