Virginia Marshall

Soap-opera about a social-climbing Jewish man and his old-world parents who are heartbroken by his rejection of them. Young Morris Goldfish follows his immigrant father into business. His ruthless business practices cause him to become a big success, and he moves the family to Park Avenue. They go, but were happier back on the East Side. Morris is ashamed of this parents and his humble origins, but learns in the end that there is more to life than money.

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Cinematographer Ray Rennahan utilized the two-strip Technicolor process for this film, but either surviving prints have faded or the color palette was limited in the first place, for generally we see only muddy reds, dim greens, and occasional splashes of blue. The film was shot silent and then dubbed with synchronized music consisting of seasonal tunes such as "Jingle Bells," "O Holy Night," and "March of the Wooden Soldiers."

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A fresh young beauty becomes an old maid waiting for her suitor to return from the Napoleonic wars. When he returns, clearly disappointed, she disguises herself as her own niece in order to test his loyalty.

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As a boy, Tom Morley, was forced to watch the killings of his foster parents and the abduction of his foster sister. When he reaches manhood he joins the Texas Rangers and becomes very good at tracking down outlaws; whereby, he is given the nickname "The Falcon". He finally tracks down his long lost foster sister who has become a spy for the outlaws.

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When lifelong best friends Leo and Ulrich return home after completing their military training, Leo meets the stunning Felicitas at a railway station and is mesmerized by her beauty. A scandal follows, for which Leo is sent away. Returning home three years later, he discovers that much has changed.

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In the frozen north, a husky but not over-bright half-breed Indian seeks the identity of his white father. Any child in the audience could have told him this – despite the fact that the hissable hypocrite is actually presented as a man of character.

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My Own Pal takes Tom Mix out of his customary western surroundings and plunks him in the middle of New York City.

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When rich Jack Talbot falls in love with not-rich Rose Kirby, he doesn't marry her, fearing his mother's disapproval. Rose later marries Clyde Bainbridge, a rotter who knows that under the terms of a secret contract, Rose will inherit the Talbot iron-works. Rose finds the contract but, mistrusting her husband, does not make use of it.

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Steve Tuttle, the titular lazybones, takes on the responsibility of raising a fatherless girl, causing a scandal in his small town. Many years later, having returned from World War I, he discovers that he loves the grown-up girl.

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Poor Henry Baxter, a lowly clerk in a newspaper office, is in love with Beulah, the beautiful office stenographer, but Beulah barely knows he exists. As if Henry's unrequited love isn't bad enough, he has to put up with office manager Higgins, a devious bully who is Henry's constant nemesis. Unable to win the lovely Beulah on his own, Henry resorts to flights of fantasy where he gets to play the hero, win Beulah and vanquish the evil Higgins.

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Because of her sister's betrayal and subsequent death, Norma Bennett takes a vow to make all men pay. She becomes a night club favorite and is courted by John Hurd, who is the man who ruined her sister. Dr. Phil Ordway is in love with her, but she refuses his offer of marriage. When she discovers the identity of John as her sister's betrayer, she takes a gun and goes to the cabaret to shoot him, but he dies by another's hand. She then agrees and weds Dr. Ordway.

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Julian (Percy Marmont) is a poor artist who lives with wife Edith (Alice Joyce) and their newborn baby in Harlem. Struggling to make ends meet, he foregoes his artistic calling and draws for magazines. Reaching his limits, Julian convinces his wife he could reach higher grounds if he were to go to Paris. He moves to Paris while his Edith works at a shop on Fifth Avenue. Each of their lives evolves differently—Edith is courted by a wealthy suitor whom she ignores while pining for her husband, while Julian fails to meet his goals in Paris, returning defeated three years later. The meeting highlight how different their routes have been.

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A 1924 film directed by Sidney Olcott.

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