Ivam Cabral

Devising a fantastic universe, in which ancient make-up and costumes share the screen with contemporary elements such as limousines, helicopters and mobile phones, 'Philosophy in the Boudoir' intends to blur the borders of realism and make the spectator get closer to timeless issues. The boudoir inside an industrial plant brings an aggressive aesthetics to the teachings and orgies. The takes are developed in different ways. The franzy of orgies has a fast editing, whilst philosophical moments are long sequence shots. By bringing to the contemporary world a 200-year-old romance, we intend to trigger questions about the real moral changes in Western society. It is also interesting to highlight Sade's feminism. His female heroes are independent women, masters of their own sexual drive. At last, due to the solid theatrical background of the artists, the film was inevitably contaminated by unusual procedures, contributing to new possibilities of exchange between arts.

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THE ARTIST AND THE FORCE OF THOUGHT, reflects the relationship between balance and imbalance within the partiality of movement of the dancer Marcos Abranches. It oscillates the body to wake up from the emptiness and isolation caused by the imbalance. The movement's lack of aesthetics is felt by abandonment and rejection, understanding that relief is in the support of love. Investigating body movement in a world without anguish, without pain, without despair. Search for life. Find in dance the balance of the body and the beauty of the soul.

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A film in which dream and reality intertwine, A Moça do Calendário tells the story of inácio, 40, married, without a permanent job. Ex-street sweeper, he works as a mechanic at Barato da Pesada, where he dreams of the calendar girl.

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The film is an adaptation of the play of the same name staged by the theater group Os Satyros. More than 200 characters from the central region of São Paulo, including residents, prostitutes, drug dealers, businessmen, transsexuals, prostitutes, actors and musicians were interviewed. These testimonials were the starting point to build the trajectory of eleven characters that intersect during a night on the town.

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A document of one of the greatest cultural events of Latin America in an innovative way, the film mixes documentary and fiction to pay homage to the artists of the contemporary Brazilian theater, who come together in the city of São Paulo every year to celebrate the coming of the spring. The fictional storyline shows the shooting of the documentary which is directed by a foreigner director and his Brazilian second-rate crew. They join forces to make a successful film based on the event.

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Jorge, bastard child of the infamous Red Light Bandit, decides himself to pursuit a life of crime after meeting with his father, who has been incarcerated for the last 30 years.

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The film is an adaptation of the play of the same name staged by the theater group Os Satyros. More than 200 characters from the central region of São Paulo, including residents, prostitutes, drug dealers, businessmen, transsexuals, prostitutes, actors and musicians were interviewed. These testimonials were the starting point to build the trajectory of eleven characters that intersect during a night on the town.

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