Jimena Lindo

Julia inherited her mother Asunta’s job as a domestic worker in the wealthy De la Puente household, where she was raised alongside the family’s daughters. Asunta, an Andean woman who migrated to Lima after Peru’s 1970 earthquake, carried a life shaped by displacement, silence, and sacrifice. Over the years, affection and inequality became inseparably intertwined within the household. Now, as illness and old age expose long-buried secrets, Julia is forced to confront the invisible social order that has defined her existence. Torn between loyalty and freedom, she must decide whether to remain in the role imposed on her or finally reclaim her own identity.

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Surrounded by social and political chaos in Lima during the summer of 1992, Lucia, Aurora, and their mother, Elena, plan to leave and seek opportunities in the United States. Their farewell involves reconnecting with their estranged father, Carlos, adding turbulence to the regrets, hopes, and fears of their emotional departure.

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Flora Tristán flees to Peru for her inheritance, but her uncle leaves her penniless by altering the will. Returning to France, she becomes a writer and advocate for workers' and women's rights. Despite romantic entanglements, she chooses to focus on her work, leaving behind her love life.

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Connie, a young lawyer and supporter of her family, will be involved in a bet to win an account at the law firm where she works, otherwise she will be fired. This bet will lead her to unintentionally expose her own life on social networks in a way she never imagined, leading her to hilarious, funny and even embarrassing situations. Will Connie win the bet?

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Luzmila and Peta are two sisters who come from a modest environment and work as housemaids for Alicia and Carmen, two aristocratic ladies of Peru. They are almost considered a part of the families or, at least, that’s what it seems… But one day, as the city is taken over by violent protests, a birthday celebration gathers all the members of both families together. A long-held secret involving both households — upstairs and downstairs — is suddenly revealed, blowing up the bubble of their perfect aristocratic world forever.

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César is waiting for a woman at a hotel. As the hours pass, he encounters two other women from his past. Both will try to help him unravel a deep personal mystery.

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The film tells the story of four raw facing different situations of life: love, heartache and endless tragicomic adventures .

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Genaro and Daniela are a couple of ex-lovers who refuse to accept that their love is dead.

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Three lives in search of redemption intersect in the streets of Lima: undercover cop Gamarra’s desperate attempts to save his wife from a terminal illness gets him into trouble; bus driver Felix wants to be accepted into a religious sect after his involvement in a tragic traffic accident; and imperiled soccer club leader Narciso tries to secure his younger brother’s release from prison.

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Three stories happen simultaneously within one Condominium. Three stories about the limits human beings will go to in the simple attempt to be happy. Clotilde lives in number 24. She is an elderly lady and the sole responsible of her son, Javier, who is schizophrenic. But they have found an equilibrium to survive their misery. An equilibrium that may be broken at any time. Number 7 is home to Janet, a pregnant prostitute. She lives with Leslie, her junkie colleague. They know they have no future. But they have a plan. They need to go to Miami. The father of Janet's unborn child has the money they need. And they have decided to take the respect they are owed. Above the girls lives Fredy. He is in love with Álvaro, who has AIDS. Together they have established a shelter where people infected with HIV can find company. But Álvaro is dimming. Fredy won't accept it, but Alvaro has little time left. Three stories to continue sharing the same Condominium. ¿Where do YOU live?

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Estela, an influential businesswoman, arrives at the port of Pucusana on behalf of a consortium that wishes to transform the port into an exclusive tourist resort. The resistance of the locals and the insistence of investors reach their peak when two fishermen find Estela mysteriously murdered. Leonardo Oviedo, Estela's partner, goes to the port to investigate the homicide and finish the negotiation with his girlfriend Mariana, his secretary (and lover) Charo and his clumsy assistant Ramos. This fact triggers a violent history, which puts the entire port in panic. Mariana, sensitive and confused, will seek refuge in a fisherman named Iván with whom she begins a relationship

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Short film based on the short story by Juan Carlos Onetti

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Gabriel (Giovanni Ciccia) arrives to New York with the hope of devoting himself to his great passion: cinema. After many attempts, Gabriel feels that he has managed to write a script of his career, a story that will give life to an original pornographic film. With an excellent script in his hands, but without any money, he looks for alternatives to produce his film.

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Based on the story "Andare verso il popolo", by Alberto Moravia, this 17-minute satire is about a young upper-class city woman, who handles a totally mythologized discourse of the "good Indian" and the Andes, who come to the mountains to face a totally different reality.

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A mestizo (mixed race) Spanish and Indian soldier returns to Peru from Europe in 1618 to find a document that can prove he is not illegitimate.

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Short film.

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Based on the alleged autobiography of gay peruvian talk show host Jaime Bailey. Joaquin, a young man from the high class of Lima, deals with problems concerning his sexual identity as a child, then as a teenager pressured by his macho snobbish father, then as an independent lazy pot-smoking college student, and later as a cocaine addict in Lima and Miami.

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Two strangers get stuck in an elevator and as time passes they discover new aspects of themselves.

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