Evald Aavik

Tallinn, Estonia, days before outbreak of World War II. Hotel detective and Polish writer team up to find Tear of the Prince of Darkness, a legendary ring which can bring Satan’s rule over the world.

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50s quiet Estonian town. After a long separation, two brothers met in their parents' house. The younger one, Ilmar, a formerly capable artist, has just been released under an amnesty from a camp where he ended up for some youthful prank. Older brother Alex, by nature a more reserved person who prefers to find compromise solutions, is the complete opposite of Ilmar. The meeting of the brothers develops into a conflict, complicated by the fact that Ilmar got in touch with repeat offenders in the camp, and now they are threatening him with violence.

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Toomas Stockmann, the head doctor of a water clinic built in a small town by the sea, discovers that the facility is threatened by an infection caused by construction errors in the waterworks. The powerful mayor Peter Stockmann, the doctor's brother, has used his position and connections for commercial and political gain and has ignored the doctor's warnings. The upper class of the town initially supports the doctor's decision to reveal the truth, but the mayor changes due to pressure and personal interests. Dr. Stockmann is labeled an enemy of the people. He must choose whether to stick to his ideas, at the risk of his family, or surrender to demagoguery.

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The viewer will be transported to the distant thirteenth century. At that time, the Swedes lived on the Estonian islands and, thanks to the royal charter, were not serfs. However, after the Twenty Years' War ended, the question of the living Swedes rose again, or rather their freedom. People were afraid to fall into serfdom. But by the will of fate, the letters written by the king fell into the hands of a Swede named Klemet. From that moment on, he had a goal - to get to the Russian Tsar, whom he would beg to confirm their privileges. Klemet and his friends set out on a dangerous, incredibly difficult and completely unpredictable journey...

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The movie travels through the 20th century by monitoring a steam boiler. We see the history of Estonia through life, agricultural work and people at different times.

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16-year-old Mari, raised without a mother by a drunkard father, is put in an orphanage which she immediately, though unsuccessfully, tries to flee from. The sensitive Mari finds it hard to adapt to the coarse manners and brutal games amongst the children. Only gradually does she develop a sense for the similarly difficult fates of her fellow sufferers, who have long forgotten how to cry. She even falls in love for the first time, not with her self-appointed “protector” Tauri, but with the rough-mannered Robi.

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The Christmas of 1905 in Vigala is not a peaceful holiday. The manor house has just been pillaged during the peasant's revolt; the air is full of smoke of fire and there is the premonition of inevitable punishment. Bernhard Laipmann is a tenant farmer whose wife is asking him to leave home since her husband keeps drawing the attention of the authorities. Having doubts about leaving, Laipmann is inspired by endeavouring towards freedom and equality and alarmed by the violence of the revolution.

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Set in the post-war years when sovietization was still being resisted by partisans, often at the expense of a farming population intent on rebuilding.

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Pastor Paul Lempelius comes to the island of HIiumaa that seems to be like the world's end. While serving the pastorate of Reigi in spirit and in truth, Lempelius hopes to get rid of the burden of destiny. However, the local people favour pagan traditions and distrust the strict kingdom of God that Lempelius teaches them. The pastor's beautiful yet childless wife Catharina yearns for joy of life and tenderness that she won't receive from his husband. Instead, a young assistant pastor Jonas Kempe offers her his love. Their love, disregarding all laws, and the primal lifestyle of the islanders will become the touchstone for Lempelius' redemption.

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The film ridicules stereotyped thinking through an absurdist lens.

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The story of the war film is about paths of the Estonian Shooting Corps (formed by the Red Army) during the WW-2 and how the fight forms an usual man to a loyal soldier. Ideologic aspects of the movie are more hidden than in ordinary Soviet war films but they're still existing.

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