Ilmar Raag

The Class: Life After is a follow-up to the feature film The Class (Klass) and deals with the aftermath of a school shooting. Each one-hour episode focuses on a different character who survived or witnessed the tragic event. There are kids from the class, their parents, the class teacher, a boy who survived the shooting, and finally, one of the culprits in the very last episode.

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Tuulepealne maa is a twelve-part Estonian television mini-series about the pre-World War II history of Estonia, its birth as a country, the Estonian War of Independence, post-war life throughout 1920 up to 1941 and World War II.

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The 6 short films of "Tabamata ime" are based on Edward Vilde's play of the same name first published in 1912. Vilde's play is about a young piano player Leo Saalep, who returns to his homeland Estonia to give a concert, and whose alleged international breakthrough has given him the long awaited role of putting Estonian culture on the map in the eyes of the local culture elite.

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Year 1208. The first Eastward enlargement of Europe is under way. Brutal forces of the Teutonic Order are steadily marching on. In their path live a simple and peaceful people, whose main pastimes include cultivating the earth, singing and, if possible, doing both at the same time. They are the Estonians. Ignorant in the ways of war, they find an unlikely leader in a young boy with Catholic upbringing. In their fight for freedom, the Estonians encounter numerous obstacles, including the Germans, French, Russians and, worst of all, the Latvians. Will they succeed in defeating their enemies or will they experience a cultural awakening?

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Three friends return from a vacation and discover that the TV studio they work for has gone bankrupt - so they decide to start their own costume renting business.

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Twenty-five films from twenty-five European countries by twenty-five European directors.

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Half the film was shot with a video camera taken from a television station without permission, the cast and staff were unpaid, and the script was written as a screenwriting class assignment.

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Young and active nationalist Aleksander Kesküla makes up his mind to use Lenin, the Bolsheviks' leader, in order to start a revolution in Russia with German money and create a new national state of Estonia in the north-east of Russia. For security reasons, five doubles will be found and trained for Lenin. All of them are finally sent to Russia to instigate the revolution. How will the real Lenin put up with all this?

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The film explores the war in Ukraine through front-line civilians and everyday Ukrainians. Filmmaker and reserve officer Ilmar Raag volunteers to deliver aid deep into Ukraine's war-zones. He comes across Ukraine's many faces - from shattered cities to villages that have rarely witnessed the presence of warplanes. The people he meets are different, but they all fight for Ukraine.

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The drama series, directed by Ilmar Raag, tells the story of young conscripts who suddenly find themselves in a completely new environment. Alongside the hardships of a new life, military service gives young people a chance to see the world from a fresh perspective and make bold decisions. Interestingly, it is this kind of 'closed' system that often offers people the freedom to take on new challenges.

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30-year old Kertu has lived under her father's power her whole life. Because of her gentle nature, she is thought by locals to be a little simple-minded. The young woman makes her first timid attempt to change something in her life - she send a postcard to Villu, a handsome but degenerate village drunk.

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Anne leaves Estonia to come to Paris as a caretaker for Frida, an elderly Estonian lady who emigrated to France long ago. Anne soon realizes that she is not wanted. All Frida wants from life is the attention of Stéphane, her younger former lover. Stéphane, however, is desperate for Anne to stay and look after Frida, even against the old lady's will. In this conflict of strangers, Anne will find her own way…

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The Class: Life After is a follow-up to the feature film The Class (Klass) and deals with the aftermath of a school shooting. Each one-hour episode focuses on a different character who survived or witnessed the tragic event. There are kids from the class, their parents, the class teacher, a boy who survived the shooting, and finally, one of the culprits in the very last episode.

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September is a film about the complicated choices of simple people. The internationally renowned Estonian author, Jaan Kross (1920-2007) was arrested in 1944 by the Nazis. A year after the Soviet forces entered Tallinn and he was arrested again. The accusation was the same both times: conspiracy with the underground independence revolutionaries. Based on the author's journal, pieces from his oeuvre and interviews, the film creates a story about a few monumental weeks in Tallinn, in September 1944.

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Living alone in an Estonian slum and unable to afford basic needs, a top high school student reluctantly enters the drug game to make ends meet.

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An average guy of an Estonian high-school decides to defend his bullied classmate. This starts a war between him and the informal leader of the class.

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As a young woman, Claire left her hometown in disgrace. Now she is old and unimaginably rich, as for the first time she returns. The town is nearly bankrupt and in urgent need of money. Everybody hopes Clara will come to the rescue. And she will. However, there is a condition: somebody must kill the man who was her lover all those years ago.

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August 1991, military coup d'etat in Moscow. When Soviet tanks are on the streets of Tallinn, Estonia, all hopes for independence seem to be lost. People in the only local television station, ETV, are facing their own choices.

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Liina is a young actress at Vanemuise Theatre who gets Tiina's part in the new, postmodernist version of the play "Werewolf" by August Kitzberg. The theatre is haunted and the rehearsals seem to be cursed, artificial blood becomes real blood. The play won't be complete before the murder mystery is unsolved - and Liina is being taken back to the old theatre legends and intrigues of the past century.

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Half the film was shot with a video camera taken from a television station without permission, the cast and staff were unpaid, and the script was written as a screenwriting class assignment.

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