Zhang Zhizhi

The story about an old man and a peony fairy.

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A story of a corrupt party official who attempts to sell an apartment building he has appropriated from the original owner and the struggles of the tenants to prevent themselves being thrown onto the street.

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The life and story of Lin Zexu and the First Opium War.

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Live action adaptation of Snow White fairy tale.

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Historical film based on the life of Wu Zetian, the only female emperor in Chinese history

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This movie is based on the famous Chinese folklore that is more than one and a half millennium old. The same folklore was what the Disney animation Mulan is based on, and similarly, it was what many Chinese movies/operas/plays based on.

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Diaochan (aka Diau Charn and Sable Cicada), one of the Four Beauties of China, is supposed to be so stunningly lovely that the moon was shamed to hide behind clouds. Despite being the only Beauty among the four who is not a real historical figure but one conjured by storytelling imagination and embellished by public fascination, her story was nonetheless incorporated by author Luo Guangzhong into his popular and influential novel Romance of the Three Kingdoms. Her tale is one of Machiavellian intrigue, in which she schemes with her godfather Wang Yun to restore moral order to the land, sowing discord between the corrupt Minister Dong Zhuo and his adopted son Lu Bu, a man of martial and military prowess.

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A zombie appears in the Bao family in Hangzhou, claiming to be the ancestor of the Bao family and asking the family to move out immediately. The family is confused and calls their children and grandchildren to discuss the matter. After the departure of the old family member, Feng Lao, the vampire has become even more aggressive, and the orphaned man, Yisheng, who has been taken in by the family, is scared to death by the vampire, so the three daughters, Peifen, write a letter to ask their friend, Zhuji Jianping, to come and help them. At the request of a man in black, the family moves out, leaving only Yat-sang and Cheung Tai-hon behind.

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This sound film remake of The Goddess (1934) was headlined by Hu Die, who found stardom at the same time as Ruan Lingyu. Henry Lai Hang and Zhang Zhizhi reprised their roles from the earlier film. The first half of the story follows The Goddness but the second half references Bu Wanchang’s Love and Duty (1931) and King Vidor’s American film Stella Dallas (1937) with additional plots of the heroine’s post-prison story. After years of separation, she hesitates whether to reunite with her son. This new version poses a bigger challenge to a mother’s love and pushes towards the completion of her fate. The characters use dialogue to express their pain and connection, which strengthens the dramatic dilemma and makes the film more straightforward than its predecessor. Hu Die possesses a sort of allure that shows the sadness, shame, and will of a common woman from middle age to old age.

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Returning home from a long voyage overseas, a man finds his wife and child living with another man. Fuelled by anger, he murders the other man and is forced to flee justice, until he faces death on a deserted island.

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General Zhou organized a boat trip with his family and friends, but a storm struck and they were all drifted to a deserted island.

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Six young men from the city take jobs building roads for the Chinese Army

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A young prostitute, who is trying to give her infant son a good start in life, must contend with a coercive pimp and the prejudices of others.

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A wild country girl moves to Shanghai with her painter boyfriend and experiences exploitation and poverty.

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A silent film based on the legend of Hua Mulan, released by Tianyi Film Company and directed by Li Pingqian. This silent film holds the distinction of being the first ever full-length feature film about Hua Mulan. Mulan is betrothed to a young man when war arrives and their wedding ceremony has to be put on hold. As her fiancé enlists in the army, so too does the filial Mulan, disguised as a man in place of her ailing father. These new plot twists lead to comedic moments when Mulan encounters her fiancé during training and he does not recognize her.

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