Lothar Mendes

A historical satire critical of the rising tide of Anti-Semitism in Germany. Based on the novel by Lionel Feuchtwanger, Jew Süss is the story of life in the 18th-century Jewish ghetto of Württemberg. Süss works himself out of the ghetto and into a position of power with the help of an evil duke.

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This drama offers a few slices from the lives of those who live, work, and travel upon a luxurious trans-atlantic ocean liner.

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An elderly business tycoon, believed to be dying, decides to give a million dollars each to eight strangers chosen at random from the phone directory.

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Bank clerk William Marble is desperate for money to pay his family's bills. When his wealthy nephew visits, Marble asks him for a loan, but the young man refuses. Marble decides to kill his nephew. It is a twisted path to justice after Marble is transformed by the crime he committed and the wealth he gains.

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Fredric March essays a dual role in this story of a ne'er-do-well who impersonates his brother when the latter dies.

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A society gigolo goes after a rich mother and her daughter, but tries to find true happiness with his girlfriend, who is neither rich nor in "society."

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This 1930 film, a collection of songs and sketches showcasing Paramount Studios' contract stars, credits 11 directors

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A delightful pre-code cocktail recipe. Take three couples (add gin and tonic), their several divorces and the seven children/stepchildren of their intermarriages and blend thoroughly, and you have a mixture a too-young-to-believe Frederic March will try to straighten out.

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A vaudeville magician team is broken up when Carlee, an ex--circus performer, becomes infatuated with socialite Hilda Schmittlap. Meanwhile his vaudeville partner, Claire, has chosen a new partner, but her "heart isn't in it" because she is disconsolate over Carlee. Curious about her new act, Carlee attends a performance and sees Claire nearly killed when she fails to substitute fake bullets for real ones. Rushing to her aid, Carlee realizes how much Claire means to him.

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A young bareback rider in a circus is in love with a trapeze artist, but he has two problems: he drinks too much and he's fallen under the spell of a "vamp" who's nothing but trouble for him.

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An Englishman (Richard Arlen) fights in the Sudan after receiving white feathers of cowardice from his fiancee (Fay Wray) and friends.

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Paramount's first all-talking picture, Interference was dismally directed by Roy Pomeroy, whose lofty status as the studio's "technical wizard" did not necessarily qualify him to be a director. Evelyn Brent heads the cast as scheming Deborah Kane, who sets out to blackmail Faith Marley (Doris Kenyon), the above-reproach wife of Sir John Marlay.

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"Basher Bill," a retired prizefighter turned criminal, pretends to reform by joining a Salvation Army shelter in London run by a pious wraith named Elizabeth. Attracted to Elizabeth (although he is engaged to a street girl named Annie), Bill confesses to a bank robbery, has a spiritual revelation, and decides to go straight. His cast-off sweetheart reports him to the police; then, contrite, she warns Bill of the impending danger. Bill is captured immediately, but he escapes and sacrifices his life to save Elizabeth and the Salvation Army nursery when the rest of the gang use them as a human barricade against the police.

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Bound for Africa the next day, Captain Ferréol visits Gilberte Boismartel, his former sweetheart who is now married to Rochemore, a French magistrate, to return her love letters. Leaving he witness the murder of Rochemore.

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Francis, the result of a clandestine marriage between the Duke of Chatsfield and a peasant girl, after being raised in a monastery following his parents death assumes his title but falls victim to a pair of schemers leading to much heartache before all is set aright before the fadeout.

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Lord Ernest Clifton lives with his beautiful wife, Gladys, at Easton Lodge. He has lost immense wealth in the lap of his uncle's death. One day Lord Clifton receives a mysterious package with an even more mysterious letter from his uncle. Three cuckoo clocks that strike only once a month should show him the way to find the second part of the pot of gold buried somewhere. Ernest's thirst for adventure only awakens and waits for the first cuckoo clock to mark the room number of a hotel in Cairo, where the second cuckoo clock hangs.

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