Prima Rusdi

Four artist managers at a talent agency company in Jakarta call themselves agents who are very passionate about their work above their personal lives.

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When an earthquake occurs in the prison where Julius (35) has been held for the last few years, the warden receives a word from Julius’s village that a tsunami might be coming to his village, located quite far from the prison. Julius receives priority to go home since he still has a mother, Emola (90s), in the village. The warden assigns a newly appointed officer, Nuri (25), to escort Julius on a motorcycle. On their way, Julius and Nuri are convinced that the tsunami is going to happen in Julius’s village. They cross paths with several refugees and rescuers, who has just evacuated the residents and reports the chaos occurring in Julius’ hometown due to the signs of approaching tsunami. Arriving at the village, Julius and Nuri witness a robbery coordinated by fake rescue team.

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AYA (25), is an influencer who is slowly losing her popularity. She decides to go on a holiday to an exotic coast resort, far from the demands of her work in Jakarta. Although she is far from the city, her manager, ANDHIKA (33), sends her a few products to review. Aya is then trapped in a contract, which obliges her to work.

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In her last year of secondary school, a bright Indonesian student is determined to pursue her education and resist getting married, despite the expectations of her community.

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For Ona, a young woman from the small Indonesian island of Kaledupa, the struggle to receive an education and marry a decent man is hard won. Her dream is to become a marine biologist and she has the drive to do it, despite no one in her family believing in her. However, her focus on her studies is interrupted when the man she is betrothed to marry is released from prison and rapes her, leaving her no choice but to demand he marry her, so she can protect the good name of her unsupportive family.

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This omnibus film consists of three films made by three directors from three countries. With “Journey” as the theme, each of these films tells about a journey. “The Sea” is a film by Degena Yun (China), telling about mother and child’s trip to the sea from Beijing. “Hekishu,” a film by Daishi Matsunaga (Japan), tells about the journey of a Japanese businessman involved in infrastructure development in Yangon. The film depicts the entrepreneur’s emotional feelings in the face of Yangon residents who lost their homes due to the construction of the new infrastructure. The last is a film titled “Variable No. 3” by Edwin (Indonesia), which tells the story of a couple’s journey to Tokyo. There they meet a mysterious man. The man who works as a tour guide and rents out the inn, gives a strange advice to the husband and wife.

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14 years after their budding romance in high school, Rangga and Cinta reunite in Yogyakarta to have their closure after Rangga had left Cinta with no explanation years prior.

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At Lawaloba on the island of Flores, there was an old man Opa Hali, struggling againts the closure of an emergency lane to the hill which was the only shorcut for the population to survive in the event of tsunami disaster.

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Bendera, an Indonesian nationalist group, is angry with Malaysia. Its leader has asked for his country to declare war on Malaysia. Having affection for Indonesia, our Malaysian filmmaker does not understand why some of its people hate him and his country. So he asks them why.

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A young woman keeps meeting another man at the same train. Both assumes that if fate would have it, then they will have a chance to meet the next time. Will fate be on their side?

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Gaia, Aga, and Awan only have one goal in their lives, to play music. They formed a band and became local heroes. Outside the band, they have secrets.

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Disillusioned with his life and career, a supermarket customer service employee sets out on a journey to locate his estranged father.

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Five years after running away from an arranged marriage, Eliana is unexpectedly visited by her mother.

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A popular high school girl strains her relationship with her close-knit clique when she begins falling for a reclusive, lower-class schoolmate.

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Marni, a policewoman, is tasked to investigate the accusation of child molestation, allegedly done by an expatriate teacher at an International School in Jakarta. As Marni goes deep in her investigation, she has to navigate the media circus and public hysteria that manipulates and corrupts the truth.

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