Lyudmila Semyonova

In Imperial Russia, Anna, wife of the officer Karenin, goes to Moscow to visit her brother. On the way, she meets charming cavalry officer Vronsky, to whom she's immediately attracted. But in St. Petersburg’s high society, a relationship like this could destroy a woman’s reputation.

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Ivan Vasilyevich is in love with Varenka and is admired by her father, Colonel. But the transformation of a tender loving father from a good-natured colonel into a cruel and ruthless tormentor shocked Ivan so much that his feelings for Varenka quickly cooled.

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Seven year old Sasha practices violin every day to satisfy the ambition of his parents. Already withdrawn as a result of his routines, Sasha quickly regains confidence when he accidentally meets and befriends worker Sergei, who works on a steamroller in their upscale Moscow neighborhood.

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The manager of the Belarusian collective farm Naideika Krasovich, inspired by the award at the All-Union Agricultural Exhibition for the high flax harvest, gives her word to double the harvest. Many fellow villagers doubt her success, and only Grigory Pavlovich, the new director of MTS, who left his family in the city and came to the village at the call of the party, provides Nadeika with all kinds of support and excessive attention, because he loves and, it seems, is loved. In parallel to this story, a plot develops about the love of the tractor driver Zosya for the forester Yanka, who unrequitedly suffers for Nadeyka.

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The bank is preparing to solemnly celebrate the 15th anniversary of the institution. And at that moment, two events took place that turned everything upside down.

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In 1929, the Chinese are preparing an attack on the CER, recruiting soldiers to their gang. Among them there is a resident of a lodging house Van. Having recovered after a sudden attack on a Soviet border village, the Red Army squad goes on the offensive. Wang is among the prisoners. Wang and another prisoner go on the run. But on the road between the fugitives there is a conflict and young Chinese Wang begins to realize who his true enemy is...

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In 1921. With the help of Japanese interventionists, the White Guards defeat a Shaldyba partisan detachment. The remnants of the defeated detachment pour into Levinson's detachment. Partisan intelligence soon finds that the Japanese has surrounded the detachment. To save the main forces from defeat, Levinson decides to break through the chains of enemies.

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A Russian woman tells the tragic story of her life.

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Director Frederick Ermler’s last silent feature and the last of four collaborations with actor Fiodor Nikitin. Nikitin plays an officer who spends a decade after the Great War as a shell-shocked amnesiac, until a glimpse of a woman through a train window sparks the return of his memory. He makes his way back to St. Petersburg, now Leningrad, a man out of time who struggles to make sense of the new society brought about by the revolution.

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In the short-lived Commune of Paris, a conscripted soldier falls in love with a Communard saleswoman. As the army cracks down on the revolutionaries, the soldier is forced to fight against the Commune, and the pair's love is put to the test.

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Lost film.

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Lost movie.

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A man discovers that he's not the father of his wife's baby.

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The film tells about the Decembrists’ revolt in the south of Russia. Right before the Decembrist Revolt 1825 a chevalier of fortune decides that it's time for a game. But on whom to make a bet? He asks the cards. But he's not the only one who makes the choice.

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Life changes for a Moscow couple after they allow an old friend of the husband’s to move in.

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Typically of the heady days of early Soviet cinema, this is constructed according to the fast, sharp editing principles advocated by Eisenstein, complete with symbolic inserts; but in terms of subject matter, it's much less explicitly political than most movies emerging from Russia in the '20s. Chronicling a young sailor's descent into a murky, treacherous underworld of pimps and thieves, after having encountered a Louise Brooks lookalike at a fairground and missed his departing boat, it's a lively moral fable that delights in vivid visual effects and quirky characterisations. If the plot occasionally reveals gaping holes, and the tacked-on ending urging the clearance of the Leningrad slums seems to be rather gratuitous, there's enough going on to keep one attentive and amused.

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Lost movie.

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