Tamás Balikó

A cross-section of the relationship between the two great figures of French symbolism, Arthur Rimbaud and Paul Verlaine.

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An old woman flies past six floors after jumping from the roof of her apartment block. Six stories on the poor state of humanity, told with humour and rare imagination to the accompaniment of a pulsating soundtrack from Amon Tobin. A woeful burlesque set in the present by one of Europe’s most original contemporary filmmakers.

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El ángel de Budapest (Angel of Budapest) is a Spanish 2011 television World War II-Holocaust miniseries based on the book "Un español frente al Holocausto" (A Spanish against the Holocaust) written by journalist and radio executive director Diego Carcedo. The plot focuses on Ángel Sanz Briz, a Spanish ambassador in Hungary during World War II who helped to save the lives of thousands of jews from the Holocaust by lodging them in Spanish safe houses in Budapest.

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While cleaning offices at night, Zsolt Kovàcs learns a lot about his invisible employers by examining what they leave behind, carefully choosing his targets, often disillusioned women whom he seduces, methodically taking their money. An artist of manipulation, with a generous dose of humor and the ability to assume different personalities, Zsolt begins to work in a psychologist's practice, where he meets Hanna, a 30-year-old dancer who is physically incapacitated and the daughter of a millionaire. The ideal victim if love doesn't get in the way.

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Imre Horváth and his friends gather to celebrate his wife's birthday. They are confused because of the changes in the country's politics and want Horváth to be much more active politically, but he is more concerned about his affair with his best friend's daughter.

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Ben Kline is an American television star and a bankable name, who is cast to portray the Hungarian writer Miklos Radnoti, whose journal of poems was found with his body, buried in one of Hungary’s mass graves. Kline is also the son of a Holocaust survivor and has long resented his father’s refusal to speak about the War. Now given the opportunity to play the role of a hero, but faced with the reality of a victim, the boundaries between truth and illusion begin to blur.

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A German stage actor finds unexpected success and mixed blessings in the popularity of his performance in a Faustian play as the Nazis take power in pre-WWII Germany. As his associates and friends flee or are ground under by the Nazi terror, the popularity of his character supercedes his own existence until he finds that his best performance is keeping up appearances for his Nazi patrons.

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