Paul Agnew

With their performance of “Gesualdo Passione” at the Nuits de Fourvière, choreographer Amala Dianor and Les Arts Florissants, conducted by Paul Agnew, strike up a dialogue between hip-hop dance and Baroque music that is as unexpected as it is captivating.

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Since William Christie founded Les Arts Florissants in 1979, they have strengthened year after year their reputation as one of the world’s premiere ensembles for early and Baroque music. For this 40th anniversary concert from 2019 at the stunning Philharmonie de Paris, core artists from “Les Arts Flo” reunite to perform some of the ensemble’s trademark pieces, from Lully’s Atys—a long-forgotten masterpiece they revived in 1987 over 230 years after its last performance—to the great operas of Rameau and gems by the likes of Charpentier, Purcell, and Handel. This celebratory concert features another first for the storied ensemble, as Christie shares conducting duties with Paul Agnew! Riveting from beginning to end, this Baroque Odyssey encapsulates all the qualities—world-class instrumentalists, impeccable Baroque vocalists, cannily chosen repertoire—that have made Les Arts Florissants such a beloved and enduring fixture in the classical world.

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A production of Lully's 1686 tragédie lyrique masterpiece directed by William Christie at the Théâtre des Champs-Elysées from 2008.

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The Royal Ballet and the Royal Opera collaborate in Wayne McGregor's production of Handel and Gay's classic opera, in which the nymph Galatea falls in love with a shepherd named Acis.

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John Nelson conducting the Ensemble Orchestral de Paris and Accentus Chamber Choir.

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Ton Koopman and Amsterdam Baroque Orchestra & Choir. Recorded live at Joriskerk, Amersfoort, the Netherlands, Mar 22-23, 2005.

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"William Christie and Les Arts Florissants propel this exuberant production of Jean-Philippe Rameau's second opera to great heights. Andrei Serban's extravagant, highly baroque staging presents the four exotic love stories vibrantly. In 'Le Turc généreux' Osman sets free his captive, Emilie, whom he loves, so that she may be reunited with her former lover, Valère; 'Les Incas de Pérou' is all about the rivalry of the Inca Huascar and the Spaniard Don Carlos, both in pursuit of Princess Phani; 'Les Fleurs' offers a Persian love intrigue, as the Sultana Fatime tries to detect whether her husband Tacmas has his eye on the lovely Atalide; and 'Les Sauvages' takes us to North America, where a Spaniard and a Frenchman compete for the love of Zima, daughter of a native chief, who prefers one of her own people." — from the DVD cover

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Director Robert Carsen and his creative team flood the stage with summer blossoms, drifts of autumn leaves, winter snows and thunderous spring storms. The cast of 140 are attired in elegant costumes inspired by late 1940s Dior. This mythical tale of a young queen, Alphise, determined to abdicate rather than contemplate an enforced marriage to a descendant of Boreas, is nothing less than highly-charged.

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The prologue sets the stage for the action: Thespis, Momus and Thalie announce the subject of the play. It is a comedy mocking the folly of man...and the story of a trap set by Jupiter to cure Juno of her jealousy. The trap? It consists in convincing the water nymph Platée that Jupiter is in love with her. Mercury officially declares Jupiter’s love to Platée. When the god appears before her – first as a donkey, then an owl - the nymph calls on the birds of the marshes, but they scare Jupiter away. Luckily he quickly returns and declares his love for Platée. He even wants to marry her. La Folie comes to sing for the fiancée during an absolutely chaotic scene. However, as the couple prepares for the wedding, Juno arrives. Furious, she puts an end to the farce and ascends to the heavens with Jupiter. Humiliated, Platée understands she has been duped. She swims off into the marshes, as the chorus sings an ironic song in her honour.

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