Shintarō Ishihara

Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.

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A segment of “Love at Twenty” is a weird, grotesque and clumsy tale of obsessive and morbid love.

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Story of a textile designer-turned featherweight boxer (Kubo) who, a la Champion ( 1949), loses everything as he battles his way to the top.

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Set within the Aokigahara forest on Mount Fuji, a famous location for suicides. Follows the love and life between a man and woman.

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Years of warfare end in a Japan unified under the Tokugawa shogunate, and samurai spy Sasuke Sarutobi, tired of conflict, longs for peace. When a high-ranking spy named Tatewaki Koriyama defects from the shogun to a rival clan, however, the world of swordsmen is thrown into turmoil. After Sasuke is unwittingly drawn into the conflict, he tracks Tatewaki, while a mysterious, white-hooded figure seems to hunt them both. By tale’s end, no one is who they seemed to be, and the truth is far more personal than anyone suspected. Director Masahiro Shinoda’s Samurai Spy, filled with clan intrigue, ninja spies, and multiple double crosses, marks a bold stylistic departure from swordplay film convention.

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Starring Akira Takarada as a lightweight boxing champion.

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A female reporter is fired for writing about police corruption; to make money while hiding from the press, she posts a bounty upon herself.

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After the son of a wealthy man is kidnapped, a tenacious young reporter decides to find the culprit.

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A wealthy young man, engaged through family arrangement, meets a humble shop girl after she finds his lost ring. Their growing affection challenges class boundaries and family expectations, leading to a sincere romance that defies convention.

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Drama of a disillusioned youth, with writer-actor Ishihara starring as the young man at odds with his bickering parents and scheming brother, while finding little happiness when he begins a liaison with an older woman.

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Set within the Aokigahara forest on Mount Fuji, a famous location for suicides. Follows the love and life between a man and woman.

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In 1943, as Japan's WWII effort falters, a vice-admiral proposes training squadrons of "volunteer" flyers to crash their armed planes into Allied warships. Yarn follows the lives of kamikaze pilots, as remembered by an aging Kyushu restaurateur who cherishes their memory. Honoring the dead and multiple military anthems may stir the soul of some Japanese, but elsewhere auds will make a one-way trip for exits. Battle scenes are well-executed and script delivers some memorable scenes, but overall competent helming and thesping are powerless over writer-cum-Tokyo governor Shintaro Ishiara's repetitive storytelling. A post-war postscript adds considerable length to an already over-extended narrative. Tech credits are good quality.

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Taku Shinjo spins this rural drama about ancient taboos and encroaching modernity. Takamine (Gitan Otsuru) is a big-city workaholic sent to a small remote island to seal a business deal. His predecessor almost managed to convince the island's 17 inhabitants to sell their stake and make way for a resort hotel -- that is, before he died under dubious circumstances. Takamine finds the islanders polite and kind but unwilling to discuss business; instead, they tell him to become an islander. So the city-slicker stuffed shirt loses his tie and starts to help the women plant and the men fish. He soon makes his acquaintance with Takako (Mitsuko Baisho), the widowed daughter of the island's chief. She lives alone with her crazed son who is kept Jane Eyre-style chained to a stake. One moon-lit night, their mutual attraction boils over, resulting in a naked, passionate roll on the beach.

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Executive management of a major Tokyo construction company are getting bumped off one after another. It seems obvious that it is a former partner of the company with a long-standing grudge who is responsible, but he died in the first ten minutes of the movie. Or did he? This may aptly be described as a giallo-noir for the unrelenting string of murders by a mystery man and the black-and-white gritty urban setting.

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