Park Ji-min

The Show Must Go On, a new documentary about efforts to bring the world tour of The Phantom of the Opera and the South Korean tour of Cats to their respective opening nights in the wake of COVID-19, is now in post-production. Shot in South Korea, the United States and the United Kingdom, the film features Andrew Lloyd Webber as well as the touring companies. The doc is directed by Emmy winner and Broadway producer Dori Berinstein and her daughter Sammi Cannold, who helmed Lloyd Webber's Evita at City Center in 2019.

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After the destruction of Troy, the Trojan warrior Énée sets out on a journey to found a new dynasty. He meets Didon, Queen of Carthage, and falls in love. But will Énée's love for Didon prove stronger than his sense of duty? LES TROYENS ('The Trojans') is a tour de force of music that ranges from fiery military marches to intense choruses, passionate soliloquies – such as those of the prophetess Cassandre – and the lyrical love duets of Didon and Énée. It is Hector Berlioz's largest work and he wrote the libretto himself, drawing upon his intimate knowledge of Virgil's Aeneid. To the composer's disappointment, LES TROYENS was only performed once in full during his lifetime and was often presented in shortened form during the 20th century. The Royal Opera's production provides a rare chance to see this epic work in its entirety. David McVicar's staging is on an enormous scale, assembling one of the largest casts ever seen at Covent Garden.

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The Royal Opera, the Royal Ballet, and director-choreographer Wayne McGregor bring us an interpretation of DIDO AND AENEAS, an opera composed by Henry Purcell, with a libretto by Nahum Tate; based on Book IV of Virgil's Aeneid. We find Dido in her court with her attendants. Dido fears that her love for Aeneas will make her a weak monarch, but her attendants assure her that heroes, too, love....

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The Royal Ballet and the Royal Opera collaborate in Wayne McGregor's production of Handel and Gay's classic opera, in which the nymph Galatea falls in love with a shepherd named Acis.

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David McVicar’s powerful Royal Opera House 2008 production of Strauss's opera – based on a play by Oscar Wilde – takes the controversial and disturbing film 120 Days of Sodom as its visual reference. The action is set in a debauched palace, which has suggestions of Nazi Germany. Strauss’s ravishing and voluptuous score adds to the sexual alchemy that is conjured by an international cast led by Nadja Michael in the title role.

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