Aleksandr Gonorovsky

1826, St. Petersburg. After the suppression of speeches on the Senate Square, the investigative commission begins searching for the Decembrists. Some of them are caught by the authorities because of informers. Suddenly, a series of brutal murders takes place in St. Petersburg: the victims are those who denounced the Decembrists. A piece of paper with lines from a poem by the young poet Alexander Pushkin invariably remains near the bodies of the dead. A Moscow detective and a nobleman released from arrest, Alexander Boshnyak, are taking over the investigation of the case.

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15 August 1990. Viktor Tsoy, the Soviet Union’s most famous rock star, leader of the band Kino, a symbol of freedom and change, dies in an accident on a Latvian highway. The bus driver who was involved in the tragic accident will bring his body back to Leningrad. A party of mourners – Tsoy’s wife and her new boyfriend, his mistress, his producer, his young son and an obsessed photographer – are part of the trip back. This is going to be a long trip, the perfect occasion for an agonizing unravelling of love, jealousy, ambition, and greed.

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Mischa, a mute boy, sets out on a surrealistic journey together with his father and two men. Their means of transportation is an old Soviet locomotive, loaded with stolen coal. The travellers intend to sell off the loot on their way through the borderless steppes of inner Russia. As a parallel to the main plot, sequences of a mysterious travelling circus keep reappearing in a very suggestive way. Many of the odd artists at the circus are people that the four protagonists encounter in the wilderness along the overgrown railway. All through the movie there is a sensation of magic crossed with pure realism, stressed by the crackling communistic infrastructure and a twisted sense of humor. The border between reality and fantasy is very subtle here. The Railway is a story about strong family ties, but also an ambitious interpretation of the clash between the Russia of old and new. One could call it the rebirth of a long forgotten genre: the Russian wonder story.

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In spring 1938 in the mountains in the north of Chile a fiery UFO, later named "Chilean Sphere ", fell down. The investigation of this episode, made by a film crew, has led to a sensational discovery. It appeared that before the Second World War (in the thirties) in the USSR a secret space program had been developed. The Soviet scientists and military authorities managed to launch the first spacecraft 23 years prior to Jury Gagarin's flight! "The First on the Moon" tells about everyday life, heroic deeds and tragedy of the first group of the Soviet cosmonauts. It is the first Russian film shot in a very rare genre 'mockumentary' or 'documentary fiction'.

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New film scripted by Aleksandr Gonorovsky

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