Michael Beyer

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In the second part of this magnificent concert celebrating music from across Europe, Lukas Sternath, Martha Argerich, Bruce Liu and Hayato Sumino perform the finest piano concertos by Beethoven, Schumann, Tchaikovsky and Rachmaninoff.

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Written during the tumult of the Napoleonic Wars, Beethoven’s fifth and final piano concerto is both epic and moving. Young Austrian pianist Lukas Sternath is soloist with the Deutsche Kammerphilharmonie Bremen, conducted by Constantinos Carydis performing from Pnyx Hill with a view of the ancient Acropolis as part of Europiano.

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The famed Vienna Philharmonic rings in the New Year with its annual concert from Vienna's Musikverein conducted for the first time by Yannick Nézet-Séguin with performances by the Vienna State Ballet and location segments hosted by Hugh Bonneville.

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The Vienna Philharmonic Orchestra welcomes in the New Year as the world watches: 50 million classical music fans tune in to the New Year's Concert from the flower-decorated Golden Hall of the Musikverein.

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To mark the 50th anniversary of Dmitri Shostakovich's death, the Leipzig Gewandhaus Orchestra and the Boston Symphony Orchestra perform his Symphony No. 7, known as the ‘Leningrad’, a symbol of resistance against fascism.

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When Strauss and Hofmannsthal wrote «Der Rosenkavalier» – setting it in an imaginary Rococo Vienna and yet closely linked to the decadent fin de siècle – they created a profound social comedy. It is not without melancholy that the Marschallin lets her young lover Octavian go when he falls head over heels with Sophie, who hails from Faninal’s bourgeois household. As voluptuous as Strauss' score is, it contains tender moments of dream and melancholy. Director Lydia Steier stages Strauss’ opera according to an aesthetic concept by Austrian artist Gottfried Helnwein. Diana Damrau sings the Marschallin. Joana Mallwitz, chief conductor at the Konzerthaus Berlin, conducts the Orchester der Oper Zürich.

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That year, political tensions between the two enemy states had eased, and the aim was to deepen their cultural relationship. This event became a musical highlight, significant for the bond it forged between these two cultures.

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The Lucerne Festival Orchestra and its music director Riccardo Chailly dedicate an evening to Sergei Rachmaninoff, with Italian pianist Beatrice Rana shining in the highly virtuosic variations of the Rhapsody on a Theme of Paganini. Also on the programme is the mysterious Symphony No. 1 and The Rock, an early work that already gives a glimpse of the Russian composer's musical sensibility.

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The Czech Philharmonic Orchestra has been commemorating the Velvet Revolution to celebrate democracy, freedom and non-violence since 2020. This is now a tradition on 17 November, the bank holidays. This year, Prague's Rudolfinum welcomes two talented young artists: Czech violinist Josef Špaček and French violist Antoine Tamestit, conducted by Petr Popelka, for an all-Czech programme.

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Based on one of Shakespeare’s most famous comedies, this is a virtuosic and irresistibly funny ballet, choreographed by John Cranko to melodies inspired by Scarlatti.

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Sleeping Beauty was premiered in St. Petersburg with Tchaikovsky’s immortal music in 1890. In his version for the Ballett Zurich, Christian Spuck revives the classic in his own artistic style. With a great deal of humor, he addresses the complex process of growing up, relating themes such as generational conflicts with one’s parents, the difficulties of becoming a mature adult, and, last but not least, love and sexuality. Whenever possible, he frees the characters from their traditional role cliches. Petipa’s original version becomes a model that Christian Spuck occasionally cites yet repeatedly questions and counteracts with irony and occasionally irritating moments.

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United in their support for Ukraine, violinist Daniel Hope and Ukrainian pianist Alexey Botvinov perform a concert for peace from Dresden's frauenkirche. Composers featured include Johann Sebastian Bach , the Ukrainian Valentin Silvestrov and Russians Alfred Schnittke and Sergei Rachmaninov.

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At the 2021 Salzburg Festival, Russian pianist Evgeny Kissin gives a colourful recital of works by Gershwin, Berg and Chopin.

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Pianist Leif Ove Andsnes and the Mahler Chamber Orchestra present the epilogue to their “Mozart Momentum” project in the Austrian composer's hometown.

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Petroc Trelawny hosts the traditional start to the year with a concert live from the golden hall of the Musikverein in Vienna.

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The male circle of the Grail Knights is in crisis. Time and again, knights desert to the counter-realm of the sorcerer Klingsor, who had previously been rejected by the circle of knights. With the help of seductive women, above all Kundry, he succeeds in bringing down the knights. He is even able to tempt the Grail King Amfortas into a misstep. He steals his sacred spear and inflicts an incurable wound. As a result, Amfortas' ritual duty of unveiling the Grail has become an ordeal. Only a pure fool is destined to undo the Grail King's fall from grace and reverse its devastating consequences.

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John Williams has made cinematic history with his film scores and transported entire generations into his musical worlds. He has composed the soundtracks for cinema blockbusters such as Star Wars, Jurassic Park, E.T. and Harry Potter. In this concert, he conducts some of his most famous film classics. At the same time, this is his debut on the podium of the Berliner Philharmoniker. May the Force be with him ...

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This unique production of Carl Maria von Weber’s ‘Der Freischütz’ was created to celebrate both the piece’s 200th premiere anniversary at Konzerthaus Berlin and the 200th anniversary of the famed concert hall itself. For this production, Catalan theatre group La Fura dels Baus – internationally acclaimed for its avant-garde opera – created a virtual forest in the Konzerthaus’ Great Hall.

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At the Salzburg Festival 2021, the musicAeterna Orchestra conducted by Teodor Currentzis performed the last symphonies of Wolfgang Amadeus Mozart – No. 40 K. 550 and No. 41 K. 551 Jupiter. The two pinnacles of Mozart’s symphonic heritage are interconnected: the classic wrote symphonies No. 39–41 in one short period of just a few fruitful weeks in 1788. In the concert the two symphonies – the two sides of Mozart’s unfathomable genius – are joined by works that are close to them both in spirit and the time of creation: the orchestral Masonic Funeral Music in C minor, the recitative and aria of Donna Anna from the finale of the opera Don Giovanni and the chorus from the spiritual cantata Davide penitente created in 1785.

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Franz Schubert's "Winterreise" is considered the pinnacle of German art song. Hans Zender (1936 - 2019) arranged the cycle in 1993, and his version for tenor and small orchestra brings to light emotions that pulsate beneath the surface in Schubert. Similar to Hans Zender, the choreographer Christian Spuck is also concerned with a journey into the interior of the human being.

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Choreographer Christian Spuck takes on Schubert's last cycle of lieder, reorchestrated by Hans Zender, from which he draws a powerful choreography in chiaroscuro, between symbolism and mysticism.

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Offenbach’s mockery of bourgeois ideals, the sublimity of music and the institution of marriage ensures that the moralistic sermonizing of ‘Public Opinion’ falls on deaf ears. The mysterious figure of John Styx tells the story of behind-the-times Orpheus and his hacked-off Eurydice, of gods and goddesses seeking diversion, jaded with humdrum life in Olympus. He tells of the rebellion in the pantheon, which Jupiter adeptly averts by promising an amusement for his entourage. Burning with curiosity to see the beauteous captive and the contest between Jupiter and Pluto for Eurydice’s favour, the illustrious company embarks on an infernal ride to the underworld that culminates in what is surely the most wellknown can-can in the history of music. And what of Eurydice? She ends up putting a spoke in everyone’s wheel…

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As Christof Loy put it: Così fan tutte invites us to embrace the complexity of life and face the future with heads held high. In his staging of the version he abridged with Joana Mallwitz for the Salzburg Festival 2020 the focus is wholly on the figures and the subtle choreography of their emotional states — in a space that like a magnifying glass exposes the intricate mechanisms between the characters. In this way the production leads the protagonists and the audience to experience the ‘serene calm’ that can perhaps indeed cure our own ‘distempers’.

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Shakespeare’s play “Romeo and Juliet” has inspired generations of artists to adaptations like scarcely any other work. In his colorful, passionate music, the Russian composer Sergei Prokofiev brilliantly captured the clash of love and hatred, and the proximity of tenderness and violence. Inspired by Prokofiev’s vivid music and the timeless quality of Shakespeare’s tragedy, choreographer Christian Spuck and the Ballett Zürich narrate the most famous love story in world literature using strong images that are full of enthralling theatricality and touching emotion. Michail Jurowski, a true Prokofiev expert, is at the rostrum of the Philharmonia Zürich. Recorded live at Opernhaus Zürich June 2019.

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DG presents John Williams in Vienna, the live recordings of the Hollywood legend's Vienna Philharmonic 2020 debut. Saying it's "one of the greatest honors of my life," he received a standing ovation before a single note was played. Sharing the stage with the famous orchestra and violinist Anne-Sophie Mutter, he performs iconic themes from Star Wars, Harry Potter, Indiana Jones, Jurassic Park and other cinematic landmarks that have earned countless awards: 5 Oscars, 5 Emmys, 25 Grammys & more.

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Enjoy Ravinia Festival’s production of Leonard Bernstein’s theater piece starring Tony Award-winning baritone Paulo Szot and featuring the Chicago Symphony Orchestra. Baltimore Symphony Orchestra artistic director Marin Alsop conducts.

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Live performance from 2018 of the unfinished work by composer Charles Ives. Inspired by the potential of the work, director Christoph Marthaler, stage designer Anna Viebrock and conductor Titus Engel joined forces to stage a performance of Ives' incomplete project, originally intended for more than 4,000 musicians, at the arts festival Ruhrtriennale in 2018.

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Sleeping Beauty was premiered in St. Petersburg with Tchaikovsky’s immortal music in 1890. In his version for the Ballett Zurich, Christian Spuck revives the classic in his own artistic style. With a great deal of humor, he addresses the complex process of growing up, relating themes such as generational conflicts with one’s parents, the difficulties of becoming a mature adult, and, last but not least, love and sexuality. Whenever possible, he frees the characters from their traditional role cliches. Petipa’s original version becomes a model that Christian Spuck occasionally cites yet repeatedly questions and counteracts with irony and occasionally irritating moments.

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