Yiannis Prineas

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Ms. Byzantiou is a passionate writer who stays at the hotel “Paradise” together with other eccentric tenants. When the friend of a hotel boy, who is planning to marry a young tenant, arrives at the same time with a couple of newlyweds, Ms. Byzantiou is inspired to write about a dramatic love affair.

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Surrounded by wealth, an impecunious young lady leaves home and the suave man of her dreams to spread her wings in Athens. But, he refuses to give up on her. Will she ever know that love awaits at the villa with the four marble stairs?

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An actress, Ririka, charms a maharaja who is visiting Greece. She will use her charm to secure the maharaja's help for all her relatives, associates, and friends, who urgently need a boost to their careers.

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During World War II, a lieutenant of the Royal Navy, Aris Galanos, arrives in Italian-occupied Rhodes on a secret mission. He takes the place of the Italian officer Giovanni Retsini and, as captain Giovanni, now helps the residents of the island as much as possible. At the same time, he also falls in love with Anna Roditi, a member of the Resistance. He travels back and forth to the Middle East carrying secret plans for the defense of the Dodecanese. The revelation of Aris' activity also leads to Anna's arrest, who is about to be court-martial-led. The capitulation of Italy, however, averts such an unpleasant development. With the end of the war and the unification of the Dodecanese islands with Greece, Aris returns to Rhodes to live there forever with his beloved Anna Roditi.

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The film, with many scenes shot on location, constitutes a precious document as it exquisitely captures some of the most important landmarks of Athens and its outskirts, as well as daily life in the 1930s. synchronise moving images with a sound-ondisc system in Greece, using a semiimprovised setup according to press coverage of the time.

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The film, with many scenes shot on location, constitutes a precious document as it exquisitely captures some of the most important landmarks of Athens and its outskirts, as well as daily life in the 1930s. synchronise moving images with a sound-ondisc system in Greece, using a semiimprovised setup according to press coverage of the time.

Open details →