Otto Nelson

At the beginning, Thirty Years of Motion Pictures (The March of the Movies) was merely a presentation/lecture given by Otto Nelson at two National Board of Review conferences, in 1925 and 1926, under the title Early History and Growth of the Motion Picture Industry. These proved so successful that work on a film version began, with historian Terry Ramsaye (who around the same time published the seminal study A Million and One Nights: A History of the Motion Picture) coming onboard the production.

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A Manhattan playboy falls for a mysterious European woman, whom he notices is an exact double for a famous socialite who disappeared at the turn of the century. At first he thinks it's just a coincidence, as the beautiful young woman he's romancing is much younger than the woman who vanished, who would be in her late 50s or early 60s by now. Soon, however, he begins to believe that maybe it's not such a coincidence after all.

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18 episode Western adventure serial. 1. Bonds of Steel 2. In the Enemy's Hands 3. The Spy 4. The Sword of Grant and Lee 5. The Man of the Ages 6. Prisoners of the Sioux 7. Shackles of Fate 8. The Last Shot 9. From Tailor to President 10. Empire Builders 11. Perils of the Plains 12. The Hand of Justice 13. Trails of Peril 14. The Scarlet Doom 15. Men of Steel 16. The Brink of Eternity 17. A Race to the Finish 18. Driving the Golden Spike.

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Helen Martin takes her father's place when he is too ill to carry out his duties as Sheriff, and followed by Jim Grey, tracks down Blackie Wells, notorious 'bad man,' who has shot up a town. The trail leads over prairie and woodland, ending when Helen assumes the part of a dancing girl in the Last Chance saloon and learns the hiding place of Blackie and his associates.

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A villain robs a safe in the town bank and leaves evidence to convict the hero.

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Hoot is a cowpuncher, somewhat addicted to liquor (when he can get it). His sweetheart, the rancher's daughter, tells him that if he ever takes another drink, their engagement is at an end.

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Hoot is the only cattleman in the neighborhood and he is about to be run off the range by the wealthiest sheep man in the district. Hoot is in love with the sheep man's daughter, and refuses to be run off. The little son of the sheep herder strays away and wanders to Hoot's shanty, where Hoot keeps him, sending a note to the father to come after him. A villainous foreman intercepts the note and plots a kidnapping frame-up. After a near tragic climax, Hoot captures and unmasks the villain, winning the girl and the good will of her father.

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