Timothi-Jane Graham

The Beat delves into the personal and professional lives of two young police recruits who patrol New York's streets. The city's daily machinations are seen through the often bloodshot eyes of Officers Mike Dorigan and Zane Marinelli, two youthful, irreverent partners who are truly products of their generation and unique urban environment. Issues of race, excessive police force – and the unpredictable quirkiness of New York's outspoken locals – compel both men to rely on their sense of humor just to make it to the end of their shift.

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A womanizing New York adman attempts to identify the causes of, and find a remedy for, his so-called addiction to sex, in order to win the love of a woman he respects.

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Workaholic Mike Flaherty is the Deputy Mayor of New York City, serving as Mayor Randall Winston's key strategist and much-needed handler. Mike runs the city with the help of his oddball staff: an anxious and insecure press secretary; a sexist, boorish chief of staff; an impeccably groomed gay activist running minority affairs; a sharp and efficient, man-crazy accountant; and an idealistic young speechwriter. Like Mike, they are all professionally capable but personally challenged.

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Swift Justice is an American detective drama television series created by Dick Wolf and Richard Albarino, broadcast for one season (13 episodes) on UPN from March 13 to July 17, 1996. James McCaffrey stars as former Navy SEAL Mac Swift, a private investigator fired from the NYPD. He receives support from his former partner Detective Randall Patterson (Gary Dourdan) and his father Al Swift (Len Cariou). Critics noted the series' emphasis on violence, specifically in the pilot's opening sequence, drawing comparisons to The Equalizer (1985–1989) and Die Hard (1988). UPN canceled the program after receiving complaints from viewers, advertisers, and critics for its stark depiction of violence. Wolf considered the cancelation a mistake due to good ratings. Further, it was praised for its visuals and McCaffrey's performance, but often criticized as being either too violent or formulaic.

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An American police procedural chronicling the work of a fictional version of the Baltimore Police Department's Homicide Unit.

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In cases ripped from the headlines, police investigate serious and often deadly crimes, weighing the evidence and questioning the suspects until someone is taken into custody. The district attorney's office then builds a case to convict the perpetrator by proving the person guilty beyond a reasonable doubt. Working together, these expert teams navigate all sides of the complex criminal justice system to make New York a safer place.

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