Sylvain Saada

Two women in their fifties. Everything sets them apart: their social standing, their life experiences, their backgrounds. Despite their differences, they will join forces for the same deeply personal and visceral goal: to gain custody of their grandson upon his return from a jihadist prison camp. Two women, one child. Three destinies inextricably linked.

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Late 1950s in France. One woman, two men. She, Ève Faugère, a glamorous diva at the peak of her career. The man, her husband, Maurice Faugère, an immense author who made her and propelled her for years to the firmament of the song. And finally the lover, Jean Leprat, her pianist who adores her and burns with passion for her. The atrocious poison of jealousy will consume them to the point of tragedy, the trap of a Machiavellian plot will take them all three. And she, the other one, the so pretty Florence, so fresh. This ambitious young singer, ready to do anything to overthrow the one she admires, is she not also caught in the trap of a diabolical game that is beyond her? Where does the danger come from? Who is orchestrating this fatal merry-go-round engraved in the vinyl of the brand new singles that brings its poisonous message every day? Who will die? Who will survive?

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For thirty years, French-Algerian sisters Zorah, Nohra and Djamila have been living in the hope of finding their brother Rheda, abducted by their father, and hidden in newly decolonised Algeria. Their relationship is shaken when Zorah, the eldest sister, decides to write a play based on the traumatising events of their childhood that haunted them their whole life. But when they learn that their father is dying, the three sisters decide to go to Algeria to seize their last opportunity to have him reveal where their brother is. When the past catches up, the three sisters have no choice but to put their differences aside.

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A mummified corpse has been found by workers who were knocking down a wall. Ariane Sallès and Gaspard Lesage are in charge of the investigation.

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July 1962. Christine Beauval, star speaker of the RTF, is a fulfilled woman who leads her life as a wife and mother, as well as an ambitious professional career. But in the spotlight, when she should speak, her body suddenly falls, bloody. A few days earlier, her husband Pierre was appointed head of Mondovision by his friend Eric Jauffret, Minister of Information.

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Pattern never changes. She finds lonely, anonymous, almost invisible women doing menial jobs, becomes their friend and confidante and then kills them and takes their identity, their job and their apartment. Police investigator Judith Corel serves as bait in an attempt to trap the chameleon killer.

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Brest, the end of the world. A young woman's foot is found near the sea. Alma Schneider, a cop fresh from Paris, leads the investigation. She can only count on the support of César Istria, forensic pathologist and passionate archaeologist. Together, they find the site where the victim is believed to have been buried. But the body they exhume is not that of a woman! It's that of a man, probably a sailor. Not one murder to solve, but two... And the mystery thickens still further when they realize that the young woman was in fact a transsexual named Diana, a veritable icon and influential figure in the whole town. Alma and César join forces to solve this enigma, which takes them deep into the bowels of Brest.

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A bank robbery intertwines the lives of the branch director, a celebrity chef, a pregnant young cop, and a seasoned police officer.

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Murders in... is a collection of French-Belgian police TV movies taking place each time in a different French city and region.

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Iona Gorrigan, a journalist of Basque origin, ends the interview with a repentant activist friend, when he is slaughtered before her eyes. The investigation is led by Martial Verdier, with whom Iona falls in love. During the interrogation, she opens up to Verdier and is completely frank, without realizing that she is being manipulated.

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An ex-fighter pilot encounters turbulence when he finds the company he works for is actually a front for art smuggling.

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It was during one of his missions in Norway that Antoine learned of his wife's death. He leaves his experimental submarine and returns to Paris. Helene was found in the Seine and had taken barbiturates. Even though he had not been with Hélène for six years, he knew her well enough to believe that she was incapable of committing suicide. So who and why?

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