Allard van der Scheer

The film is based on the popular Dutch childrens book by Chris van Abkoude. In a Dutch port in 1921 lives a 10-year-old orphan boy known to everyone simply as Little Crumb. His poverty-stricken mother Lize van Dien filled with shame was forced to turn him over to Mrs. Koster soon after he was born. Foster mother Mrs. Koster, who has cared for him since he was a baby, is very poor too, unable to support him by herself and proves to be a cruel taskmaster who insists Crumb bring her money before shell feed him. Somehow he must earn his keep out on the streets and can only go home after he has earned enough money. Crumb becomes an urchin stealing from the streets barrows and the shops to stay alive, sleeping in churches or huddled in doorways. Sometimes he has to run off from the police and he has earned the enmity of the most grownups around him.

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When Louise (70) and Max (72) meet, it is love at first sight: they abandon their sleepy lives and travel to the South of France, where they become the terrors of the 'Route du Soleil'. They rip off naïve tourists with their act as a sad old couple: a second youth that goes further than their wildest dreams. Based on a true story.

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Sitcom about two grandfathers taking care of their grandchildren, so their children can focus on their careers.

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Peter Strohm is a private detective with radical methods. His work begins where police work ends; he takes on sensitive cases that require a certain scale, or explosive situations that can lead to international crises.

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During World War II, two members of the Dutch resistance share the same goal but use very different methods to reach it.

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The reconstruction of a Dutch political scandal from the 1960s when a PR specialist managed to gain unhealthy influence in government circles. Eventually he became the biggest victim.

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Young Peter has a difficult time adjusting at school having been confined to a wheelchair after an accident. He still wants to participate in the school outing and play and wants to come up with a way to make the play actors 'fly' like fairies. By chance the local inventor Quirinus Drijfhout and his son Felix have just perfected their 'Zerostraler', a machine that can make any object float in mid air.

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Hotel de Botel is a comedic Dutch television series consisting of seven episodes that aired from October 8, 1976, to December 31, 1976, on TROS. The series is set in the Ruimzicht hotel, which is run by two brothers, Bob and Koos Overwater, played by Allard van der Scheer and André van Duin, respectively. The series is based on the British series Fawlty Towers.

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Cornelis van Doorn is the CEO of VD, a meat factory as well as a developer of contraceptives. Cornelis is the patriarch of the Van Doorn family: a decadent bunch of loose morals who only lust for money and power. When the man is thinking about retiring, he has to find the right heir to take over the family business.

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Burgler and master safe-cracker Glimmie is asked to find a young woman called Fanny by her rich stepfather Van Borsen. However, Glimmie remains suspicious of the man and decides that Fanny has to be protected by him and his pal 'De Bonk'. He is soon proved correct and winds up a scapegoat in Van Borsen's scheme. After his release from prison, Glimmie plans his revenge with some help from a young cleaning girl called Slofje.

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After a year's trip around the world, twenty-year-old Daniël comes home where a surprise awaits him. In his absence, his boring bourgeois parents have become completely captivated by the sexual revolution. In their new trendy clothes and their 'groovy' white interior, they make sexual freedom a mockery. This upsets Daniël so much that he flees again. This time to the 'peaceful, unspoilt countryside'. Disillusionment awaits him there too. Frustrations and sexual obsessions appear to be just as intense there as in the big city.

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Dutch prostitutes Greta and Nel cruise the Amsterdam red light district, seeking clients to involve in their elaborately staged fetish fantasies, be it disciplinarian headmistresses, surgeons cutting open a willing patient, or even dressing up as chickens, the duo show their expertise in role-playing again and again and again. In reality, Nel is trapped in an abusive marriage and Greta is forever in the middle of their confrontations but her life takes a positive upturn when she becomes involved with a client.

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