Karel Greif

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In 1992, Prague is the capital of a small kingdom. The prince is supposed to choose his bride to be at a royal ball. But to everybody's surprise, he chooses an ugly cleaning-woman. She is shy and silent, but after the marriage she turns into a wild and rumbustious woman with an obstinate and stubborn mind. They both try to kill each other, but the queen is thrown into the dungeons.

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Stage mime Antoine Moreau is compelled by the Gestapo to put on a performance for the children of Terezin, a "model" concentration camp, to convince the Red Cross observers that the camp is truly what it seems. Reluctant at first, Moreau slowly learns the true nature of the camp, including the meaning of the "transports" on which people leave. With a world-class orchestra (made up of people interned in the camp) and a cast of children, Moreau stages a show to end all shows.

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The common theme of the short story film is the famous duels between two important historical figures: Pushkin and Casanova. Pushkin's tragic duel, which ended his life prematurely, is portrayed in connection with the creation of his short story "The Dirty Shot", while Casanova's story is conceived in a rather ironic and humorous way. The point is that the famous seducer never actually seduced, on the contrary, all his life he was in a constant battle with female seductions.

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Further east of the Dark Blue Sky, where the Heavenly Horsemen fought, the story of a Czechoslovakian fighter squadron takes place, to which Second Lieutenant Jandak arrives as a rookie. He then experiences both his first love and a battle high above the clouds in the collective of combat pilots. Combat pilots on the Eastern Front thus experience similar stories to their Western colleagues, with the same goals and plans and the same slim prospects of survival in their daily life-and-death battles. Not surprisingly, they fought at a time when they had a common enemy, characterised by the Messerschmitt aircraft.

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The top sport was also closely monitored in the communist era, and officials were naturally bothered that the pentathlon team failed to win the World Championships. But the measures that should have ensured redress were caught up in a web of behind-the-scenes machinations that backfired on the athletes themselves, their endurance and their family backgrounds. While the film has critical ambitions and wants to reveal much of what should have remained hidden from the public eye, it is a rather clumsy and schematic view, not very convincing in terms of realisation.

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Little Péťa visits his grandfather in the Krkonoše Mountains, where a swarm of bees settles on a tree. When Péťa disturbs it, the entire swarm attacks him, leaving him in a deep coma. Ordinary treatments fail, so Dr. Vrba insists on a beekeeper’s blood transfusion. Grandpa’s blood type doesn’t match, prompting a frantic search—ambulances, authorities, even foreign donors—to find a suitable beekeeper. After multiple transfusions from various volunteers, Péťa shows signs of recovery. With dawn breaking, hope returns as he awakens.

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Tereza lives and works in Prague. She meets a handsome man, Tommie, speaking in a language incomprehensible to her. It seems that he is the manager of the Finnish ice hockey team. A love story starts to blossom. When the coach of the Czech ice hockey team tries to use Tereza to retrieve information about the strategy of the Finnish team, Tommie leaves Tereza. Will Tereza be able to clear up this misunderstanding?

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Who doesn't know the fairy tale "Cinderella". Josef Lada borrowed the story and, as only he could, humorously retold it as one of his original fairy tales inside out.

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The story of a young man who found the meaning of love and a place in life at the cost of a loss.

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The poor shepherd boy Michal signs up for service at the royal castle as a gardener's apprentice. He soon learns his trade well, but he also learns the secret of Duke Rosemary's curse, which forces the three royal daughters to spend every night dancing and debauchery against their will. Everyone from the entire kingdom tries in vain to unravel the mystery of the worn-out slippers that the princesses have in their rooms every morning. So Michal sets out to fight the mystery.

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Three loosely-connected tales that represent different aspects of love: temptation, dreams, and adventure.

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