Philippe Saïd

Xavie, an idealistic filmmaker, takes a motley film crew and two experienced actors in a country house, to shoot a film without a script, following chance, as A. Einstein understood it: "Coincidence is God's way of remaining anonymous".

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Mado, a fierce pistolera, travels the roads of a wild country, a Provençal Wild West, on her bicycle, flanked by her two faithful acolytes. She is entrusted with a new mission: to escort Eisabèu, who has just murdered her husband, on a last pilgrimage where the widow will pray for her victim's soul.

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The French government is asking Gustave Eiffel to design something spectacular for the 1889 Paris World Fair, but he simply wants to design the subway—until he crosses paths with a mysterious woman from his past.

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Exclusively created with period engravings, this animated feature explores the Franco-Prussian War of 1870 and the ensuing Paris Commune revolution in 1871.

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The life of a small group of teenagers in a small 1961 French boarding school. In French Savoie, Pierre Hautefort, a literature teacher, is head of the Beauregard school, located in the mountains. However, the arrival of the young science teacher, Julien Ferrer, is going to seriously challenge the school’s strict and organized life.

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Set in July 1793 during the outbreak of the French Revolution and the unleashing of the Reign of Terror, a young girl from Caen named Charlotte Corday plots to assassinate Jacobin newspaper editor Jean-Paul Marat.

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Eight-year-old Eva and her mother have a very positive CHILD-TO-CHILD-RELATION. The mother is incapable of mature behaviour when problems arise. When the mother forgets to fetch Eva at school in her car, Eva does not know the way home. Panicking and crying she just runs and is overrun by a car. The driver is obviously innocent. He is a second-hand bookseller (Etienne) and a mountain climber and has a phenomenal memory. The hospital cannot tell whether Eva will ever wake up from her coma, or will speak or move.

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The story of a young couple, Pierre and Geraldine, and their desire for a child, which leads them on a journey of initiation to Cambodia. On their difficult and transformative adventure, they must contend with obstructive authorities and the jealousies and mistrust of a small community of would-be adoptive parents.

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During the Nazi occupation of France, two filmmakers try to build a career without compromising their ideals.

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Novelist and filmmaker Jose Giovanni turned to the remarkable true story of how his father helped him escape a date with the guillotine for this drama, which is based closely on events from his own life. During World War II, Manu (Vincent Lecoeur, as a character Giovanni modeled after himself) fought with the French Resistance, but near the end of the war he fell into a life of crime, and in 1947, 22-year-old Manu was arrested for his part in a bungled robbery that left a man dead. While Manu did not pull the fatal trigger, he refuses to say who did, since it would mean implicating his uncle, one of the few members of his family who has stood by him; Manu's brother is dead, and he turned his back on his father Joe (Bruno Cremer) years ago. Manu is sentenced to death, and while he protests his innocence, his attempts to escape from prison do little to convince anyone that he's telling the truth.

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In Montelimar, four young women whom life has not spared want to emerge from mediocrity. They decide to rob a bank, but everything is not so simple and the perfectly developed heist could turn into disaster.

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A Mediterranean scrubland. The relentless noise of crickets. In the distance a highway and the procession of lorries travelling through the countryside at top speed. Among the green oaks and thorn bushes the construction of a leisure Centre is nearing completion. On the other side, from the building workers' prefabs can be heard the happy chaos of children shouting, families getting together and Ramadan celebrations. Moving incessantly between the two, are Fabienne, daughter of the manageress of the Centre, and Latifa, daughter of one of the workers. Fabienne and Latifa are friends, they tell each other everything, or almost... When you are 16 there are secrets that you don't share, even with your best friend. Then, there are questions which one would love to be able to answer and mysteries one would love to understand... The Centre's opening day approaches. It is the day of Fabienne's 16th birthday. But why do her mother Anne and her uncle Tom seem to be so fearful of that day?

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Three young female prisoners become friends while stranded in a provincial train station.

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