Zdeněk Julina

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How far are detectives willing to go to catch criminals? Sometimes they have to use methods that are on the edge of the law

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David (Jiří Macháček) has one task: to investigate paranormal cases. But he doesn't feel like it. It's the 1980s, and there are a lot of annoying people who call each other "comrade." He doesn't believe in anything paranormal anyway. He prefers to sit in his office, pretending to work on research into satanic references in Western music, and enjoys listening to LPs that no one else in the country has. The world would be beautiful, but his superior assigns him a new colleague, Vojta (Jan Cina). This overzealous newcomer talks about pushing the boundaries of human knowledge and how science doesn't have answers to all the mysteries of the world yet. This mismatched duo has no choice but to cooperate in investigating bizarre cases that all other security forces in the state can't handle. To make it harder, they are constantly monitored by a pair of StB agents – the tough agent Snížková (Anna Fialová) and the sweetheart Hora (Leoš Noha).

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The protagonist of Sex OClock is a teenager, Adam, who until now has been mainly concerned with his dancing career. But his father soon turns the whole familys life upside down and starts a whole chain of unexpected events.

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Divorce doesn't have to spell disaster. Even with alternating care, it can be fun. Especially when such quirky characters as ours are involved. Sure, even in One Family, things get rough sometimes, but love always wins in the end. Because more parents mean more love.

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Iveta wants to be a famous singer. The journey leads from the children's choir through singing competitions, recording the first hit and record to nationwide fame. Iveta has to convince parents, jurors, producers, spectators. The only one who believes in her from the beginning is Petr Sepéši. Her first love. What is the price of a dream come true? The beginning of Iveta Bartošová's life story.

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Alex Plan, a school ombudsman, strives for fair solutions for everyone, often going against the grain of the system and established practices. He advocates for people experiencing problems in education and tackles issues such as teacher murder and student sexual harassment.

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Frank, a native New Yorker, inherits his ancestral estate, Castle Kostka, and returns to the Czech Republic with his daughter Maria and wife Vivien after over forty years abroad. They find the castle in gradual decay, inhabited only by the long-slumbering steward Josef, housekeeper Mrs. Tichá, and hypochondriac handyman Krása. As the staff slowly awakens from the post-revolutionary 1990s inertia, Frank’s family faces a difficult decision: sell the dilapidated property and return to America or undertake the challenge of restoring Castle Kostka.

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A historical film with balladic features set in 1348, when Europe was struggling with the greatest plague epidemic to date. The film strives to portray the Middle Ages as authentically as possible and to create a specific symbolic space in which ideas, dreams, and cultural archetypes are as tangible as beings and objects.

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In a small Czech town, mother dependent Robert, his attractive girlfriend Simona, histrionic Tomas and extremely reserved History freak Funes, all dissatisfied with their lives, are members of the same string Quartet. As they rehearse for their next concert, they will get into a circle of eccentric situations and misunderstandings.

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Holiday in the old days shows the audience in the form of a reality show the life of an ordinary man in the past.

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When not serving regulars at a pub in the middle of a sleepy northern Moravian village, thirtysomething Maruna spends time with hesitant Jura and naïve outsider Olin – or fighting with her imperious mother. Lightened with a touch of black humor, this laconic village drama is the directorial debut of the artistic director of Prague’s Dejvice Theater who gave the members of his ensemble a one-of-a-kind acting opportunity in film.

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Narrates the story of three people, who are trying to find the fortune of a deceased baroness through a spiritualistic séance. But things will go a bit differently than they planned.

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In 1942, Friedrich Weimer's boxing skills get him an appointment to a National Political Academy (NaPolA) – high schools that produce Nazi elite. Over his father's objections, Friedrich enrolls. During his year in seventh column, Friedrich encounters hazing, cruelty, death, and the Nazi code. His friendship with Albrecht, the ascetic son of the area's governor, is central to this education.

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Despite the fact that young Jakub had faithfully served a wealthy farmer for a whole year, he did not receive a fair reward. So he set off into the world, where he gradually met a water sprite, a will-o'-the-wisp, a fairy, but above all a trio of eccentric witches - the old crone Filoména, the hag Agáta, and the youngest, Esterka. When a mouse brings a picture of the beautiful Klárka from a nearby castle to the forest, Jakub falls in love with her at first sight. However, Klárka is in danger from Prince Darjabád, who needs her young heart to become young again and, above all, immortal...

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Pistolník is a teacher who rules the boys' boarding school of a vocational school with a firm hand. Room No. 135 is Pavel, Tonda, Roman, Slavek and especially Olin, nicknamed Koblih, five classmates who, with extraordinary imagination, drive Pistolník crazy with new and new Canadian pranks. Their recessions are only put to an end by the arrival of a new and young teacher, Kamila, who is not affected by their tried and tested tricks. Despite their seemingly carefree life, each of the boys has his own problems, which gradually surface, and so in the avalanche of funny moments, a serious tone is occasionally heard.

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