Senri Sakurai

Kenta, a young pianist who has just lost his job, is drowning his woes at a bar, when he meets a man in a Hawaiian shirt named Yamaki. He invites Kenta to work with him, and the next thing he knows, Kenta wakes up to find himself in a room he has never been in before. It is a strange room that seems to have no connection to life. He descends a staircase to find many shelves of books.

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In a small town on the countryside, every young boy is forced to have the same bowl-head haircut known as the "Yoshino-gari" hairstyle. Then one day, a drastic change occurs when a transfer student with bleached hair comes from Tokyo.

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Eiko Akimori is a 23-year-old woman who lives alone in an apartment. One day, Eiko is made to buy a big stone ring that brings happiness from a catch sales on the way home from work.

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Seibei Iguchi leads a difficult life as a low ranking samurai at the turn of the nineteenth century. A widower with a meager income, Seibei struggles to take care of his two daughters and senile mother. New prospects seem to open up when the beautiful Tomoe, a childhood friend, comes back into he and his daughters' life, but as the Japanese feudal system unravels, Seibei is still bound by the code of honor of the samurai and by his own sense of social precedence. How can he find a way to do what is best for those he loves?

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Bored with school, 15-year-old Daisuke Kawashima embarks on a pilgrimage to visit the 7,000-year-old cedar tree on distant Yakushima Island. Through his journey, Daisuke meets a number of interesting people, including friendly truck driver Sumire and a mysterious mountaineer girl.

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In a future where World War II never ended, Japan is decimated by nightly bombings. The only building left standing is known as the Media Station, a broadcasting center responsible for all of Japan's entertainment.

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Sayo and Keiji have eloped to New Zealand to marry, away from the interference of Keiji's disapproving mother in Japan. On their honeymoon, they have the freedom to express their love away from her repressive influence. However, on what should be the happiest of days, Keiji is drowned and Sayo must, by custom, return to live with her cruel and selfish mother-in-law.

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The members of the Ameya family are all scammers. After their election scheme goes bust in their hometown, they move from Shikoku to Tokyo and resume their fraudulent activities. Everything carries on smoothly until the eldest and the fourth sons' modus operandi go awry, the mother's lover runs off with another woman, and disasters strike one after another. This film is a collaboration between Yoichi Sai and Goro Kishitani following "All Under the Moon." The family business of the Ameya family is defrauding people. The matriarch, who keeps getting married and divorced, has five children with different fathers. The Ameya family chases after fortune and leaves a trail of trouble on their path.

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After failing to find a job, Mitsuo becomes a fisherman on a small island, and develops a crush on a young nurse there. Tora-san, dispatched to bring Mitsuo back home, himself falls in love with an attractive but troubled woman visiting her father.

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A hard-working section chief, fast approaching retirement and beset by stress from all directions, joins a jazz band and reignites his youthful passion for the music, giving him a chance to set things right in his life.

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During his travels, Tora-san comes across a traditional theater he used to visit, and discovers that one of his old friends has died. Tora-san and his family help the friend's daughter, who becomes romantically involved with an aspiring artist.

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Director Ogata discovers a new female star in Koharu Tanaka, who works selling candy at a studio theater and she is given a part as a bit player. After the studio's top leading lady is embroiled in a scandal, Koharu is suddenly thrust into the limelight when she replaces her in a film and gains instant fame and fortune. But the going is not always easy, and she soon seeks help from unexpected quarters.

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A young man working as a cameraman in Tokyo is visited for three days by his parents from the countryside.

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Tora-san spends several days at the home of a hard-working salaryman ("salaried worker"), who abruptly disappears. When the man's wife asks Tora-san to help find him, he falls in love with her, and secretly hopes the husband will not be found.

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Ken Ota is a Japanese-American GI. He comes to Hiroshima after WW2 looking for his big sister, but finds Keiko, a bomb victim with a keloid scar on her shoulder.

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Tora-san returns to his family home to learn that his brother-in-law cannot go to Mitsuo's (Tora-san's nephew) athletic event. Tora-san volunteers to take his place, but gets into an argument with his brother-in-law's boss and returns to the road. He meets a young woman in Niigata who, unbeknownst to him, is a popular enka singer.

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Tora-san gets into an argument with his uncle and sets out on the road again. In Kyushu he meets a young woman named Keiko and the shy zoologist Saburō, and attempts to play matchmaker between the two when they all return to Tokyo.

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Depicting the friendship of three boys in New York, Los Angeles and Tokyo.

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Tora-san helps out a runaway bride.

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In the mid-1970s, a small group of friends are living in a Japanese town near an American air force base, their lives revolve around sex, drugs and rock 'n roll. The near-plotless story weaves a vividly raw, image-intensive journey through the daily monotony of drug-induced hallucinations, vicious acts of violence, overdoses, suicide, and group sex.

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Tora-san becomes friends with Toraya's newest tenant, a pachinko-playing electrician that goes by the nickname Watt. Tora attempts to match Watt with a young waitress.

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Tora-san arrives in Shibamata on Mitsuo's first day of school only to find that on his account, Mitsuo was embarrassed. After a fight with his family, he goes to a bar to drink, then brings home a surly old man with a sad story, whose identity will surprise everyone. Later, Tora meets Botan, a geisha.

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Set in the downtown area in the heart of Tokyo, this film depicts the lives of poor but kind-hearted people.

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A drifting gambler named Tamegorō befriends a weary salesman and helps connect him with a nightclub hostess whose father has just been released from prison. In a rapidly industrializing coastal town dominated by yakuza influence, Tamegorō becomes entangled in gang conflicts and the exploitation of local workers. As he grows attached to the struggling people around him, the carefree drifter finds himself driven toward an act of rebellion against the corrupt underworld controlling the city.

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Comedy of a phony doctor.

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A con man defrauds a small rural town, sparking an international manhunt.

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The story is set in 1970 during the time of the first EXPO in Japan. The film’s main figure is a miner who suddenly becomes unemployed because the mine he worked in was shut down. He decides to resettle with his whole family to Hokkaido in northern Japan and start a new life as a farmer.

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Comedy of high school where students and teachers run wild, based on a popular comic strip.

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The 14th and final "Crazy" feature. The Crazy Cats reunited (minus Ishibashi, who had by then retired from the team) for one last feature, Jun Ichikawa's odd Memories of You (Kaisha mono-gatari, 1988) released by Shochiku. Most of the cast of Crazy lrresponsibles at Shimizu Harbor (1966) return in this sequel.

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Chaos ensues when a secret agent gathers a group of criminals (The Crazy Cats) to steal gold from a bank.

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When the yakuza murder a bar hostess who, through a computer error, had amassed a huge fortune , the Crazy Cats make a robot duplicate of her.

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The sixth "Japan's No. 1 Man" feature. Followed by "Japan’s No. 1 Disconnected Man".

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Comedy-fantasy about a salaryman (Tani) and his imaginary friends.

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The desires and pretensions of woman of the Ginza are depicted.

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