Marko Marković

Belgrade, 2003. When Serbian Prime Minister Zoran Djindjic is assassinated, the country plunges into chaos, and the authorities' response is to introduce a state of emergency. A turning point in recent Serbian history through the perspective of a journalist, a police officer, and a criminal.

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Spring 2020. The coronavirus pandemic has broken out. Theaters have stopped working. Rehearsals of plays have been suspended. Silence, emptiness, ominous silence. Nevertheless, director Ana receives an offer to dramatize and direct “The Goalkeeper's Fear of Penalties”, a masterpiece by Peter Handke. It is a great challenge and a chance to jumpstart her stalled career. The problem is that the creative process emotionally inhibits her and blocks her sexuality, but with the persuasion of her best friend Sanja – Ana nevertheless embarks on the creative process. The director is faced with typical theatrical folklore.

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The series tells the story of several successful people from Belgrade, among whom is Bojana, an aesthetic surgeon. At first glance her life looks perfect: husband, friends and success at work, soon her life changes radically.

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Andrija and Andjelka , a couple in their mid thirties, are a typical example of what happens when a man and woman live together. Although they are sincerely love each other, they often get on each others nerves, whether in the bedroom, a supermarket or a dinner with friends.

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An ex-CIA operative is brought back in on a very personal mission and finds himself pitted against his former pupil in a deadly game involving high level CIA officials and the Russian president-elect.

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Sitting in a bar, Petar Lard decides to ring up his former sweetheart.

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A TV show that follows life in a typical Belgrade neighborhood.

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Anything can happen when a watch stops and a movie cuts.

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Ivan, a young copywriter is faced with the pressures and expectations of his work and surroundings. He tries his best to reconcile both aspects of life, but it is not easy at all.

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