Viola Richard

Following their initial pairing in early 1927, Laurel and Hardy ended their first year on top. Their success moving into 1928 galvanized the efforts of everyone at Hal Roach Studios (including famed director Leo McCarey), who proudly upped their game in support of the winning comedy duo. Whether wreaking accidental havoc as a two-man band, doing battle against one another as millionaire and butler, or even becoming grave robbers for a mad scientist, Laurel and Hardy prove in their second year that they have what it takes to not only win over audiences in the twilight of the silent era, but generate enough momentum to make a successful transition to “talkies” in 1929.

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Film historian Robert Youngson presents a feature-length anthology of rarely seen silent films by comedy legends Stan Laurel and Oliver Hardy. Along with clips from many of the shorts that made the duo stars, it includes clips from a 1918 comedy starring Laurel on his own as well as scenes from three shorts Hardy made in 1917 and '18 with his original comedy partner, Billy West. To put the duo's work in context, the film briefly features other comedians who worked with producer Hal Roach.

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Stan and Ollie have set up their own electrical appliance store but, unfortunately for them, the grocery right next door is run by the man and wife whom they encountered in "Them Thar Hills" (1935). Stan and Ollie go and visit to offer the hand of friendship, but the grocer again becomes convinced that Ollie and his wife are fooling around.

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The Line-Up (1929)

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Mrs. Hardy throws Ollie and Stan out of the house. They try to impress two young ladies at a golf course and end up fighting with other golfers.

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On the way to his wedding the bride groom finds a nude, married woman in his car

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Papa, Mama, Daughter and Son Gimplewort move into their new house. Two movers are talking to each other about the murder of a saxophone player that took place in the house. They say his ghost still roams the house. Night comes and every noise and creak in the house scares the papa, mama and son (the daughter is out on a date). The Mover gives the daughter a parrot saying "It's a religious parrot – I bought it from a sailor". At any rate, the parrot gets into the act by yelling scaring Papa and Son who have come down looking for the source of the noise. Later Daughter and Remover return from a costume party and sneak into the house. The young man is dressed in a skeleton outfit and the fun continues. There has been film reconstruction in a number of places, particularly the last third of the film. In many cases there is a photograph depicting the scene being described.

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Cavemen Stan and Ollie vie for the affections of a stone-age beauty.

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Max mistakes his son's acting for reality. When the play calls for the son to commit a murder (on a mannequin), Max winds up trying to hide the body from the police.

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Stan complains of a toothache and he and Ollie visit the dentist. Ollie gets his teeth pulled by mistake. Under the influence of laughing gas, they leave and cause much commotion on the road annoying a traffic cop.

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Chase makes tries to escape from a compromising situation with a dame he took to be his wife's sister.

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An escaped convict is out to kill the judge who sentenced him. Two inept detectives are hired to guard the judge.

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A pair of gold prospectors (Max Davidson, Oliver Hardy) try to make their way in the big city. *Only reconstructed fragments exists.

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A con artist and a midget dressed as her infant son, are unmasked aboard a ship by a steward.

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Dimwitted Cuthbert Hope is enlisted in the army, and gets himself and his sergeant in constant trouble.

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A girl-shy professor runs into trouble at a ladies’ seminary.

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Stan is a sailor whose girl gets kidnapped by a rough sea captain. Stan dresses in drag and seduces the captain but the captain's wife catches him. Stan and his girl beat a hasty retreat as the captain's wife fires off a parting shot.

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