Mansjur Sjah

Rafiq is a dangdut singer who comes to Jakarta to advance his career. Parto, his friend from the same village tries to represent him to different recording companies. But they differ because of Rafiq’s naivete and Parto’s city-style plus Parto’s insistence on pop music, and Rafiq’s dedication to dangdut. So their conflict is resolved by a music expert and student, Norma, who is researching dangdut music, and who eventually becomes Rafiq’s girlfriend. But the person who manages to get Rafiq a record deal is Lily, whom Rafiq meets when working in a car shop. Finally, Rafiq gains Norma’s hand when her parents approve their relationship.

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Our protagonist becomes a transvestite named Betty, just to increase his chances at finding work. She is accepted as a housemaid because the house owner likes seeing her flirtatious and sexy behaviour, though his wife disapproves. On his birthday party, the husband quarrels with his wife because Betty dances with him flirtatiously. To make extra money, Betty often works the street with other transvestites. One unfortunate day, she is caught in a police raid. In front of the police, Betty admits to her mistakes. Even more unfortunate, her employer’s business also goes bankrupt.

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Tells the story of a young man who, because his parents stopped funding his college, applied for a job as a driver. It all happened because he refused to be matched. He was accepted to work because everyone in the house had a crush on him, from his mother, son to the maid. After it was discovered that he was a student, he was recruited to work at his employer's company.

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Tells the story of Saritem who is successful as a herbal medicine seller. Her beautiful and sexy face makes many men like her, one of whom is the director of the company where Saritem sells. Burhan, who is impotent, can miraculously be passionate again when he meets and sees Saritem. Burhan does anything to always be close to Saritem. When Saritem is slandered and expelled, Burhan chases her to Saritem's home village and marries her.

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Hetty searches for her father, Syachrin Mulyadi, who left a long time ago to find fortune. She takes with her a necklace that was given by Syachrin to her late mother. Syachrin has become a producer and is making a film titled “Assoy”. During a birthday party of Mrs. Lies, Hetty sings a song that was composed specially by Syachrin for his wife, and this helps them to meet. The film uses songs, top singers, and a touching story, to repeat the successful formula that started with the film Terang Boelan. The singers Elvy Sukaesih, Lies Saodah, and Mansjur are popular Dangdut singers of the time, while Hetty Koes Endang was a rising pop singer. The appearance of the comedy Surya Group was designed as an added attraction, though it becomes more of a distraction.

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Parodying the TV police character Kojak, Leman, identifies himself with Kojak by his hat and lollipop, firmly stuck in his cheeks. He tries to help a woman by picking up a package that falls from her bag, and the package is filled with flour that he thinks is morphine. The woman turns out to be a flirtatious widow who wants to become a photo model. All the stories in the film are spoofs, and the suspected bandits reveal themselves as filmmakers.

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The story revolves around a pickpocket and the organization led by Beniman. There are certain taboos, such as not pickpocketing transvestites and pregnant women. Many of their operations fail, either due to incompetence or because they break these taboos. Beniman himself starts dating Ida, whom he met after she was pickpocketed by one of his men. The stolen wallet is returned to her. The repeated failures prompt Beniman to hold a congress of pickpockets, where they decide to rob a bank. However, a police intelligence officer infiltrates the gang and provides them with guns without bullets, causing the operation to fail. Beniman is arrested, and the officer interrogating him is Hamid, Ida's father.

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Murni (Susanna Caecilia) divorces her husband and travels to Jakarta, where she moves in with eight widows with modeling aspirations.

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The jokes from Benjamin S and Nawi Ismail parodies Jango, a “spaghetti” cowboy movie character who was quite popular in Indonesia. Three cowboys, Benny, Man, and Gommy arrive in Bero City that needs a new sheriff. They are expected to arrest the gang of Don Lego. But even after Don Lego is defeated, not even one cowboy is willing to be a sheriff. They all have different silly excuses such as “being asked to go home to his wife”. Meanwhile, Benny, also refuses the offer. The reason is that he is going to make his haj.

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Sabeni or Ben is an amateur painter who lives in Puncak. He meets Grace and Yuni the sisters, who are replacing their car’s tyre. Ben helps them and thereafter goes often to see Grace. Grace is a daughter of a rich businessman and she asks him to join her band when she learns that Ben is a singer. When Grace’s father is ill, she rushes home and Ben tries to go after her even though he doesn’t know her address. He only knows the address of his friend, Bagio, located behind a tall building that is actually the office of Grace’s father. Finally, Ben becomes a famous singer but Grace’s father still disapproves. Grace is instead matched with Mansjur, who turns out to be a playboy. Thereafter, Grace’s father permits Ben to see her again.

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A anti-narcotics police captain trails a drug dealer to the Philippines.

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Nonon, a prostitute, has no other career path when her father stops working, and her mother's illness require an expensive surgery.

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Samson was born after 13 months in his mother's womb (Mak Wok). Before birth, he predicted Mas Sastro (Eddy Gombloh) that the son of Mr. Hamid (A. Hamid Arief) would have great strength and if his armpits were shaved, his strength would be lost. Pak Hamid was made a lot of headache because of Samson's behavior after birth. He often fights, so the opposing parents often ask for compensation from Mr. Hamid. Finally Hamid's family fell into poverty until finally, 17 years later Samson was determined to go to the city to look for work. In the city he meets Siti Duile (Yatni Ardi) accidentally who is almost hit by a car. Samson helped Duile and them get acquainted. Secretly Sutan Malenggang Di Langit (Mansyur Syah), a promoter, also saw the incident, and finally invited Samson to partner in a show that featured Samson as a strongman and wrestling match.

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In the Islamic tradition, when a person is buried and the binding of their cover cloth is not released, the dead will become a ‘pocong’ ghost (mythical ghost of the dead who can jump around). Another belief is that if you have unpaid debts, a cat will jump over your dead body and you’ll become a ghost. Joyoprono, a rich landlord and a loan shark, who was greedy during his life dies when a tree falls on him. After his death, a ‘pocong’ ghost comes to the village and disturbs the peace.

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Susan is often disturbed by a horrifying female ghost, which has weakened her body. Her parents and lover, Charles, who are skeptical at first, eventually look for a shaman who can heal her. Initially the shaman’s spell works but then the ghost switches her target to the sister of Charles, Yuni, and results in her hanging herself. At this moment, Charles is reminded of his ex-girlfriend, Delia, who died by hanging herself out of her desperation because Charles got her pregnant and refused to take responsibility. Later, Delia possesses Susan and scary things start to happen. Veins and faces are slashed, windows and glasses are broken and shattered to pieces. Charles then calls his Koran-reading teacher and he battles the ghost with the sacred passages from the Koran.

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Irma, who thinks Bobby is shy, ignores Bobby's feelings for Irma. Until Irma realizes Bobby's feelings and gets involved so much that her school falls apart.

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A comedy film about two twins who were separated since childhood. Napi and Pinarto. Funny and silly incidents occur because of many misunderstandings.

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Jaim (Benyamin S) and Rais (Mansjur Sjah) were neighbors and worked in a sawmill. However, these two men always quarreled and fought. His son and wife also joined in. Because of their quarrels, Jaim and Rais were expelled from their jobs. Jaim became a duck salad vendor, while Rais' wife became a herbalist. The constant bickering of these two poor families (the role of the creditors in Jaim's family life is also depicted) culminates in their house catching fire. And Mr. RT (A. Hamid Arief), who happens to be the committee for the departure of transmigrants to Lampung, sends them to the transmigration area.

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Mat Jibrut, a driver for the director of a medicine factory, intends to help his boss who continues to suffer losses due to many of his counterfeit medicines. Mat Jibrut also imitated James Bond 007-style actions.

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Assisted by the Dutch, Landlord Darto (Mansjur Sjah) manages to accumulate wealth by deceiving farmers. One of the poor farmers who tried to defend his farmland was killed. The poor farmer's son Sani (Farouk Afero) returns home from boarding school to look for his father's killer.

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After her mother’s death, Yeyen’s father remarries and she now has a stepmother. Yeyen is then carried away by dreams and stories about stepmothers, and one day, after seeing an interesting event, she is so moved that she does not want to go home. She befriends homeless people and sees the joys of street life. Then the parents of her friend, Yoyo, help her realise that a stepmother is still a mother. She is advised to return home as her father, who accuses the stepmother of doing something bad to her, is frantic with worry. Yeyen finally goes home.

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The presence of her mother-in-law (Wolly Sutinah), ends the peace of Martini (Rima Melati), a former prostitute. She is terrorized continuously, until she finally runs away from home and tries to commit suicide.

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Mbok Puspo’s cafe, at the edge of Kalimas, under Jembatan Merah or “Red Bridge”, is a meeting place for many. Mbok Puspo also sells rags for additional income while her adopted daughter, Sudiasih, runs the cafe and is the shining beauty of the place. The regulars are Ngawang, a small time thief who fails to make his wife happy; Kenanga, who becomes a prostitute to spite her husband; Siswanto, a student who does not have the courage to confess his love to Sudiasih; Pungguk the painter; a civil servant, and a postman. The love stories between Siswanto and Sudiasih; and Ngawang and Kenang are the central plots. Seeing Siswanto and Sudiasih’s love, Ngawang and Kenanga also find each other. Meanwhile, Mbok Puspo is in a dilemma when she receives a letter from her child, Sri Bidari, who was adopted by a rich family.

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An ugly woman can become beautiful after drinking the blood of 100 snakes.

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The colonial court sentenced Tohir harshly on 22 September 1938. The sentence is made harsher because the prosecutor, Hasan, discriminates more on Tohir’s lineage than his crime. But in fact, Tohir commits his crime out of necessity as his wife is pregnant and about to give birth. He is sentenced to hard labor in exile so when he finds out that his wife and child are dead, Tohir escapes and kidnaps Hasan’s son, Husin. He raises the son in a life of crime, but lives like a respectable man. Husin also lives a double life. He is loved by an innocent girl in the village, but in other places, he plays around with women. In his old age, Tohir becomes a drunk and then he finds out that the government has awarded Hasan for his services. He uses Husin, nicknamed Boy, to avenge himself by sending him to rob Hasan’s house. Husin fails and is sent to trial. There, while drunk, Tohir reveals who Husin really is. Hasan and his wife then welcome Husin back.

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A Cape Fear-style psycho-thriller told in flashback mode. The peace of legal prosecutor Johan Arifin’s family is broken by the arrival of various fears in the form of a flirtatious waiter, threatening letters and calls. The culprit is Barman and his motive is revenge as Johan’s testimony put him in jail. The climax is the kidnapping of Johan’s wife and son.

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In the past. There was a Palmerah hero named Rombeng (Sukarno M. Noor) who was cruel and ruthless. The victims were the common people and beautiful girls. There was also a story about a young man with long hair, so his name was only known as Si Gondrong (Farouk Afero), who was also good at martial arts. He was a Kwitang hero. His acquaintance with Patmah (Mila Karmila), a sweet girl who was good at reciting the Koran, made him easily attracted, especially since he had just been betrayed by his girlfriend Mimin (Rahayu Effendi), a naughty woman. Mimin turned to hate and incited Rombeng to kidnap Patmah. So fight after fight took place, with Si Gondrong winning in the end. Rombeng lost because he was hit by the stagen williat.

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Suryani, helps Iskandar find a job and gives him love. But the happiness doesn't last long when Aminah, Iskandar's wife, and child come to see him. Then Suryani disappears while carrying Iskandar's baby in her womb. Six years later, Iskandar, assisted by his secretary Sri, finds Suryani and his daughter, Atik, in a village. Although she is reluctant in the beginning, she finally agrees to go with him to the city. Then Suryani avoids Iskandar and forbids her daughter from seeing Iskandar. When Iskandar's company is about to go bankrupt, Suryani comes to help by selling her house and the shop that Iskandar gave. Then the salvaged company is given to Aminah and her child, while Iskandar goes away to repent.

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Young widow Mirah has mastered martial arts thanks to her late, karate champion husband. Those skills come in handy when a bunch of men challenge her.

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A young man forgot his roots after spending his childhood at sea.

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At the Jakarta Fair, there is a rumour that a major tycoon from Makassar will come looking for new machines and a business partner. There is a flurry of excitement as everyone tries to get the tycoon’s employees to drop by their stands. Mansur, one of business owners in the fair, asks his secretary, Sinta, to find Andi Rachmat Syah, the tycoon. Sinta then approaches Andi, a handsome man employed by the tycoon, to find out about his boss. The man promises to tell Sinta on one condition, that she has to take him around the fair. Samiaji, Mansur’s business competitor, who has a crush on Sinta, is jealous when he finds out about it. Till the end of the story, nobody knows that Andi takes Sinta home after nights of going around the Jakarta Fair.

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Drawing from the novel, lenong (play) and the previous film (Njai Dasima I), this new film version has heightened erotic scenes considered the boldest for its time. But as mentioned by the director, the eroticism is meant to reveal the psychological aspects of the characters. Unlike the previous version, that mainly highlights conflict between love and witchcraft, this one features social and psychological conflicts. For example, how Dasima feels like an outsider with Edward Williams’s friends, or how she prefers leaving their house to live with her maid in the village. It also shows more background of the Samiun and Hayati characters - Samiun is a black market trader with a lot of debts and Hayati is a woman obsessed with gambling to get rich. When his debts are due and he is unable to pay, Samiun asks his friend, Puasa, to “rob” him while he is returning to their village with Dasima.

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Tells the story of Matt Dower who is trying to find Nukulom who has made his village impoverished because of blackmail. On his journey, Matt Dower arrives at the lair of Matt Geledek, who has just been released from prison and handed over his power to Munafik. Because he wants to change the place for the better, Natt Dower is removed by Munafik. When Matt Geledek returns home, Munafik is removed because now he has changed.

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Amidst the election rivalry of two villages for the village head post, Cigugur and Cijulang, a troupe of Ronggeng artists, with its prima donna, Sari, arrives at the sub-district center for their regular performance. Sari and Dadang, the son of the Village Elder of Cijulang, are in love with each other. Dadang is also running as a candidate in the village head elections. But Ohim, the son of the Cigugur Village Elder, is also madly in love with Sari. He gets even more daring after a humiliating incident when he tries to touch Sari’s hair bun on the ronggeng stage. The touching of the hair bun is one of the rituals in the traditional art of Ronggeng. Dadang’s father is angered by his son’s relationship with Sari, since it could jeopardize his candidacy as the head of the village.

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