Saeed Marzouk

Based on a true story, Souad Qassem, a widow, falls for Mahmoud Elwan who deludes her into believing that he is a well-heeled and powerful man. When they get married, she and her daughter have to swallow their pride under the scourages of his cruelty and abuse.

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Hoda, a poor girl, gets the chance to marry a millionaire and travel with him. When she returns to Egypt, she establishes her own business where she resorts to illegal ways and fishy connections, which only causes her trouble.

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Some unemployed addicts kidnap the girl Safaa and take her to a remote place. After they gang-rape her, her fiancé Mokhtar manages to bring her home and her father reports the crime to the police.

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The film revolves around social paradoxes in terms of betrayal, greed and the pursuit of power, which leads to a series of exciting events surrounding Hussein Abdel Moneim Al-Saftawy, who becomes a party to the conflict between the police and one of the smuggling gangs.

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(Nabil) returns to Egypt after an absence of 18 years to recover his father's palace after the guard has been lifted from him, gets to know the school (Amal), be surprised by his friend (Omar) who has become wealthy from the drug trade and becomes an influential businessman, (Omar) succeeds in attracting ( Nabil) to his world. And he turns his evening to the palace, which turns into a den of delinquency

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A story of an unexpected encounter between an intellectual man immersed in philosophy and a mischievous spirit who suddenly appears before him. Through their conversations, she opens a door not to the world of mere myths, but to deep questions about mortality, knowledge, and the universe

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(A tale behind every door) A television movie consisting of four short films, written by the great writer Tawfiq Al-Hakim and writer Katia Thabet, in each film a different problem is presented, and the four films starring Faten Hamama and different heroes, and they are, respectively: (Crazy position) starring Ahmed Ramzi, (I want to kill) starring Abu Bakr Ezzat and Safia Al-Omari, (the respected deputy) starring Ahmed Mazhar, and (guest at dinner) starring Jamil Ratib and Nadia Zulfiqar and Muhammad Al-Sabe, and each film talks about a specific social issue that occurs to a woman, and deals with each What happens to her.

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It is impossible to live between Doria and her diplomatic husband, Medhat, who asks him for a divorce, but he refuses. She is forced to go to court and file a divorce. Doria falls into the maze of the courts and is exposed to a series of problems and obstacles that undermine her dignity. Things get complicated when the husband comes with false witnesses testifying against her in secret. She loses her case after more than four years.

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Souad departs from Suez, heading to Cairo, after losing her family in the 1967 war. There she meets the journalist Ahmed, and the tragedy of ruin and destruction and the death of her mother are in her hands.

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Chief Morsy is a lightkeeper staying at a faraway lighthouse. He marries So'aad and shortly returns to the lighthouse where he recounts to Nour his adventures with women. When he sends his wife a letter with Nour, Morsy grows suspicious of his wife's fidelity. Suspicions nourished by his jealousy.

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When she was a teenager, Nadia was raped by Essam, which led her to abhor sex so much that it caused her divorce from her husband Hussein. As she meets Ahmed and falls for him, Essam reappears in her life, prompting her to seek treatment for her trauma.

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An actor is late for his film shoot. Since he woke up oneiric visions have been plaguing his day. African drums set the rhythm to his frenzied race against the clock.

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