Kim Su-Gyeong

Cheol-gi who dreams of a society that embraces justice begins classes at a night school. There he learns about political and social contradictions and the realities the people face. While doing research on factory conditions with his classmates Tae-il, Min-sook and laborers Hyun-sil and Bong-joon, Cheol-gi learns about the Revitalizing Reforms system and the improper practices in emergency measures. After the military revolution, during the election for a general student body in a move towards democracy, Cheol-gi unwittingly becomes a man on the run when emergency martial law is implemented in response by the government. Cheol-gi blames himself when hears about the deaths of Tae-il and Min-sook during the Gwang-ju Uprising from Hyun-sil and Bong-joon. Just when he and Hyun-sil try to start a new life together, Cheol-gi is arrested and put in jail. Inside the prison, he starts another move towards prison democracy.

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A girl who has failed to be accepted by a first-rate university and is suffering from depression, suddenly finds herself pulled into the past. She meets her parents as teenagers and must somehow find a way to spark their romance before she can return to her own time.

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Si-Wuk is a repeater who is taking the entrance exam after one failure. When his neighbor Yun-Ho and Ji-Hee family take a trip, their aunt Hye-Bin comes to the house to keep the empty house and Si-Wuk feels love for her.

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Dong-hyuk's grandfather leaves him a mansion in his will. Dong-hyuk returns to Korea to take care of the place. However, he almost loses his life in the mansion. Every time he is in danger, Dong-hyuk escapes danger by the power of the Buddhist relic his mother gave him. Dong-hyuk goes to see the head Buddhist priest at Dae-rim Temple. Buddhist priest Dae-wu tells Dong-hyuk that his grandfather had some servants killed in the basement for not revealing that his mistress and his aide were having an affair. The enraged souls of the servants are causing this danger. Buddhist priest Dae-wu urges Dong-hyuk to leave but Dong-hyuk stays. The spirits are unable to approach Dong-hyuk because of his Buddhist relic. So they transform themselves into Dong-hyuk's fiancee and steal the relic. When the spirits threaten Dong-hyuk, Buddhist priest Dae-wu prepares to fight them.

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Beginning with the suicide of a film director, this work represents the Korean New Wave Cinema movement that focused on criticizing the Korean society in the 1980s through satire and humor. The journey taken by the characters, who lead low lives at the margins of the society, award them with a sense of liberation, however brief.

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As Sung Min gets involved with a young, attractive mistress, he becomes estranged from his wife, and begins to dream of murdering her. Finally, he carries out his plan of murdering his wife. After doing that he is tormented with the phantom of his wife without knowing that she is alive. Meanwhile, Sung Min's wife, who barely saved her life, makes a plan for revenging herself on her husband.

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A country bumpkin arrives to help his brother's rice business. Things get out of hand while a rival company becomes corrupt. The bumpkin, an ace martial artist, fights off the rivals. Angered, the rivals hire a martial arts expert to fight the hero, only to get beaten up himself. The expert send his teacher to hurt the hero and succeeds. The hero is sent to a temple where he learns a new style of kung fu. Now with the skills, our hero is ready to get even.

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Yu Mi-young, an ordinary housewife, loses her husband in a car accident. Two women come to his funeral and she is raged with his betrayal. She finds out in his diary that it wasn't an accident and plans a revenge against the two women, Sin-ae and Su-mi.

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