Tomio Aoki

A blind woman suspects that something isn’t right about the reappeared wife of her brother after she was missing for 6 months. Soon things take a sinister turn.

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The Akiba and Shimura crime families run the streets of “K City”. With the construction of new buildings and new factories underway, the city has sprouted into a boomtown and business is good. Two of the most infamous mobs of Tokyo want a piece of the pie. As out-of-town yakuza flood the city overnight, the crime boss of the Akiba family, Tezuka (Joe Shishido), is released from prison after a five year sentence. He does not like the "change" he sees.

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A wandering tough biker girl aids a female delinquent gang in their battles against an all-male Seiyu group over a fixed boxing match.

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A man who became the third boss faces off against delinquent foreigners and villains vying to rule the underworld in order to develop the port city.

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Japanese crime film

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A professional hunter, Tetsuya, returns from Alaska to find that his hometown had become a lawless slum. He is shocked to learn that his younger sister had committed suicide after being raped by unknown men. One day, he rescues a girl from being attacked by some gang, and discovers that the same gang had driven his sister to death. Using his lethal hunting skills, Tetsuya begins to take revenge…

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Kosuke Suzuki returns to Hakata's hometown after learning that his best friend Takehara has disappeared. Kosuke is persistently hindered by Hasebe from Omura Sangyo. Kosuke's partner Kumagoro investigates and finds out that Hasebe, who killed the head of the Muraoka clan, made Takehara disappear in order to keep him silent. The third film in the series.

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In this town, Kagosuke and Ryukichi of the Okamoto family, who are deeply committed to the yakuza way, are straightforward and justice-loving hot-blooded men. However, their slight clumsiness is a flaw, but they are extremely strong in fights, and there's no one who can match them. They are head over heels for Osen-san. They are both desperately unwilling to yield even if the other is a brother.

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A deep mist envelops the port city of Yokohama. The scent of crime is everywhere. As an executive member of a drug trafficking syndicate, Kano is pretty high up in the food chain, but "status" bears no value to him. All he cares for is Ayako, the boss' mistress. After one last job, they intend to run off together to Hong Kong, but their plans are hindered when an uninvited yakuza stirs up a vicious shootout. In the midst of it all, Ayako is kidnapped.

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On a passenger ship to Japan, the journalist Kawase encounters a man who claims to be a Filipino, but Kawase believes he is a murder suspect who fled Japan fifteen years ago, Hojo Shuichi. To throw Kawase off, the man talks a female passenger, Reiko, into acting as if she was his long-time friend. When the man - who is, in fact, Hojo - secretly leaves the ship, Reiko, who has fallen for him, joins up with Kawase to go looking for him. Meanwhile, Hojo, who has returned to Japan to find the true murderer before the 15-year statute of limiitations on murder expires, tracks down the man whom he believes ordered the murder he was accused of.

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Hiroshi is the second officer on board the Hakuromaru. Lead by his captain, he heads out to town to recruit new crew members for their next voyage. Hiroshi is baffled when his captain approaches the Daigo-Kuroshiomaru crew, a notorious group nicknamed "the hoodlums of the sea". Their offer is greeted with scoffs and quickly turned down.

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A young man with a strong sense of justice is torn between two girls: the flighty Taneko and the serious Suzuko. With wisdom, courage and honor in a Japanese spirit of manliness he wins the day.

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1965 Nikkatsu youth film.

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In the middle of the era, Taisho, a big boss in Asakusa Iizuka, was severely questioned by the police about the source of funds for the Daido Federation, to which he belonged. The creditor, Izo, visited the local police station daily, worried about the safety of his boss, and himself came to the attention of the police. Izo embarks on a journey to escape, but in the meantime, the new rising yakuza Dojima plans to kill Iizuka...

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Two brothers seek revenge on the yakuza responsible for the death of their father.

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The neglected common-law wife of a Japanese librarian is repeatedly harassed by a young man with a heart condition who seduces her with the prospect of a better life.

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On a small island, inhabited by only fourteen hundred people, a young fisherman's son, Shinji falls in love with Hatsue, the daughter of the richest and most difficult man on the island. Despite their differences in class, they begin to meet and rumors spread of them having an illicit affair. Soon after, Shinji jumps into a stormy sea to help a ship in distress. The vessel turns out to be owned by Hatsue's arrogant father, who now becomes an understanding and sympathetic parent and allows the two lovers to marry.

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Hanayome wa Jūgo-sai, directed by Mio Ezaki and distributed by Nikkatsu, stars Masako Izumi and Ken Yamauchi. The high-key pink background and casual photographic portrait embody Nikkatsu’s 1960s youth-film aesthetic. Clean, hopeful, and pop-oriented. The large white title, handwritten for a softer impression, injects playful energy that contrasts with the strict vertical text blocks. As Japan’s youth culture blossomed after the 1964 Tokyo Olympics, posters like this captured the spirit of romance and rebellion marketed to teenage audiences. The vivid color palette and carefree composition signal a stylistic shift from postwar black-and-white melodrama to the vibrant optimism of modern Technicolor cinema.

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Ryuji Oshima, a gambler, kills Saiga in self-defense, and considering himself unfit to lead men, secludes himself in a temple to atone for his misdeeds. At home, when his mother, the boss of a construction gang, bids for and gets the job of building the Town Hall, other gangs set out to disrupt her business and try to kill her.

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Based on the loosely autobiographical novel of the same name by Toko Kon. Ken Yamanouchi stars as Togo Konno, the titular bastard.

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When a mysterious stranger muscles into two rival yakuza gangs, Tokyo's underworld explodes with violence.

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After their father dies, his children try to get by on a house boat.

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An unofficial sequel to Million Dollar Match (1961) which also starred Koji Wada as a young energetic boxer. This story deals more with betting action surrounding a boxing match, concentrating mostly on the high-powered Yakuza gambling dens.

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Not too long ago, Soichiro was considered one of the most powerful men in business. But his business had failed, his granddaughter had committed suicide. There was nothing in his life anymore that he could look forward to. Sochiro was ready to put an to it end to all. As he drives down the Usui Pass, headed toward his summer house in Karuizawa, a girl in red heels, wearing nothing else but a coat jumps in front of the car.

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1962 Japanese movie

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1962 Japanese movie

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12th in the Joe of Aces series.

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1962 Japanese movie

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