Paul Ogola

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Fans flock to a festival celebrating the most iconic horror movies, only to discover that the charismatic showman behind the event has a diabolical agenda.

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A link in their pasts leads an honest cop to a fugitive gang boss, whose cryptic warning spurs the officer on a quest to save Mumbai from cataclysm.

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Bereft of earthly memories, a new arrival in the afterlife struggles to recover the past, in this poetic fantasy that offers a dark reflection on personal atonement in the shadow of Kenya’s violent past. Imagine waking up one day in a barren wasteland. Amnesia leaves you clueless as to your whereabouts, your identity, and how you arrived. A small group of strangers welcomes you to a nearby oasis resort, and they reveal to you the nature of this new reality. You are dead. And this is the afterlife. This is what happens to Kaleche (Nyokabi Gethaiga) in the enigmatic opening sequence of Kati Kati, writer-director Mbithi Masya's poetic first feature film.

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MoMo is a Somali urban refugee living in Nairobi where he runs the community radio station Wazi? FM with his Kenyan friend Kevo. Their partnership began when an NGO brought them together as part of a program to have a Somali and a Kenyan work on media project promoting peace. Everything is going well at Wazi? FM until one day the team stumble upon a dark secret in their community and MoMo vanishes. Pulling together the pieces of the story an Inspector from the Kenyan Special Forces is trying to understand what really happened before MoMo's disappearance.

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One gunshot, one death, one moment out of time that irrevocably links eight minds in disparate parts of the world, putting them in each other's lives, each other's secrets, and in terrible danger. Ordinary people suddenly reborn as "Sensates."

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Created by the members of a Nairobi-based arts collective — who have removed their names from the film for fear of reprisal — this anthology film that dramatizes true-life stories from Kenya’s oppressed LGBTQ community is both a labour of love and a bold act of militancy.

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Mwas, a young aspiring actor from upcountry Kenya dreams of becoming an accomplished actor one day, and in pursuit of this, he makes his way to Nairobi, the city of opportunity. He quickly understands why Nairobi is nicknamed Nairrobery as he is bereaved of all his money and belongings and left alone in a city where he doesn’t know a soul. Luck or the lack of it brings Mwas face to face with the city’s criminals and forms a friendship with a small time crook who takes him in. He is quickly drawn into a world of crime as he struggles to pursue his dream of becoming an actor. Keeping the two worlds separate proves to be a challenge for Mwas as he steps into this unknown world called Nairobi.

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