Klaus Kinski

Self-taught magician, transformist at the Grande Eugène cabaret, man of theater, television and cinema, Jean-Claude D. Dreyfus has been dragging his inimitable drawl wherever he wants. Able to play the Diva for Michel Audiard as well as for Werner Herzog. Loubard one day for Gilles Béhat and Duke of Orleans the next day for Rohmer. We often met him with Mocky or Boisset, more mysteriously with Tommy Chong and remains permanently anchored in our memories thanks to his performance in Delicatessen or Marie's ads, depending on the genre. Jean-Claude D. Dreyfus is one of those marginal people, adventurers a bit crazy, often poet and above all a bon vivant, in short, a species on the way to extinction. The directors wanted to meet the character and remember this extravagant little life.

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Unleashed from the video vaults of the American Genre Film Archive (AGFA), AGFA MYSTERY MIXTAPE #2: LATER IN L.A. is a brand new compilation of the most electrifying found footage mayhem that you’ll see this week. For our second tape, we’ve returned to the hallowed halls of “behind the scenes” horror for another hour-long joyride of F-U-N. Thank you for your incredible support during these difficult times. And remember: “Do what your spirit tells you.”

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THE AGFA MYSTERY MIXTAPE VAULT is a 2-disc, 500-minute odyssey that collects eight feature-length VHS mixtapes from the crackpots at AGFA—including two that have only ever been available theatrically.

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A childhood in boarding school, volunteered at 17 for the war and dismissed for indiscipline, thug in Marseille turned gigolo in Paris, he became actor thanks to some inspired women. Then flying high, fast and far, thanks to his director masters René Clément, Luchino Visconti & Jean-Pierre Melville.

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Featurette about the making of Sergio Corbucci's 'Il grande silenzio' consisting mostly of footage from 'Western Italian Style'.

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A feature-length documentary about the life and career of Italian director Luigi Cozzi and his obsession with Science Fiction and Fantasy.

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Before Fifty Shades of Grey and beyond the limits of desire, Nucleus Films draw back the veil on Fifty Shades of Erotica. Now, in the privacy of your own home and as a consenting adult, you can succumb to trailers from carnal classics like The Libertine, Story of O, Venus In Furs, Cruel Passion, Gwendoline, Education Anglaise, Dressage and many, many more as you enter the timeless world of fetishistic fantasy, deviant desires and pulsating pleasure! Submit yourself to the salacious sensations and cruel caresses of this mind-blowing collection of curated carnality, the rare and raunchy, re-mastered from the finest available materials. So, lie back, relax and prepare to enter the sensual world of Fifty Shades of Erotica...

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A documentary about the rise and fall of the Cannon Film Group, the legendary independent film company helmed by Israeli cousins Menahem Golan and Yoram Globus.

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Peter Baumgartner talks about his life and work as a DoP for Erwin C. Dietrich and Jess Franco.

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The space of the junkyard allows various ‘crash’ narratives to unfold, with the stories of actual crashes and the remnants and afterlife of these machines becoming metaphors for economic decline. This is an investigation of planes as they are parked during the economic downturn, stored and recycled, revealing unexpected connections between economy, violence and spectacle, finding perfect example in the form of the Boeing 4X-JYI, an aircraft first acquired by film director Howard Hughes for TWA, which was subsequently flown by the Israeli Airforce before finding its way to the Californian desert to be blown up for the Hollywood blockbuster Speed. Through intertwined narratives of people, planes and places Steyerl reveals cycles of capitalism incorporating and adapting to the changing status of the commodity, but also points at a horizon beyond this endless repetition.

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Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’

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Cult director Jess Franco recalls the making of his adaptation of Bram Stoker's Dracula starring Christopher Lee.

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A visual history of Italian western cinema in the 60s and 70s.

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Behind-the-scenes documentary about the making of Klaus Kinski's "Paganini".

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After a long time, a circus is back in the area of Tidal Basin and already the strange phantom has reappeared: the white clown! He robbed banks and stores without a system and disappeared without a trace. Lane and Higgins, together with the worn-out journalist Shapiro, hunt for the mysterious culprit in the dense London fog.

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Klaus Kinski is one of the few German actors who has achieved international fame. He made headlines. And disappeared behind them. Kinski lived his parts 24/7. This film tells the story of a man who no longer could understand the difference or distinguish between fantasy and reality.

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A film that describes the love-hate relationship between Werner Herzog and Klaus Kinski, the deep trust between the director and the actor, and their independently and simultaneously hatched plans to murder one another.

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In 1986, director David Schmoeller worked with notoriously eccentric and tantrum-prone actor Klaus Kinski on horror triller Crawlspace. Now, Schmoeller talks about this shoot and how it almost ended with crew lynching the actor.

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“Otto – The Series” is an unusual comedy format from the early 1990s centred on Otto Waalkes, blending classic crime entertainment with Otto’s distinctive brand of humour. Rather than telling a continuous story, the series combines newly shot sketches featuring Otto with scenes from old Edgar Wallace films. These original sequences were re-dubbed, completely transforming their content. Dialogue that was once serious turns into absurd wordplay, and the originally suspenseful plots are deliberately played for laughs. In this way, Otto effectively “smuggles” himself into the dark world of the Wallace films, turning it into a parody driven by nonsense, running gags, and his characteristic humour. The result is an idiosyncratic mix of crime and comedy, whose particular charm lies above all in its playful use of the original material.

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A history of the famous vampire of books and movies, using film clips, previews and other methods.

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Legendary "devil violinist" Niccolo Paganini sets all of 19th century Europe into frenzy.

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After a man's wife is killed by a panther, his only reason to live becomes revenge, which slowly consumes him.

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Professor Paris Catalano visits Venice, to investigate the last known appearance of the famous vampire Nosferatu during the carnival of 1786.

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A fearsome 19th century bandit, Cobra Verde cuts a swath through Brazil until he arrives at the sugar plantation of Don Octávio Countinho. Not knowing that his new guest is the notorious bandit and impressed by his ruthless ways, Don Octávio hires Cobra Verde to oversee his slaves. But when Cobra Verde impregnates Don Octávio’s three daughters, the incensed plantation owner exiles the outlaw to Africa where he is expected to reopen the slave trade. Following his trans-Atlantic journey, Cobra Verde exploits tribal conflicts to commandeer an abandoned fortress and whips an army of naked warriors into a frenzied bloodlust as he vies for survival.

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History professor Scott McKenzie makes an anachronistic discovery in a photograph from the Old West and he is soon joined by beautiful time-traveler Georgia in a time-skipping adventure to stop her colleague from the future from erasing her from existence.

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Making-of documentary that covers "Cobra Verde," Herzog's last film with Kinski before Kinski's death. This is the documentary that registers the behind the scenes moments of "Cobra Verde", the last project that united director Werner Herzog to actor Klaus Kinski. The notorious and infamous relation between the two filled Cinema theatres with masterpieces, but also filled pages of Cinema History with mutual declarations of both love and hate.

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A man who runs an apartment house for women is the demented son of a Nazi surgeon who has the house equipped with secret passageways, hidden rooms and torture and murder devices.

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An autobiographical short film by Werner Herzog made in 1986. Herzog tells stories about his life and career. The film contains excerpts and commentary on several Herzog films, including Signs of Life, Heart of Glass, Fata Morgana, Aguirre, the Wrath of God, The Great Ecstasy of Woodcarver Steiner, Fitzcarraldo, and the Les Blank documentary Burden of Dreams. Notable is footage of a conversation between Herzog and his mentor Lotte Eisner, a photographer. In another section, he talks with mountaineer Reinhold Messner, in which they discuss a potential film project in the Himalayas to star Klaus Kinski.

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Klaus kinski plays the ghost of Duncan McBride, murdered owner of a plantation and ruby mine on the island of Sunanow, in the South China sea. The mine, and the Curse which killed his uncle, are inherited by the inept Gene who comes from San Francisco to look for the Six Stars, (missing rubies) accompanied by the lovely Kelly Scanlon and persued by the villanous Alex and Lupe. Written by Michael Crew

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