Joyraj Bhattacharjee

In the ancient land of Tripura, a king, a queen, and a priest rule over a kingdom steeped in superstition. The people believe the prosperity of the land depends on the blessings of the fierce Goddess Kali. If the Goddess is angered, it is said, destruction will follow. The queen, childless and desperate, clings to this belief. Convinced that a grand animal sacrifice will earn the Goddess's favour and grant her fertility, she turns to the priest for divine intervention. Together, they prepare a lavish ritual that will spill innocent blood. But the king, disturbed by the brutality of such traditions, declares a ban on animal sacrifice throughout his realm. A battle ensues: the queen and the priest defend the sacrifice as sacred duty, while the king sees it as inhumane violence.

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Ghya-chang-fou literally means 'suddenly beheading' in Bengali. it features thirteen unnamed people gathering in a mansion filled with archaic objects to celebrate what appears to be a communist revolution. Nothing seems real, roads open up to improbable places, places lead to impossible elevators, elevators lift people to unconvincing roads. Bacchanalian spirit steadily overtakes the initial deadpan seriousness. The encore of celebration sounds delusionary as the drunken conversation about communism, about its methods and means, about it intricate turns through history degenerates to bourgeois nonsense and decadence leading to absurd rifts, comic conflicts, unleashed orgies and debauchery.

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'No Refusal' is based on a story of a taxi driver Manoj whose experiences and struggles are shared by thousands of immigrant Bihari workers who come to larger cities to try and earn a living. One day Manoj becomes involved in an accident that is followed by a series of events that change his life forever

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A tribute to the life and accomplishments of the legendary Bengali actor Soumitra Chatterjee, who was a pioneer in Indian cinema with a career spanning seven decades.

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Swarnaja (Koel Mallick) is a hard-working do-gooder radio jockey with the rarest blood group in the world, Rh null blood group. She has been brought up by her grandmother. Her four year old son Pawrag is kidnapped by Shammo, an imposter.

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At midnight on his 10th birthday, a boy scours the lesser-known Kolkata streets in search of a father he’s never met, carrying a letter he can’t read.

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Strange incidents occur in the heart of Shonajhuri forest in rural Bengal which develops an ominous character of its own that allures and finally engulfs the protagonists.

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On a rainy night in Calcutta a group of desperate addicts chase brown sugar, but the permanent intoxication they seek proves elusive. Some of them seek a release, while others do not seem to want the night to end.

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Dig in the mystery of Taranath Tantrik as you experience the other-world with him. Directed by Q, the web-series promises horror like never before.

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In the ancient land of Tripura, a king, a queen, and a priest rule over a kingdom steeped in superstition. The people believe the prosperity of the land depends on the blessings of the fierce Goddess Kali. If the Goddess is angered, it is said, destruction will follow. The queen, childless and desperate, clings to this belief. Convinced that a grand animal sacrifice will earn the Goddess's favour and grant her fertility, she turns to the priest for divine intervention. Together, they prepare a lavish ritual that will spill innocent blood. But the king, disturbed by the brutality of such traditions, declares a ban on animal sacrifice throughout his realm. A battle ensues: the queen and the priest defend the sacrifice as sacred duty, while the king sees it as inhumane violence.

Open details →

Ghya-chang-fou literally means 'suddenly beheading' in Bengali. it features thirteen unnamed people gathering in a mansion filled with archaic objects to celebrate what appears to be a communist revolution. Nothing seems real, roads open up to improbable places, places lead to impossible elevators, elevators lift people to unconvincing roads. Bacchanalian spirit steadily overtakes the initial deadpan seriousness. The encore of celebration sounds delusionary as the drunken conversation about communism, about its methods and means, about it intricate turns through history degenerates to bourgeois nonsense and decadence leading to absurd rifts, comic conflicts, unleashed orgies and debauchery.

Open details →