Igor Smržík

Set in a small-town hospital, the film tells the story of the great suffering of a small rascal, nicknamed “Lies and Steals“, who promises his little partner that he will bring St Nicholas - a traditional figure of Czech Advent - to the hospital room. He fails to keep this promise, his efforts being thwarted several times by the pedantic head nurse, who is called the Old Goat. In the course of the plot, the strained relationships between the three adults - the alcoholic Dr. Koníček, the head nurse and the young nurse Pipka - are revealed, all burdened with various resentments, false illusions and disappointed hopes. Despite all the conflicts, and as if by a miracle, there is a kind moment of extraordinary emotional understanding at the end, and Nicholas finally appears in the hospital.

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A story inspired by true events, the fate of a multiple juvenile murderer, takes place in an apprentice boarding school. "A series of sexual murders! A real case that could happen again at any time."

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Luděk Krejza, a tile-layer, returns from prison after serving time for manslaughter. In a retrospective, the viewer is introduced to his story. It is a not very well-known film, which with the passage of time has completely disappeared from the awareness of even the more deeply informed interested in domestic cinema. The song "Dudes, you're on" is sung by the Yo Yo Band.

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The parents decided to send two twins, Honza, and Martin, on vacation to their grandfather.

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Wild Swine is actually an ironic name for the great search operation of Prague's criminologists, who in a tangle of criminal activity of various kinds were digging around like wild swine before they managed to solve a complicated case. The story takes place in a variety of social spheres, from the Roma people to the world of Prague prostitutes and bakshellers to prominent people.

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Caesar is the name of the dog with which a little boy, only seven years old, sets out on a great quest to find his mother. She once gave him the dog before she emigrated. The boy does not agree with his father's intentions to remarry, even though the new mother is supposed to be a sympathetic governess from a children's sanatorium. The film was made at the very end of the former regime, but it was not released until the changed political situation.

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The film tells the story of an enthusiastic young man who joins a textile factory in the late 1950s and assumes that a promising career awaits him - the protagonist is therefore constantly comparing himself to his favourite literary model, the equally ambitious Julian Sorel from Stendhal's fresco The Red and the Black. The result, however, lacks the necessary conviction, the ability to draw the viewer into his world, and remains too contrived, as the chosen period has become a mere non-committal backdrop for amorous games.

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The fate of an unlucky director of a dismantled cultural house who temporarily believes in the meaningfulness of his actions, exposed to the pressure of many different difficulties.

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A sad story about love between Czech boy and German girl during 1944.

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A Polish criminalist specialises in various historical mysteries. He is aided by a miraculous car, with the help of which he also reaches Prague, where he unravels ancient cabalistic mysteries.

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Once again, you can take a look behind the scenes of the Riviera Chateau on the Prague periphery, where a brothel for the socialites is hidden under the guise of an exclusive nightclub. The story takes place in 1930 and although several years have passed since the events of the first volume, the passions unleashed by the intrigues of the time have not cooled down. Once again you meet Renata, called Angel, formerly a prostitute, now the wife of the banker Justice and owner of the Riviera. The elegant Madame, who owned the business before and now works there as a mere manager, is plotting new schemes to get back everything she has...

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A young waiter named Michal gets into trouble when he is robbed of his daily takings, which he was supposed to deliver to the bank. He's on probation, so it's clear that no one trusts him. So he asks for help from a friend, Tomáš, a taxi driver, who borrows from Adamec, a dangerous bellhop. By chance, the two friends manage to find out that his colleague Kadlec and his son-in-law, garage keeper Bures, who is a stolen car dealer, are involved in Michal's robbery. With the help of Michal's girlfriend Magda, they devise a scam to punish the extortionist boss and hand over the two seemingly blameless scoundrels Kadlec and Bures to the police with the evidence.

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In the second half of the 1980s, so-called critical films began to emerge, but they were afraid to make a sharper statement, moving on the basis of an engaged morality that wanted to improve the existing conditions cosmetically at best. The theme of the search for a new anchor in life becomes a central element: the protagonist, after returning from the war, does not want to devote himself to the constraints of elite sports, he rejects the dubious business of a friend. Most of all, he would be attracted to a perfectly ordinary job in a bakery. The dance clip inserts, however, make it difficult to navigate the already rather confusing narrative.

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Josef Laufer portrays Egon Erwin Kisch in two daring journalistic adventures: in “Zuřivý reportér,” Kisch goes undercover in a poverty lodging house, uncovers a tattoo’s dark backstory and deciphers a secret telegram hinting at war via the legend of the black rose; in “Lovci senzací,” he pursues sensational leads and exposes hidden truths, proving why he was rightly called “the raging reporter.”

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Three short stories about the people and folk around the shaft.

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The film tells the exciting life of the great Czech composer Leos Janácek (1854-1928), also known by the thick silver hair that crowned his head and his strong character, which could overcome the adversities of fate.

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Little Péťa visits his grandfather in the Krkonoše Mountains, where a swarm of bees settles on a tree. When Péťa disturbs it, the entire swarm attacks him, leaving him in a deep coma. Ordinary treatments fail, so Dr. Vrba insists on a beekeeper’s blood transfusion. Grandpa’s blood type doesn’t match, prompting a frantic search—ambulances, authorities, even foreign donors—to find a suitable beekeeper. After multiple transfusions from various volunteers, Péťa shows signs of recovery. With dawn breaking, hope returns as he awakens.

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Why? (Czech: Proč?) is a 1987 Czechoslovak drama film directed by Karel Smyczek. It was screened in the Un Certain Regard section at the 1988 Cannes Film Festival. The film deals with the hooliganism in Czechoslovakia, particularly with the fans of football club Sparta from Prague, whose supporters were the pioneers of the football fan riots in Czechoslovakia, starting with hooligan actions already in the 1960s, like breaking the trains in which they travelled when they went on Sparta's away games. The film deals with one of such episodes

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Leo Popper is a happy family man living in rural Bohemia in the years preceding the Nazi invasion. Out of economic necessity he moves with his family to the big city and becomes an enterprising vacuum cleaner salesman. There he embarks on a series of adulterous adventures, has encounters with boxing pros and famous portrait artists, and schemes to purchase the perfect pond to fulfill his passion for fishing. When the Nazis gain control, the comedy turns sour - he loses his lake, his job, and finally, his family.

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Jirka Horáček, a teenager living with his father on a Pilsen housing estate, spends his free time at discos with friends. One night he meets the confident blonde Eva, who is already involved with an older suitor, Cáfa, and also encounters the kind Jitka. Despite Jitka’s interest, Jirka becomes infatuated with Eva and tries to win her favor, all while his reckless pursuits strain his relationship with his impatient father.

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A story of Jan Kolvara, forty years old architect, who is a little bit too obsessed with women in his life.

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The idea of mystery unites the three debut stories - the original Bermuda Triangle with its mysterious phenomena has begun to shift and can be traced anywhere in the world, including Czech and Slovak territory. Here, too, unexplained shifts in space and time occur. This idea is supported by the aforementioned short stories, but the inventiveness of the subject matter and staging is very heavy-handed, and the film passed through the cinemas without much interest.

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Zdeněk Zaoral began filming this film in semi-amateur conditions, but it was eventually completed in a Zlín studio and released in cinemas. At its time, in the second half of the 1980s, it was the first completely open and also unusually raw statement about the course and consequences of drug addiction. The story of an eighteen-year-old girl who tries to escape her habit shows documentary values ​​- both in the staging and in the speech of the individual characters, in the authenticity of the drug-addicted environment.

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The year is 1936, the nervous atmosphere of the Nazi threat penetrates into the sport. Upgrade boxe Vilda Jakub will compete with German Kurt Schaller. The Nazis decisions are used in order to win his master even the dirtiest means. Vilda inspect their game and focus on the preparation of environmental events. The story culminates in the victory of one of the two lovers, between which Vilda tense moments in the decision.

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A car accident occurs and Dusan's teenage daughter Milena gets very seriously injured. To add insult to injury, Dusan is unable to donate a kidney when he finds out he is not Milena's biological father. Dusan is left to cope with his wife's infidelity, as well as the life of his ailing daughter.

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Antony is obsessed with the idea of a happy family life, but his young daughter has to be cared for by the parents of his wife, who died in a car accident. Unfortunately, Martha, whom Antony has somewhat recklessly married, has a fundamentally different vision of her future than he does.

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The two heroes of the film's story - the decent but dry engineer Zárub and the marriage swindler Majer - are granted this wish by the mysterious forces of the moon. The two men change their appearance, which, however, contrasts sharply with their unchanged characters and voices. The incomprehensible swap naturally becomes the source of many comic plots and situations.

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Polish socialist and Marxist Rosa Luxemburg works tirelessly in the service of revolution in early 20th century Poland and Germany. While Luxemburg campaigns for her beliefs, she is repeatedly imprisoned as she forms the Spartacist League offering a new vision for Germany.

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In the mid-eighties, screenwriter and director Jaroslav Balík tried to give voice to the problems of an ambitious young woman who decides to get back to work after a few years spent on maternity leave. NFA.CZ

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The biggest threat to a successful crackdown on drug traffickers and consumers is the international hitman Barták, sent to the Czech Republic to eliminate all his collaborators...

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