Eva Bianco

A doctor becomes obsessed with a patient’s sleep disorder and blurs the lines between observer and observed, until dream and reality become indistinguishable.

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Pelu is a thirty-something who barely survives on his salary as a projectionist at a municipal film club. After losing his job, he agrees to stay on as a night watchman and ends up living secretly inside the cinema, accompanied by the films he reviews every night.

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Emma and her father spend a few days in an isolated collection of huts in the Argentinian mountains. It is here that they meet Elda, a solitary figure, who will guide them through the world of pagan beliefs and local legend.

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In the late 1980s, journalist José de Zer seeks proof of alien life in Argentina — even if he has to fake evidence — causing a surreal media circus.

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Bruna is a young and beautiful actress in the making who has just separated from her boyfriend and is going through a period of deep melancholy. A late encounter with her ex gives her the strength to turn her experience into a play in which life and fiction intermingle.

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Malena, 17, is playing with her daughter Marina when she is interrupted by her grandmother, who asks her to go run an errand. She goes out with her daughter in her arms to make the delivery a few blocks from her house, where she meets two young men in a car.

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Year 1866. Venancio, a young gaucho, embarks on a journey to escape from a curse through a war-torn region desperately seeking salvation among rustlers, priests, shamans and deserters. The stronger his fear is, the more real the legend becomes.

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Eva, a film editor, and her assistant Rami are working on a film about blind people. A melancholy reflection on cinema and images.

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1975. An American filmmaker arrives in Argentina to film the story of the first revolt of laborers against landowners. Hoping to document history, instead, he finds himself becoming part of it as he’s swept into the revolt and soon finds himself on the run from the dark bloodiness that is sweeping the country.

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After twenty years in Buenos Aires, Clara returns with her husband and daughter to Tierra del Fuego, where she meets her father, with whom she is at odds. Shortly after arriving, she realizes that a pack of dogs is sowing terror.

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Damián, an 11-year-old boy who is separated from his violent family, is taken to live in a children's home by state intervention. Accompanied by Leandro, a social worker with a personal story similar to his, Damián will have to accept that his previous life is behind him and will not return, but it is still possible to build a new beginning where there is room to not feel so alone.

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A stone falls from the sky in a mountain village. Two friends set out to find it in the countryside. On the way they talk, remember a deceased friend, laugh, discuss, meet other seekers. On the way, poetry is read, poetry is heard, poetry is felt in the wind. From the beginning of the day until the light goes out. One or more goodbyes, but also encounters and promises. A film about friendships, winter landscapes and something as useless and necessary as poetry.

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A lonely guy who lives with seven dogs get a complaint from his neighbors. Will he come up with a creative solution to overcome this?

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Ramiro is a bar cook. Hernán is an unemployed technician. Nora is a nurse in a public hospital. Lucia sells books in a bookstore. Four stories and a black and white city with persistent rain. None of them know each other, they are only inhabitants of the same city.

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Those who rebel against authority figures disobey. This film echoes “Cordobazo” — a popular rebellion in Cordoba against the Argentine military dictatorship in 1969 — through the story of Alicia, a trolleybus driver who joins an insurrection against an oppressive regime.

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Sara discovers that agrochemicals sprayed by her neighbor for soy cultivation poisoned her daughter. The treatment compels them to travel to Buenos Aires. To get money for it, Sara devotes herself to drug trafficking. This becomes a threat to her freedom and the safety of her children.

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The hypocrites tells the story of Nicolás, a young cameraman who works filming social events, but doesn’t feel fulfilled with his profession. In the middle of a high profile wedding, he accidentally records a compromising situation between the bride, Martina, and her brother, Esteban. Realising about what is in the tape, he sees the opportunity of leaving his tedious life behind through blackmailing the people involved. However, he does not know this secret could endanger his own life.

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After her mother’s death, Magali returns to her native town in the argentine north. The threatening presence of a puma that eats animals and appears in dreams unsettles the town. Magali’s approaches her son, together they will fulfill the family duty on which depends their own prosperity

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In the dead of winter, just a few days before her long-awaited wedding, Magda is witness to a series of tragic events that involve her groom. Shocked, she decides to keep quiet, but soon her body will start speaking for her.

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A contemporary dance group performs a rehearsal close to the premiere of the work. The existing tension, and enmity in the group, will make them release their violence. After this explosion of blows, they remained calm, as if nothing had happened.

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Iris' quiet and peaceful life begins to change dramatically when she hosts Maia, her friend's daughter. When Iris realizes that Maia is in love with an older woman, she begins to wonder if she herself might be that woman.

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A defect within Celutel, the Telecommunication Corporation, affects cell phone lines starting with area code 153. Users from Cordoba, struggle to communicate and this leads to many absurd situations around the Corporation and its employees; who try to solve the user's problems; and at the same time, their own problems. With neurotic and paradoxical situations, taken to the absurd, Incommunicado is a comedy that plays with the communication phenomena.

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Ana transcribes the news of a crime committed a few nights ago in the city. Surrounded by her colleagues, Ana’s eyes perceive something strange; the killer’s look will be fixed on her.

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A film about moments of affection and maternal protection, blurred family ties and labour injustices.

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After separating from her husband after 30 years of marriage, Dalia's life seems to have slipped away. Immersed in alcohol, Dalia has no other hope than to surrender to time and let it burn out as quickly as possible. When everything seems to be coming to an end, Elsa, her housekeeper, decides to take her back to her village in the hope that a different kind of life will guide her destiny. From "nowhere," as Dalia perceives the place she's been taken to, she will have to decide between revenge, surrender, or starting over.

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Carla arrives after years of absence to accompany Martina. Relations between them are cold; there's something unspoken between them. Martina slips away for secret meetings with Diego, a man twice her age. The two are involved in a hardcore sex game that's out of control. When Carla discovers the relationship she confronts Diego.

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A family gets together for New year. Three sisters and their families who live by the river. One of them does not attend because she is still in mourning. Her sisters and her nieces try to convince her but she remains firm in her refusal.

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Las calles could be regarded as a film about words, about describing and naming, about secrets and confessions, and about language as the matter of memory. In a dialogue between generations, young people are responsible for elaborating the question, and School is the place that tries to come up with a technique for it. In turn, the elderly answer through their stories, which are basically the story of the town. And like the word –which is always a fiction– builds a reality, the film sustains its tone on that intermediate area in which a fictional setting provides the conditions for the pure documentary genre to mark the pace and reach out to people.

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In the company of housewives, professionals and a retired tennis instructor, Hernán is part of a middle-class community that is preparing for the eventual arrival of the end of the world at a holiday resort in the marshy Tigre delta.

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With the arrival of the apocalypse, four friends decide that they are going to spend the last night of their lives together, fulfilling the ritual that has kept them together for years. Every Thursday they eat a barbecue, NO MATTER WHAT HAPPENS.

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Michi, a village tarot reader, has lost his dog Ernesto, between kennels and drunkenness, Michi's wandering daily search to reunite with his pet intersects and confuses the relationship he has with Pepo and Yasu, a young couple, and with Eva, a policewoman who patrols the dirt streets that are the horizon of vernacular geography.

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