Gerry Shanahan

A bacteriological weapon developed by the US Government to create a super soldier - spreads an epidemic in a quiet little town in the middle of Eastern Europe. All citizens have been turned into infected zombies. The plan is to bring an atomic bomb into the city's nuclear plant to pretend a terrible accident occurred. No one has to know the truth. A team of mercenaries is hired to complete the mission. The battle is on. Hordes of monsters against the team. Who will survive?

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In a filthy, cramped prison, some inmates must submit to injustices perpetrated by the head of the guards and his tormentors. Above them all, however, is the Judge, whom no one has ever seen: feared by both inmates and guards, he imposes the laws to be obeyed. The prisoners know the rules to follow but remember nothing of their lives; they know only the evil they have done to get there. Almost out of nowhere, a new prisoner joins the company: Princess. She is a beautiful woman, covered only by a fur coat of raven feathers...

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When their son, Billy, becomes a zombie, the family chooses to take care of him in the home, much to the chagrin of the neighbors and the local crime boss.

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After Brian McDonald is found murdered on a beach, his sister, Sarah and his childhood friend Michael try to unravel the devastating mysteries surrounding his last few weeks alive, finding a side to her brother that they never expected...

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Ten horror tales about the strange and sinister goings-on in the Hotel Darklight: Lonely Hearts (written and directed by Ciaran Foy); Hotel Training (written by Maura McHugh and directed by Conor McMahon); Prejudice (written and directed by Paul Walker); St. Mary (written by Gerry Creehan and Paul Markey and directed by Brian O'Toole); Play Dead (written and directed by James Phelan); Heaven in a Wildflower (written by Sinead Fagan and directed by Dolores Rice); Regards to the Chef (written by Eilis Mernagh and directed by Kian Petit and Ewan Petit); Noughts and Crosses (written by Barry McLoughlin and directed by Alan Brennan); You Beta Your Bollix (written by T.C. Director and directed by Ian Whelan); Better the Derval You Know (written by Paul Markey and directed by Brian O'Toole).

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An exploration of masculinity and violence. A story of obsession and revenge, as a man tries to come to terms with a brutal, random attack and its consequences.

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Pietro and Lucia live on an isolated farm with Alice, Lucia's younger sister. Poor farmers, they live tilling the soil. Pietro is a good worker and a strong man who, unlike his three brothers, is not at war because of a deformed knee. Lucia is a beautiful and reserved woman dedicated to her family. Their life is peaceful and good, in spite of the hard work. One day, while drawing water from the well, Pietro and Alice accidentally free something from Earth's womb. A strange and alien color flashes underwater, at the well's bottom, then disappears. From that moment on, inexplicable events start happening all around the farm, and by night the surrounding vegetation glitters with a sinister glow. The color soon takes hold of the whole farm, and dwelling inside Pietro and his family's minds, it brings them into its sick world of pain, blood and death.

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Jerry has done well during Ireland's recent economic boom. From the outside it looks like he has the perfect life, but if we scratch the surface there is something very dark and disturbing underneath. This film explores the greed, apathy and prejudices of a society transformed by an economic miracle.

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A young girl makes her communion on her own.

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Slightly demented English gangster steals an Irish Pub in order to set up his ultimate score. Problems arise when the rightful owners of the pub put up more of a fight than he bargains for.

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