Henk Molenberg

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De Mantel der Liefde is a bizarre, over the top and at times hilarious settling of scores with the Catholic Church, commercial movie culture and 1970's petit bourgeois Dutch culture in general.

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After lengthy discussions with Willy Vandersteen, the artist of the comic strip, this series was put into production in 1973. This happened in collaboration with the Flemish actor and producer Wies Andersen. Instead of adaptations of the existing comics, six new stories were chosen. The puppets were given multiple facial expressions and the sets and props were made based on detailed designs by Studio Vandersteen. Lambik always acts as narrator. A striking difference with the comics is that Jerom's doll now has its eyes open.

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One day, Doctor Kroch (Henk van Ulsen) receives a chest full of gold, accompanied by a half-illegible letter pleading for help. The doctor pays no further attention to it; the patient, after all, is asking for a cure for... gold fever. When the chest is later stolen by bandits Oenk (Tabe Bas) and Boenk (John Lanting), Doctor Kroch starts to think there might be more to it after all. He decides, together with his servant Valet (Henk Molenberg), to try to find the sender of the letter, the Duke of Woestewolf (Ton van Duinhoven). During his journey, the doctor is warned by Esmeralda, a gypsy fortune-teller (Elsa Lioni). Nevertheless, he continues his journey. “Ghosts do not exist. Everything can be explained by science,” the doctor claims. But the closer he gets to Woestewolf, the stranger his adventures become.

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Dutch prostitutes Greta and Nel cruise the Amsterdam red light district, seeking clients to involve in their elaborately staged fetish fantasies, be it disciplinarian headmistresses, surgeons cutting open a willing patient, or even dressing up as chickens, the duo show their expertise in role-playing again and again and again. In reality, Nel is trapped in an abusive marriage and Greta is forever in the middle of their confrontations but her life takes a positive upturn when she becomes involved with a client.

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In this debut comedy by director Erik Terpstra, an ordinary middle-class gentleman picks up a colorful but degenerate and no-good beatnik/hippie hitchhiker and inexplicably invites him home to meet the wife and kids. The resulting conflicts between the hitchhiker, who respects no rules or boundaries, and the family, provide the substance for most of the humor in this sincere but not especially well-thought-out film. Reviewers who saw the film at the 1967 Mannheim Film Festival expressed the opinion that it was an unformed work by a promising talent.

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British agent Alec Leamas refuses to come in from the Cold War during the 1960s, choosing to face another mission, which may prove to be his final one.

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Dutch tv registration of Luigi Pirandello's classic play Enrico IV, or Hendrik IV.

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