Edward Jobson

Horace Ventimore, a young London architect, stumbles across an old brass bottle. When he picks it up a genie suddenly appears and promises Horace that he will grant every wish Horace wants in exchange for his freedom. Horace accepts the genie's offer but finds out that things aren't working out quite as well as he thought they would.

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Mix is Grant Malvern, a rancher who befriends scientist Quentin Durant (Tom S. Guise) after rescuing him from a trio of Chinese crooks. The crooks want to find Durant's Arizona gold mine, and the map to the location is contained in a pair of rings. After the crooks track down Durant and kill him, one of the rings winds up with Durant's daughter, Helen (Adams), and the other falls into Malvern's hands.

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With her marriage on the verge of breaking up, a young wife attempts to win back the love of her husband and child.

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A young man raised in the American South discovers he is an Indian prince whose throne was taken by usurpers.

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Malloy, a young Irish construction engineer just out of college, is assigned to a project and immediately falls in love with the contractor's daughter, Eileen. The contractor's secretary, who also loves the girl, hires Oleson, a Swede, to work with Malloy and delay the building sufficiently to arouse the ire of the contractor. Under these conditions, however, Malloy works all the harder, never looking gloomy or restraining his Irish humor until the Swede comes to blows with him over a strike.

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The O'Donnells are a typical, everyday family -- Tad (George Hernandez) is a sensible working man, his wife (Fannie Midgely) is a good mother and their daughter Kathleen (Constance Binney) is pretty and innocent to the point of naiveté. Kathleen works in a factory and its owner, Donald Holiday (Warner Baxter), has taken a shine to her. But instead she falls for slick cab driver Harry Stanton (George Webb), who insists, "Honest, kid, you're the only girl I ever loved." Kathleen falls for this, and when her perceptive father makes clear he doesn't approve of Stanton, she moves out on her own.

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Jane Morgan, to avoid marrying family lawyer Richard Van Loytor, takes her maid, Murray, and leaves home to make her own career. Finding it difficult to get work, she decides she is most accomplished as a "match-breaker" and offers her services in that capacity.

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Wealthy society girl Ardita Farnam is held up in her roadster by two thugs and is rescued by Nevkova, a Russian in search of a rich wife, with whom she falls in love against her uncle's wishes.

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Alias "the Dancer," fashionable society crook Jimmy Burke is hot on the trail of the Brent diamonds. Upon learning that Molly Brent and her diamonds are the stars of an amateur play, Jimmy obtains the leading man's part and devises a plan to steal the jewels. Molly falls in love with her leading man, who plans to switch the gems with fakes during the performance. After the play, the police question the couple and Molly declares that the robbery was part of the drama. When she discovers Jimmy's deed, she begins to cry and "the Dancer," realizing that he is in love with his victim, renounces his profession.

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Nick Van Alstyne owns the Henrietta silver mine and is very rich and his son Bertie is naive and spoiled. His daughter Rose is married to shady investor Mark. Mark wrecks Bertie's wedding plans by making him take the blame for Mark's illegitimate daughter, and also nearly ruins the family business by selling off some stock at too low a price.

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When, on a prank, shimmy dancer Marcia Meadows visits bookworm Horace Tarbox in his Yale dormitory, Horace falls madly in love and follows her to New York where he and Marcia marry. Denounced by his wealthy father, Horace attempts to support Marcia through his writing, but all his manuscripts are rejected, and he is fired from every job.

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After immigrating to America, a handful of European nobles find themselves living and working as common laborers. They join together one night a week to maintain the Continental style they once were accustomed to.

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Jack Temple (Washburn) adores his wife, Clara Temple (Hawley) but she is extremely jealous, and accuses him of flirting with a pretty woman in a department store tearoom. After Clara leaves, the woman follows Jack around the store even eventually onto the roof of the building and they are locked in by the night watchman and must remain on the roof all night. Jack realizes his wife will never believe this story, so he invents a yarn about visiting his friend John Brown (White) in a distant town. Clara suspects that story and contacts Brown, while Jack convinces a friend to impersonate Brown and come to his house, but the real Brown shows up too and things become complicated with the arrival of Mrs. Brown (Schaefer), the pretty young woman who caused all the trouble, but, after she introduces herself as one of Clara's cousins, all ends happily.

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When Pinto reaches her eighteenth birthday, the five wealthy Arizonans who adopted her upon the death of her parents decide that ranch life will never make a lady of her. Their old friend Pop Audry, formerly of Arizona and now a member of New York society, agrees to provide Pinto with the necessary education. Accordingly, Pinto and her cowboy nursemaid Looey are dispatched to New York where they lose Audry's address. ...

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A drama directed by Edward Sloman.

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Assistant to freight express agent Dave Haskell in the town of Pitt's Junction, Jim Kelly develops strong biceps lifting egg crates onto the daily train. Jim soon falls in love with Dave's lovely daughter Kitty, who, he worries, is interested in city slicker Perry Woods. When Woods steals $2,000 from the station safe, Jim, thinking that Dave took the money, confesses the crime and leaves for Chicago.

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Crump's Colossal Combined Carnival Show barely survives financially by hiring thieves and pickpockets to rob customers. One day, clubman Jack Hamilton buys the circus when his car breaks down on his way to meet a deadline to avoid bankruptcy and he needs the circus tractor to haul his auto out of a ditch. Hamilton leads the circus to financial success and falls in love with Gypsy, the ticket-taker. To convince Jack to marry Gypsy, her supposed mother, fortune-teller Carlotta, says that she was kidnapped as a baby and shows Jack a photo in which he recognizes Gypsy's mother as the wife of Andrew Pomeroy, the financier who ruined him.

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Bob, John, and Edward--three young boys growing up in the same neighborhood--have vastly-different experiences with sex. Bob's father patiently explains "the birds and the bees" to him, and even takes him to a hospital to see the effects of venereal disease.

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A poor hat-check girl loses her job and is forced to get a job as a dancer at a roadhouse. There she falls in love with the son of a rich businessman. The boy's father, believing her to be after the family's money, determines to embarrass her and show his son what she really is.

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Rich young Joan Hope is ashamed of how her father made his money--as a chewing gum magnate. While taking a train trip, she meets the Countess of Crex, a member of the Russian nobility--who is, in reality, a jewel thief.

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In order to save her wealthy father from disgrace and a possible prison sentence, a daughter agrees to marry the gigolo who's been blackmailing him...

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Pretty Patience Thompson, a "girl with a singing soul," lives with her cold-hearted and avaricious father, Jeff Thompson, on their Indiana farm. Her life of drudgery is brightened by John, the hired hand, but when he asks for her hand in marriage, the old man flies into a rage and discharges him. Soon an aged but wealthy widower courts Patience, and although she still loves John, "Old Jeff" orders her to marry the widower, claiming that a father's will is the law.

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Little Sallie O'Brien, who sells newspapers on the city streets, is adopted by Bridget Cassidy, the landlady, when her mother dies. Mrs. Cassidy treats the child cruelly, but soon the wealthy James Wilson befriends Sallie and takes her into his home. Sallie is befriended by Wilson's son Richard, but his daughter Marjorie dislikes the impish little girl.

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Doris Standish's father insists upon her marriage to aging millionaire Cyrus W. Hopkins, but just before the wedding, the young woman runs from the house and leaps into a parked car, ordering the chauffeur to drive her quickly away. The driver is Jimmy Nevin, who, because Hopkins financially ruined his father, has agreed to help a gang of crooks in their plot to steal the bride's jewels and wedding presents. Realizing that Doris is not Mary Butler, his accomplice, Jimmy offers to accompany her home, but when she refuses to return, he takes her to the thieves' hideout.

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To decide a wager, two young millionaires decide to take a vagrant from a lodging house and give him the name and wealth of one of the pair, to see what he will do. By mistake they seize upon a young newspaper reporter down on his luck. The reporter enters into the spirit of the idea and wins the girl of his love and gets a better job on his old paper.

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Through negotiations with the neighboring monarch, the King of Zollenstein arranges for his son to marry the Princess of Saxonia, but later discovers that the prince already has wed Lady Maulfrey Le Fay in secret.

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Alice, a little newsgirl known as "Sticks", spends her time fighting for her territory against a lot of tough kids.

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Tomboy Jane Dwight’s father strikes oil on their farm and becomes smitten with young millionaire James Thornton when he comes to purchase the land. She heads off to a posh boarding school, returning a year later with fancy airs thinking it will impress James, but he preferred the original Jane. Will she realize in time to keep his interest?

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In March 1916, Pathé released a short feature entitled Little Mary Sunshine, starring a four-year-old Marie Osborne. This was one of the first features ever directed by King and it was so successful that Pathé asked the original production company, Balboa, for five more features with the same child wonder. All were produced during the second half of 1916, and only three of them survive today – one being Twin Kiddies, which shows the amazing progress King had made since the first film in the series. Of course, the story is thin, the ending quite abrupt, and the opening sequences rather long. Yet, the direction is much more subtle, alternating between shots of different size, suggesting that King was mastering the art of composition.

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A rural comedy.

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