Norman Mozzato

After the release of "Nostalgia", Andrei Tarkovsky runs out his Soviet authorities permission to work abroad: he has to go back home. But he understands from the messages of some friends and colleagues that his life in Russia would be even tougher than before. So he then decides to break with Soviet authorities and, a year before the Milan Conference of 1984 during which he will announce publicly his decision, he leaves his friends that are hosting him in Rome and takes refuge in a secret location.

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A film about the reunion of a family broken by the pain and because of the pain can be reunited. An intense story, told in a soft and sensitive way, showing the search and dedication of a man rediscovering family and the love that unites the brothers, finally forming a real family.

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Mokumentary. Year 2020, Nicolino Amore becomes the new mayor of Naples and begins a war on garbage and organized crime. In this way, Naples will soon be the cleanest and safest city on earth.

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To trace the fading past of his parents, a grizzled Greek-American filmmaker decides to shoot a movie. By recounting the painful efforts of his mother to reunite with his musician father, his film spans more than half of the 20th century.

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Love, business, anxieties, friendships, feuds, and resentments paint the picture of the main story, that of a group of criminals who for nearly fifteen years, from 1977 to 1992, cherished an illusion: that of conquering Rome. The Lebanese, Freddo, Dandi, Patrizia, and Commissioner Scialoja are some of the characters inspired by the true story of the Magliana gang. As stated by Aldo Grasso, the first season of the series gives more space to the crime scene, that is, the criminal exploits of the Magliana gang, while the second season delves deeper into the "behind the scenes" of the crime: thus, the gang's repositioning after a key plot event, and the effects and questions this has provoked in the protagonists' consciences.

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Boris is an Italian television series created by Luca Manzi and Carlo Mazzotta, initially produced from 2007 to 2010, with a revival season premiered in 2022. The show brings to the stage the behind the scenes of a television set where a troupe is shooting Gli occhi del cuore 2 (The eyes of the heart 2), a satirical portrait of the many fictions airing on the Italian TV networks.

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Congressman Bonfili, a family man and promoter in the Italian Parliament of a family law, has a clandestine affair with a feisty starlet wannabe actress. In his murky scheming, he also involves his blameless private driver.

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A nearly sightless boy is sent to a school for blind children, where he secretly discovers the possibilities of the recorded sound.

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A couple of bourgeois intellectuals, Carlo and Silvia, have been married for twenty years. While she lives in their flat in Rome, he spends most of his time in the country house where he writes his books, openly living with his younger lover, Lù. In return, Carlo has long accepted that her wife may have lovers, but her volatile relationship with a young neo-fascist suddenly rekindles his jealousy.

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A grieving woman, haunted by the loss of her husband on their wedding day, suddenly finds herself slipping between two realities—one where she remains a widow and another where he is alive with their son. As she struggles to distinguish truth from illusion, she becomes entangled in love, betrayal, and mystery, questioning her sanity while searching for answers in a world that keeps shifting.

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Marcello is a dwarf who is kept hidden by his family and falls in love with a prostitute from the local brothel. The prostitute's lover plots to kill the dwarf but she helps him to escape, though at a cost to her own well-being.

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Alexander, a tribal warlord and former political prisoner, kidnaps British tourists, holding them for ransom until Britain and the Greek puppet government in Athens meet his demand for amnesty for his band of freedom fighters.

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"During a Scholarship at the British School at Rome I adapted a 1935 text by Italian writer Luigi Pirandello called Treatment for Six Characters. Written over 10 years this was intended to be a precursor to Pirandello’s seminal 1921 meta-play Six Characters in Search of an Author [...] the film was to feature a fictional version of the development of his play, allowing Pirandello to explore the ethics of the creative process."

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