Hugo Van Den Berghe

Two people meet again after more than 50 years. They were lovers once, but their lives took different turns: she married his best friend. Fifty years later, they meet again and passion flares up. But is it possible to pick up the thread of a life that unraveled fifty years ago? The story of a wonderful last love affair, which is relived with the intensity of a first.

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1985. Georges is a born market vendor. As a driven salesman he sells anything, anytime, to anyone. When he hears that the Pope is coming to Belgium, he smells his chance. In addition to the grounds, where tens of thousands of believers will attend an open-air mass, Café Derby is for rent. Georges is sure to earn a small fortune. But his wife and five children are not convinced. It would be another move in too short a time. But as George puts his mind to something...

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A cordon seals off a section of Antwerp when a deadly virus threatens the city. People are left to their own devices which brings out the best but also the worst.

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The story of Stan Vandewalle, who's on his way to becoming a sports hero. On his way to the top he encounters many challenges: keeping up appearances, easy women, alcohol, drugs and money... lots of money.

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Witse is a Dutch language crime drama produced by Belgian broadcaster VRT and broadcast on their één channel. It is also shown on BVN. First broadcast in 2004, as of 2010 the programme comprises eight series with a ninth and final series planned for 2012. It stars Hubert Damen as the eponymous Witse, a driven inspector in the Belgian federal police based in Halle. It is one of the most popular Flemish television programmes with some 1.6 million viewers. There are also Witse books. The first three were based on the last two episodes of each season, but since 2010 every six months a brand new story is published, written and invented by established Belgian writers, as Bob Van Laerhoven and Bart Van Lierde. The music for Witse is composed by Steve Willaert.

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Flikken was a popular Flemish-Belgian TV series about a police-department located in Ghent. The show started in 1999 and ended recently on 19 April 2009. In the series, a team of six police officers solved various crimes, petty crimes as well as organised crime. The series always aimed at showing the policework in a realistic way - though a little personal drama was never far off. Of all the actors that came along during the ten seasons, only Mark Tijsmans and Ludo Hellinx appeared throughout the entire series. Flikken was produced by the VRT and broadcast on Belgian public channel Eén and TROS in the Netherlands. Flikken is very popular in Belgium and the Netherlands. The show has had very high ratings of up to 1.8 million viewers during the last season. Every year the VRT organises the Flikkendag, a family day where the public can meet the actors of the show. There are many games, demonstrations of the real police and other safety organisations and performances of singers. On 18 April 2009, a special farewell party was organised in Ghent, in which the actors and crew said goodbye to their fans - thousands had assembled to watch the show on stage.

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'Familie' is the longest running Belgian soap opera. The Van den Bossches originally had an electronics company, later a holding company that included a clothing chain and a sandwich shop. In the meantime, we closely follow the personal lives of the Van den Bossches and their entourage. Grandma Anna and all her children and grandchildren have been through a lot over time and it doesn't look like their lives will become calmer any time soon.

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The 1950s. A family has its annual family reunion to commemorate the anniversary of mother's death. People drink and eat heavily and after a while all restrictions are lost. Family members start venting old frustrations, discussions and tensions. Eventually one homosexual young man gets depressed and a drama escalates.

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A respected police commissioner has a reputation as a opera lover, but by night he also enjoys plunging into the transvestite scene. In addition, he harbors a longing for his very own sister. When he learns that his wife has been murdered, he tries to implicate the set designer who has designs on his sister.

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In a near future the world is split into two categories, the supporters of law and order on the one hand and the rebels on the other. Chico, a biker, who is to be conscripted into the army, is part of the second group. He soon runs away from a military hospital and, thanks to the help of a gang of motorcyclists, helps his friends to escape from prison. A violent confrontation with police forces ensues.

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"Why do you stutter?" a son asks his father, the comedian. "It's a long story," replies the father. "I was afraid of that," says the son, "can't you make a film about it?" As a viewer, you then step into the film and see Freek de Jonge performing as a committed street artist.

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The story takes place in 14th-century Flanders, a region suffering under the oppressive and bloody occupation of the French King, Philip the Fair. Tensions between the arrogant French nobility and the proud Flemish guilds reach a boiling point. Following the bloody uprising known as the Bruges Matins, an armed conflict becomes inevitable.Without their imprisoned leader, Robert of Bethune—the "Lion of Flanders"—craftsmen, peasants, and local nobles unite. This leads to the legendary Battle of the Golden Spurs on July 11, 1302, near Kortrijk, where an untrained Flemish citizen army faces the elite French cavalry.

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A border guard faces a crisis of conscience when he learns that an old comrade is smuggling butter across the border.

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Hugo Claus rewrote and directed Friday as the cinematic version of his original 1969 play of the same name. Just as in the play, the story begins with the theme of incest, as the father Georges (Frank Aendenboom) returns from serving his jail sentence for that crime. Unlike the earlier play, however, the film does not emphasize that aspect of the story. When Georges gets home he finds out that his wife Jeanne (Kitty Courbois) has had an illegitimate child by a younger man, Erik (Herbert Flack), and now both of them must somehow try to return to a normal life, given their only too obvious lapses in moral judgment. As the husband and wife try hard to accommodate each other's failings and start to get to know each other again, Erik comes back into the picture. Now the three of them must resolve the deep-seated conflicts that brought them to this emotionally-wrought juncture of love and betrayal.

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A 40-year-old mother struggles to deal with the anxiety of growing older after her eldest daughter moves out and the youngest distances herself.

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The Mayor of a small Flemish town is determined at all costs to save a unique bird sanctuary from a ruthless businessman who advocates a housing development on the site. The main story, though, centres on a childhood trauma that unites the two men and a dark femme fatale whom one desires and the other attempts to manipulate.

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This historical costume drama is a mini-series on the life of Flemish first-rate Baroque painter Pieter Pauwel Rubens (1577-1640), whose artistic success throughout Europe not only made him a fortune allowing him to stock his Antwerp residence ('Rubenshuis' in Dutch) and a castle at Elewijt, in the countryside nearer Brussels, with numerous fashionable treasures, but also became an ennobled diplomat for the Spanish Hapsburg rulers of the Southern Low Countries (now Belgium), who often traveled, for painting commissions and/or diplomatic missions, to and worked in Italy, France, Spain, all Catholic powers, as well as protestant England and the United Provinces (mainly Holland), also allowing him to meet other prominent contemporaries such as artists. It further covers his marriages to Isabella Brandt and Hélène Fourment.

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An Antwerp journalist finds his daily life increasingly disrupted by unexplained phenomena, such as an authentic letter from 1919 that refers to an event taking place at a much later date. Because these disturbances are consistently linked to the name “Joachim Stiller,” the journalist becomes obsessed with it. The resolution, which is closely tied to his traumatic experiences from the Second World War, takes place with a psychiatrist—and later at an abandoned railway station in an Antwerp suburb. Interwoven with this is a subplot about an Antwerp art dealer who believes he can become rich through a new form of painting. To achieve this, he takes a mentally disabled artist hostage. The narrative also follows various romantic entanglements involving the journalist, which ultimately lead to his happy experience of fatherhood.

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