Pepa Rus

In a dystopian Spain, a journalist is captured by mutants after publishing provocative articles. Forced to take part in a theatrical parody based on her own critiques, she uncovers the hidden world of an excluded, surviving society.

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The film deals with the filming of an episode of the series with storylines that take place both within the fiction with the characters of 'Aída' and outside of it with the actors themselves and their relationships, which reflects on topics such as the limits of comedy, the work of a comedian and fame.

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After the Apocalypse doesn't happen, Tomas tries to recover his past life, with little success, while Julia sees in the Non-End of the World a second chance to change her life. Their paths, opposites, will have to converge in the only thing that unites them right now: their daughter Noa.

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A major traffic jam throws thousands of citizens on the outskirts of Madrid into chaos, disrupting their plans. This everyday situation will be the starting point for unexpected, comical, and emotional plots.

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Year 1987. Rubén is a ten-year-old boy who grows up playing tag in the village. He lives with his parents and his grandmother, with whom he spends the afternoons. Rosa tries to keep her grandson as a child and not to be aware of the dramatic situation at home, which is spoken about in a low voice.

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Oblivious to the strife that awaits them, a group of young nurses from Spain's upper class head to war-torn Marocco in 1921 to help where help is needed. Many lessons in love and life are learned before they overcome deepest conflicts, grow as human beings and find out what they really want from life and whom they truly love.

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Sira Quiroga is a young Spanish dressmaker engaged to a solid suitor when a suave typewriter salesman upends her life. Spain is being upended by a civil war and the new regime's growing alliances with Nazi Germany. Sira, smart, gutsy and resourceful with a Scarlett O'Hara-like ability to whip up designer duds on a moment's notice, Sira has spunk. Sira gains and loses a small fortune, is dumped by her cad of a lover in Morocco, runs guns to get the cash to start her life anew and becomes couturier to the Nazi wives stationed in Madrid. Urged on by her friend, the real-life British spy Rosalinda Fox, Sira, too, aids the British cause.

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A soldier protects a mule during the Spanish Civil War.

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If a simple economic transaction can bring happiness back into a marriage, why not carry it out?

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La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

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Aída is a Spanish comedy sitcom set in Madrid, that spin off from another sitcom called 7 Vidas. The show first aired on January 16, 2005 and is produced by Globomedia for the Spanish network Telecinco. It currently started its ninth season. The show stars Carmen Machi as the title character, Aída García, a working, single mother with two teenage children, forced to move in with her mother and brother to make ends meet. The show has received favorable criticism from the audience and has been the most viewed show in Spain since 2007. It has also received several awards like the Ondas Award for Best Spanish Sitcom. The Polish re-make of the series began airing in March 2012 on TVP2 channel.

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