Gillian Wallace Horvat

In this new program, actors Beverly D'Angelo, Don Dacus, Ellen Foley, Annie Golden, John Savage, and Dorsey Wright recall how they became involved with Hair, what it was like to work under the direction of Milos Forman, and era in which the film emerged, and how it impacted their acting ambitions and careers. (Some of Mr. Savage's comments are very emotional).

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in this new program, editors Lynzee Klingman and Stanley Warnow remember how they were given the opportunity to work on Hair and discuss the type of work they did to meet Milos Forman's requirements for the film.

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In this new program, choreographer Twyla Tharp remembers her collaboration with Milos Forman on Hair and explains how the entire project was put together.

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in this new program, production designer Stuart Wurtzel recalls his initial encounter with Milos Forman and their professional relationship during the production of Hair.

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In this new program, James Mangold (Cop Land, 3:10 to Yuma) discusses the enormous impact Milos Forman had on his maturation as a filmmaker.

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A struggling filmmaker senses her peers are losing faith in her ability to succeed, so she decides to prove herself by finishing her last abandoned film and committing the perfect murder.

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In this program, film scholar and author Matthew Bernstein discusses the life and unusual career of producer Walter Wanger, who greenlighted Invasion of the Body Snatchers.

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A video essay on Bound featuring Jennifer Moorman and B. Ruby Rich

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A branding intern loses the life he once had after an encounter with a mysterious blonde and her whiskey bottle... but gains something very special in return.

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Cinematographers Ben Kasulke and Sean Price Williams discuss their relationship to and the cinematography of Letter from an Unknown Woman. An extra on Olive Signature's Blu-Ray release of Letter from an Unknown Woman.

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An interview with French documentarian Marcel Ophüls about his father Max Ophüls, regarding Max's arrival in Hollywood, how he received approval for Letter from an Unknown Woman (1948) from the head of the studio, his return to France, and what Marcel has learned from his father. An extra on Olive Signature's Blu-Ray release of Letter from an Unknown Woman.

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An interview with New York University Film Studies Professor Dana Polan about Letter from an Unknown Woman by Max Ophüls, tracing the film's production history and situating it within the wave of independent and semi-independent filmmaking in post-war Hollywood, as well as within the context of the 1940s and WWII. An extra on Olive Signature's Blu-Ray release of Letter from an Unknown Woman.

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Larry Ceplair, co-author of The Inquisition in Hollywood, and blacklisted screenwriter Walter Bernstein, a former member of the Communist Party, discuss the socio-political environment in Hollywood during the 1940s and 1950s, as well as unusual production history of "Johnny Guitar."

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Critics Kent Jones, B. Ruby Rich, Joe McElhaney and Miriam Bale discuss the unique qualities of "Johnny Guitar," its lasting appeal and the influence the film had on some prominent directors during the years.

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Critics Kent Jones, B. Ruby Rich, Joe McElhaney and Miriam Bale take a closer look at the feminist overtones in "Johnny Guitar."

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Editor Mark Goldblatt (The Terminator) discusses the unique narrative structure of High Noon and its editing.

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Historian Larry Ceplair and blacklisted screenwriter Walter Bernstein discuss the production history of High Noon, Carl Foreman's blacklisting, and the McCarthy era.

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Filmmaker and film historian Michael Schlesinger discusses Stanley Kramer's work as a producer and the socio-political environment at the time when he was most successful.

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A nice guy discovers his dark side when his girlfriend reveals her secret weakness.

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This visual essay, narrated by Anton Yelchin, focuses on the production history at High Noon. Included with the essay are plenty of very rare and archival promotional materials

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A struggling filmmaker senses her peers are losing faith in her ability to succeed, so she decides to prove herself by finishing her last abandoned film and committing the perfect murder.

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A girl who keeps growing extra fingers lives as a recluse due to bullying. When she sees a possible solution to her condition, it takes her on a path to a much different outcome.

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in this new program, editors Lynzee Klingman and Stanley Warnow remember how they were given the opportunity to work on Hair and discuss the type of work they did to meet Milos Forman's requirements for the film.

Open details →

In this new program, choreographer Twyla Tharp remembers her collaboration with Milos Forman on Hair and explains how the entire project was put together.

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in this new program, production designer Stuart Wurtzel recalls his initial encounter with Milos Forman and their professional relationship during the production of Hair.

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A struggling filmmaker senses her peers are losing faith in her ability to succeed, so she decides to prove herself by finishing her last abandoned film and committing the perfect murder.

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In this program, directors Larry Cohen (Special Effects) and Joe Dante recall their first experiences with Invasion of the Body Snatchers and discuss the unique qualities of the film's narrative, the lasting impact it had on generations of filmgoers and future filmmakers, and Jack Finney's novel.

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In this program, film scholar and author Matthew Bernstein discusses the life and unusual career of producer Walter Wanger, who greenlighted Invasion of the Body Snatchers.

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