Mila Aung-Thwin

Boniface Mwangi is daring and audacious, and recognized as Kenya’s most provocative photojournalist. But as a father of three young children, these qualities create tremendous turmoil between him and his wife Njeri. When he wants to run for political office, he is forced to choose: country or family?

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IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard worker and often far from home, visiting festivals around the world. In 2013, he died after a short illness. His daughter Mira was left behind with a whole lot of questions, and a box full of videotapes that Wintonick shot for his Utopia project. She resolved to investigate what sort of film he envisaged, and to complete it for him.

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Follows four women of the estimated 40,000 displaced people moved from the banks of the Xingu River in the Amazon Basin to make space for construction of one of the world's largest dams, the Belo Monte.

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How does a nation survive being swallowed by the sea? Kiribati, on a low-lying Pacific atoll, will disappear within decades due to rising sea levels, population growth, and climate change. This exploration of how to migrate an entire nation with dignity interweaves personal stories of survival and resilience.

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This exploration of Japan's fascination with girl bands and their music follows an aspiring pop singer and her fans, delving into the cultural obsession with young female sexuality and the growing disconnect between men and women in hypermodern societies.

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Let There Be Light follows the story of dedicated scientists working to build a small sun on Earth, which would unleash perpetual, cheap, clean energy for mankind. After decades of failed attempts, a massive push is now underway to crack the holy grail of energy.

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Strict military rule and international sanctions kept Myanmar sealed off from the world for decades. The Vote observes residents of the bustling city of Yangon as they navigate their first democratic election in over 50 years.

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Ted "Black Lightning" Patrick's practice of "deprogramming," also known as "reverse brainwashing," started in the early 1970s and quickly snowballed into a vast underground movement composed of concerned parents, ex-cultists-turned-deprogrammers and some sympathetic law-enforcers whose mission was to physically and mentally remove individuals from cults.

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Juanicas is an intimate portrait of a Mexican immigrant family in Quebec affected by mental illness. Using material shot over almost 10 years, the filmmaker documents her complex relationship with her mother and brother, both suffering from bipolar disorder.

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From the shadows of the majestic Pamir Mountains of Tajikistan comes a story of Azam, a shepherd and Buzkashi champion, who faces the pressures of modernization in the sport and in his own personal life. Azam plays as an individual for honor and integrity, but his success is increasingly thwarted by organized alliances, or "mafias", encouraged by his rival Khurshed, a member of Tajikistan's nouveau riche. Khurshed believes that team play is the future of the sport. Between challenges on the field and within his own family, Azam tries to find a place for himself in the new Tajikistan. Written by Najeeb Mirza

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Based on a true story, Mokhtar recounts the tale of a young boy who lives with his family of goatherds in a remote, Moroccan village. One day, the boy finds a fallen owl and decides to keep it, despite the fact that the owl is considered a bad omen. Mokhtar's new pet becomes a symbol of rebellion against his family and an icon of his fledgling independence. Kinship, religion and spirituality are all confronted in this astounding piece that celebrates inner and outer strength.

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Three years in the making, this feature documentary follows the progression of the Muslim Punk scene: from its imaginary inception in a novel written by a white-convert named Michael Muhammad Knight to a full-blown, real-life scene of Muslim punk bands and their fans.

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RiP!: A Remix Manifesto is a 2008 open source documentary film about the "the changing concept of copyright" directed by Brett Gaylor.

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With Antoine, filmmaker Laura Bari treats us to a sensitive portrait of a six-year-old boy, one like any other, except that he’s blind. We follow Antoine in his classes, playing with friends, skating, and visiting family. We accompany him on imaginary excursions as a detective, listen to him as a radio host, and sit shotgun as he drives his parents’ car. Antoine allows us access back into childhood since this isn’t a film about the struggles of a blind child but rather one about the real and imaginary world of childhood.

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At the edge of the Yangtze River, not far from the Three Gorges Dam, young men and women take up employment on a cruise ship, where they confront rising waters and a radically changing China.

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We follow Roach, a 17-year-old ex-junkie and squeegee punk living on the streets of Toronto and Montreal. As part of the filmmaking process, he's been given a camera to document his world. The footage he gets is urgent, because there's a war against squeegee kids. This documentary is from the point of view of the kids themselves, in order to provide alternative voices. Roach's camera is positioned behind "enemy" lines: living in derelict buildings, squeegeeing for money, being hunted by police.

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Dotted along an elevated train line in Richmond, BC, a sea of Asian-themed plaza malls and shopping centre signposts a massive demographic shift. The Golden Village takes us inside these vibrant spaces where every shop has a story, and everyday activities become moments of connection and belonging. A celebration of the mall as a “third place,” The Golden Village is a wondrous portrait of the places where culture, commerce and community converge to form a sense of home in an ever-changing landscape.

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