Tayfun Pirselimoğlu

Kemal is a guard at an empty villa belonging to a dark businessman outside the city. One night, he finds a book called IDEA, left by someone whose face he cannot see, on the bus he occasionally goes to the city. After, Kemal’s life begins to turn to hell in a way that he could never understand.

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Can witnesses a murder in a small town. The police don't allow him to leave after his testimony. On the other hand, a quarantine is declared due to rabid dogs. The whole town turns into purgatory with no exit is almost at the edge of insanity.

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The residents of a small town set between a stormy sea and an ominous forest are becoming insane. They are convinced that successive signs appearing in the town are indications of doomsday.

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Nihat, an introverted employee in a hospital cafeteria, is confused by Ayşe, a mysterious woman who just started working there as a dishwasher. Her obvious seductive approaches embarrass Nihat and make him nervous at the same time. Despite the rumors about her husband having been sentenced to many years in jail, Nihat reluctantly accepts Ayşe’s invitation to dinner at her house. This is the beginning of a strange and dangerous liaison. When Nihat discovers a picture of the woman’s husband and realizes that he looks astoundingly like him, the relation becomes even more toxic.

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A wig-maker from Istanbul, who suffers from cancer, becomes obsessed with a woman who enters his shop one day.

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Reşat, a withdrawn and asocial young man who works at a pirate DVD shop, represses his feelings for the girl next door, and adds excitement to his life with petty theft. The film turns into a thriller when the shadowy Celal, a friend of Reşat's boss, gets shot just after he leaves a package in the shop and Reşat has to make sense of the photo and the gun it contains.

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When a nationalistic wealthy landowner's idealist son falls for a non-muslim prostitute, he finds himself in a conflict between his feelings and politics under the shadow of the events of September 6th-7th in 1955, the Istanbul Pogrom.

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Sükran's son Veysel works in a factory. Suffering as a result of her husband's political actions, she tries to save her son from the same fate.

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A not very talented Albanian barber in Italy has a huge imagination.

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Commissioner Kemal, who is nearing retirement, investigates a suicide case. Cezmi Kara, whose face has become unrecognizable, has been found dead in her home. Kemal suspects that this is a murder and obsesses over the dead man's face.

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The film is an investigation of a hotel that no one can leave.

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